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RIP – Anna Ruby Gordy Gaye

EDITOR’S NOTE: I have never met this lady.

However she has always totally fascinated me.

Someone should do a movie about her.

IMHO her story is an important component in understanding the reality of Motown and hence that story of Black music in Amerika.

Rest in peace Anna Gaye!

–Bob Davis

—-

Taken from Wikipedia

http://en.wikipedia.org/wiki/Anna_Gordy_Gaye

Anna Ruby Gordy Gaye (née Gordy; December 12, 1921 – January 31, 2014) was an American businesswoman, composer and songwriter. An elder sister of Motown founder Berry Gordy, she co-founded the photo concession at Detroit’s Flame Show Bar, with sister Gwen. In 1958, she co-founded the record label Anna Records, alongside Gwen and Billy Davis. Later the wife of Motown recording artist Marvin Gaye, she co-wrote two tunes on Gaye’s What’s Going On album, and co-wrote hits with Gaye for the Motown group The Originals, including the hit ballad “Baby, I’m for Real”. The troubled marriage between Anna and Marvin became the focal point of Gaye’s 1978 album Here, My Dear.

Life and career

Anna Ruby Gordy was born in Milledgeville, Georgia, located in Baldwin County, Georgia, the third-eldest of eight children of Berry Gordy Sr. (Berry Gordy II) and Bertha Ida (née Fuller) Gordy. Shortly after her birth, Gordy’s father moved up to Detroit from Georgia to seek a better life for his family and to escape any hint of racial tension due to a business deal, later sending for his family after settling down. Gordy, like most of her family, became a successful businesswoman, starting out as a co-operator of the photo concession at Detroit’s Flame Show Bar in the early fifties with sister Gwen, later starting her own namesake label, Anna Records with Gwen and Billy Davis in 1958, a year before her brother Berry launched Tamla Records, later to be a subsidiary for Motown.

The label would later be noted as the distributor of Tamla’s first national hit record, “Money (That’s What I Want)”. Other artists such as David Ruffin, Marvin Gaye and Joe Tex also recorded for the label, which lasted until 1961, when Berry Gordy absorbed the label and its artists. Gordy then joined her brother’s label and started the Artist Development class, becoming its president. Gordy also joined Motown’s staff team as a songwriter. Gordy’s biggest success as a songwriter came in the late 1960s and early 1970s, co-writing two major hits for Motown group The Originals, alongside her then-husband Marvin Gaye, including “Baby, I’m for Real” and “The Bells”, which also featured Anna’s niece Iris, as a co-writer. In 1971, Gordy’s husband released the acclaimed What’s Going On, which featured two songs co-composed by Gordy, including “Flyin’ High (In the Friendly Sky)” and “God Is Love”.

The song’s musical instrumentation was co-composed by Gordy and was used in another Gaye-Gordy composition, “Just to Keep You Satisfied”, which Gaye produced versions by The Monitors and The Originals before overdubbing The Originals’ version for his own version on 1973’s Let’s Get It On. However on Marvin Gaye’s version, the singer completely rewrote the lyrics and based the song on the demise of a marriage. Gordy left Motown in 1979 and retired from the music business.

Personal life

Gordy met Marvin Gaye around 1960. Although seventeen years her junior, Gaye pursued Gordy for months before the two eventually started dating around 1961. After a two-year courtship, they married around June 1963. According to Marvin, it was Anna who convinced Motown to allow Marvin to work on a standards album (The Soulful Moods of Marvin Gaye). Gordy, herself a songwriter, helped to pen the song, “Never Let You Go (Sha-Lu-Bop)”, from the album. Inspired by their romance, Gaye penned hit singles based off Anna including “Stubborn Kind of Fellow”, “Pride & Joy” and “You’re a Wonderful One”. Of “Pride and Joy”, Gaye said, “When I composed ‘Pride and Joy’, I was head over heels in love with Anna. I just wrote what I felt about her, and what she did for me. She was my pride and joy.”

The marriage between Marvin Gaye and Anna was reportedly turbulent, leading to public spats. During their marriage ceremony, Anna threw one of her heels at Marvin to stop an argument. In order to bring some stability to their home life, Anna and Marvin adopted a little boy who was born on November 17, 1966. The boy was soon named after his adopted father (Marvin Pentz Gaye III). While the boy was said to have been naturally conceived by Anna and Marvin during Motown’s public relations stories of the couple, Marvin himself would confirm the adoption in David Ritz’s Marvin biography, Divided Soul: The Life of Marvin Gaye. In later years, the identity of the mother was revealed as Denise Gordy. After Marvin’s death, 17-year-old Marvin III learned of his mother’s identity and of his parents’ adoption. Marvin Gaye told Ritz that he was afraid of revealing the truth about the adoption due to facing ridicule for not being able to father a child naturally.

During the mid-1960s, Marvin and Anna lived at a comfortable home outside Outer Drive in Detroit until 1972 when the couple relocated to Hollywood. Shortly after the move, however, the Gayes’ marriage fell apart. By 1973, Gaye had moved out of their Hollywood Hills home, filed for legal separation from Anna and settled with a young woman, Janis Hunter, who ironically was seventeen years younger than Marvin. Following the births of their children, Nona and Frankie, an upset Anna Gordy filed for divorce. The ensuing divorce case lasted for a year and a half, with the matters settled by March 1977. The divorce court was extensive due to Gaye’s absence in court as Gordy’s attorneys discussed matters of payments for spousal support and alimony for their son, the few times Gaye did show up to court, he would leave angered enough to compose music. To settle Gaye’s financial difficulties in the divorce settlement, Gaye’s attorney Curtis Shaw worked out a deal in which Gordy would be paid off from the royalties of Gaye’s next album.

The resulting album, Here, My Dear, gave audiences a view of the marriage through Marvin’s point of view. Released in December 1978, Gordy heard the album and threatened to sue Marvin Gaye for $5 million for invasion of privacy. Nothing came of this threat. Despite the divorce, by the early 1980s, Marvin and Anna had reconciled their friendship and Anna began attending events with Marvin following the release of his Midnight Love album and was present at the Grammy Awards in 1983 when Marvin Gaye won his only two Grammy Awards. When rumors escalated that the exes had considered remarriage, Gaye would tell reporters that he and Anna were happy enough to “remain friends”. Gaye’s death in 1984 devastated Gordy; later she and Marvin’s three children disposed of most of Gaye’s ashes near the Pacific Ocean following his cremation after his funeral while Anna herself kept a portion of Marvin’s ashes following his funeral. When Gaye was honored with induction to the Rock and Roll Hall of Fame and the Hollywood Walk of Fame, Gordy attended and accepted Gaye’s induction to the Hall of Fame on his behalf with Marvin Gaye III.

Gordy made her last public appearance with her brother Berry at a red carpet event where he was honored, in 2008. She died on January 31, 2014 at the age of 92.

–Bob Davis

609-351-0154

The Mighty Hannibal, Funk-Soul Iconoclast, Dead at 74

I know that a few of you got to see The Mighty Hannibal a few years ago in Brooklyn.

A great Funk artist! RIP

From Spin Magazine..

——

The Mighty Hannibal, Funk-Soul Iconoclast, Dead at 74

Outspoken Atlanta artist born James Shaw was a mentor to many, including Black Lips

http://www.spin.com/#articles/the-mighty-hannibal-dead-74-funk-soul-james-shaw

January 30 2014, 9:09 PM ET

The Mighty Hannibal has died. According to Norton Records founder Billy Miller, the man born James Timothy Shaw passed away on Thursday, January 30, at the age of 74. The funk-soul singer, songwriter, and producer released precious few album in his time – 1973’s Truth, 1998’s Who Told You That, and the 2001 Norton compilation Hannibalism – but he was influential among and beloved by his fellow musicians.

His passing seems to have been quite sudden.

“Very, very sad news,” wrote Miller on Facebook, sharing a vintage photo of the Atlanta born, raised, and based artist wearing his signature pink turban, a blue tie, and a sharp-looking suit. “Norton Records superstar The Mighty Hannibal has passed away. We do not have the full details. He called Norton HQ this morning and was his usual upbeat self and all seemed fine. This is devastating news. A true legend is gone…”

One of the earliest responses came from the Black Lips, who are on the verge of releasing their seventh album, Underneath the Rainbow. “Very sad news today,” one of the Atlanta flower-punks wrote on their Facebook page. “My dear friend, mentor and fellow Leo, The Mighty Hannibal has passed away. Gonna miss you buddy.” In 2007, the Black Lips backed the Mighty Hannibal at what was billed as his “first southern show in thirty years.”

At that same show, a city official declares January 12 “The Mighty Hannibal Day.” Watch below, and also be sure to listen to his “Hymn No. 5,” an anti-war classic recorded during the Vietnam War and banned from radio during its day;

–Bob Davis

609-351-0154

GET Bobby Womack – “Bravest Man in the Universe”

Album Review: Bobby Womack – Bravest Man in the Universe

Don’t delay purchasing this album! It is not surprisingly a winner. It has a little something for everyone. Four out of five stars is an appropriate rating. Emerging from it are sounds of newness, very much unlike what we would have expected from Bobby Womack 20 years ago. Bobby demonstrates his strengths and experience through his raspy and soulful strands on each of the eleven tracks. The significance of the songs on the album lie within the deliverance of the agony and defeat, despair and pain that he’s experienced as you hear him deliver each flawless note. Remerging as a refined and pristine artist at time when most well known R&B artist are not visible, Bobby effortlessly delivers across genres and attracts the ear of several diverse age and musical listening groups. This is most definitely a crossover album. It places Bobby in many genres.

Thoughtfully arranged, the album grasps your undivided attention as Bobby delivers “The Bravest Man in the Universe”. As one listens he soulfully belts out that the bravest man in the universe is the one who has forgiven first. Followed up by “Please forgive my heart, Bobby remorsefully sings this song with conviction: “I’m a liar, I’m in a dream, going my way, nothing to rely on. The tune “Dayglo Reflection” is an upbeat piece with Lana Del Ray which tributes Sam Cooke’s voice as he delivers a beautiful and personal quote about life, maturity, decisions and choices. The sultry voice of the late singer LANA DEL RAY captivates you as you listen to the sensual and soulful collaboration. “Please forgive my heart” offers the testimony of his life, as he suggests remorse and yields transparency to the man he is today. “Stupid” has the poet written all over it as he soulfully sings about the church, preachers and questionable behaviors. “Deep River” is the Bobby Womack that everybody has been waiting to hear. He plays that guitar as though it was invented just for him. When he sings the crescendo, remarkably you hear Sam Cooke echoing in his heart.” Love is gonna lift you up” is an upbeat song that allows you to rock in your chair. Cheerful and funky, the tune grasps all genres. He strongly concludes the album with “Don’t you let nobody turn you around”. He remerged as the Poet Legend, but with a much more defining and modern twist. Sexy, sassy, soulful and sensual, he’s raspy voice is still Bobby. He didn’t sell out or alter his style, while delivering new material and staying true to form. You have to admire this.

Some people don’t like change, but this man is too talented to be conformed to one style of music. He has shown through this album that his versatility, ingenuity, creativity and talent can sweep not only across R&B, but Urban Rap, Latin, Classical, Jazz and Pop. This is experience, talent and sincerity as we speak. It is fair to admit that the synchronized effects were unnecessary, because Bobby’s voice is and will always be remarkable. It is almost as if the sounds were specifically arranged around each and every note that he sang. For all those fans and listeners who are unaccustomed to Bobby reaching across genres, keep an open mind and explore the album. You just may find that it is one of the best collaborations produced from this artist. Nevertheless, it will be enjoyed. He is to be admired for welcoming innovation and creativity to enhance his already well respected career.

Track Listings:

1. The Bravest Man In The Universe

2. Please Forgive My Heart

3. Deep River

4. Dayglo Reflection

5. Sweet Baby Mine

6. Stupid

7. If There Wasn’t Something There

8. Love Is Gonna Lift You Up

9. Nothin’ Can Save Ya

10. Jubilee (Don’t Let Nobody Turn You Around)

~Andrea S. Wooten~

–Bob Davis

609-351-0154

Notes on a Dying Culture #666 (The Whitney Houston Funeral Telecast)

As I watched the Whitney Houston funeral services, as broadcast on American cable TV yesterday, several things struck me.

Here was the root of the mid 20th century Black American culture on full display for the American public to see

Of course this should come as no surprise, because this was indeed the culture that had produced Whitney Houston.

It is also the very same culture that had produced Michael Jackson, Julian Bond, Magic Johnson, Jimi Hendrix, Miles Davis, Julius Erving, Jessie Jackson, Richard Pryor, Berry Gordy and many others.

This was the culture that had provided the fuel for the American Civil Rights movement. Up until about 1990, this genius of a culture had produced nearly 100 percent of that which was considered a contribution of Black Americans and probably 75 percent of the American culture, exported to the rest of the world. It was a culture built upon simple notions of “sacrifice today, so that future generations can be better off.”

Then around 1990, a very curious thing happened to this culture. It was rejected, lock, stock & barrel by its own children. This rejection is sometimes expressed by Black Americans themselves when they describe this rejection using terminology like “Old School” vs. “Hip Hop.” Because of the terminology that is used, it is easy to think that somehow this is an inter-generational dispute about music.

Of course, the dispute isn’t really about music. The dispute is really about what is the correct path and set of behaviors that Black Americans should take as they march into the future. The people at the heart of this dispute fall roughly into two categories:

1. Black Americans who are old enough to have first hand knowledge of the American Civil Rights Movement, who are committed to those inherent set of values

2. Black Americans who are too young to have first hand knowledge of the American Civil Rights Movement, who have committed to a set of values that have little in common with the values inherent in the American Civil Rights Movement.

One of the things that is clear about culture is that it will decline and eventually disappear if younger people do not embrace it and carry it forward. In fact over the past few years, it feels like that Civil Rights culture is being destroyed at an accelerated pace, because people seem to be dying at an accelerated pace. I discuss these two categories of Black Americans in more detail in an article I wrote for Elmore Magazine back in 2008 which you can read at the following link: http://www.soul-patrol.com/bd_elmore.pdf

I have spent much of the past 15 years doing is documenting the decline of the mid 20th Century Black American culture, here online and elsewhere, as it’s creators pass on and the younger group imposes it’s own culture and expands it out into the mainstream. Documenting this decline is especially painful for me, especially since I am also product of the American Civil Rights Movement and am clearly a person who has brought into its values “lock, stock and barrel.”

In watching yesterdays funeral services the thought occurred to me that this could very well be the last time that this great genius of a culture might be on display to the mainstream American public for the very last time, at a nationally televised funeral for Whitney Houston.

I remember the first time that this culture was on display for the mainstream American TV audience. It was in 1968, at the funeral of Dr. Martin Luther King. I remember watching it on TV, one of the artists who performed was Aretha Franklin. She was also supposed to perform at Whitney Houston’s funeral, but we were told that she was too ill. However there was another person who was a key figure at Dr. King’s funeral, who was also a key figure at Whitney Houston’s funeral.

Reverend Jessie Jackson of course first came to the national spotlight in the aftermath of Dr. King’s Assassination. He was the young and fiery “street preacher,” out of Chicago. At Whitney Houston’s funeral Reverend Jessie Jackson, sat front & center for the entire service. Not only was he no longer young and fiery, he never uttered a single word. He looked tired and worn out, as I suppose an elder statesman should? However I wondered if he looked that way because he knows that the battle for the hearts, minds and values of Black America has been won by the hip hop generation?

I have wondered that very same thing myself…

–Will the values of Lil Wayne, XXL Magazine, etc become what Black Americans are known best for in 20 years, once all of the people who have first hand knowledge of the American Civil Rights Movement are gone?

–Or is there still a possibility that younger people, as illustrated by the “blood on the floor,” killer performances by two artists (R. Kelly & Alicia Keyes) who are too young to have any first hand knowledge of the American Civil Rights Movement, will suddenly wake up and understand that they have a responsibility to sustain/advance a culture that seems to mostly be on “life-support.”

Perhaps this nationally televised funeral can prove to be a watershed event not only for Black Americans, but for White Americans as well? For example, I thought that Kevin Costner’s story of his friendship with Whitney Houston was one of the best cases for the notion of having an integrated society that I have heard laid out in many years.

Time will tell…

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

Concert Review: Loves Magic & Phillies Intruders @ Exton PA (Tribute Groups) Rant (FREEDOM AINT FREE) + NEW BLACK MUSIC RECCOMENDATIONS for Black History Month (pt 2)

FAIR WARNING…If you are one of these “nostalgia purists,” do yourself a favor…

DO NOT READ ANY FURTHER.

SIMPLY HIT THE DELETE KEY RIGHT NOW

SAVE YOURSELF

CUZ YOU AREN’T GOING TO LIKE WHAT FOLLOWS

However if you are a MUSIC FAN, then keep reading cuz I’m gonna inspire you….

But first you must take the following steps….

1. Close your eyes and imagine that you are in a sweaty/crowded Philadelphia inner city ballroom, with about 200 – 300 local teenagers circa 1969.

2. One of the hottest groups on WDAS & WHAT AM radio (over on the far right hand side of the dial, with all dat static) over the past few years has been THE INTRUDERS. They have had a couple of big national hits with two songs that on the surface are almost “novelty songs” (Love Is Like a Baseball Game & Cowboys to Girls.) But they are aren’t really “novelty songs” at all. They are simply examples of the lyrical musical genius of young Black men from the inner city that would later manifest itself more fully with hip hop. But since they were from your neighborhood, you also knew that they were the absolute kings of down & dirty slow jams such as Together, Sad Girl, I Wanna Know Your Name, United and more.

3. The Intruders records are slammin, not only because of their street corner lyrics & doo wop harmonies, but also because of the music that plays behind them. That music is RAW FUNK, that also has a symphonic under current, punctuated with instruments like triangles, french horns & violins. Somehow this elegant, yet simple combination, sorta like that taste of sugar & salt in your mouth, when you put peanuts & mints in your mouth at the same time!! You don’t realize it at the time, but what you are hearing on the Intruders recordings is the beginnings of what would later become known as MFSB

4. At the same time, some young men from Philadelphia, led by a brilliant singer/songwriter named Ted Mills are attempting to take the same concept (sweet soul + RAW FUNK) to the next level. Ultimately they would do exactly that during the 1970’s with a string of hit records that burned up dance floors in disco’s (with that now far more refined MFSB style FUNK) and at basement parties (with slow jams that would make you “grind so fine,” that the heater didn’t even need to be turned on in winter.) Songs like What’s Come Over Me, Look Me Up, Spell, Summer Snow, Welcome To The Club, and many more in many ways became the symbol of ultimate crossover success for something called “Philadelphia Soul,” with their smooth funk, masterful harmonies, smart lyrics and mind blowing raps.

Last night I imagined all of the above…

But when I opened my eyes, instead of being inside of a sweaty/crowded Philadelphia inner city ballroom, with about 200 – 300 local teenagers circa 1969, I found myself instead inside of a sweaty/crowded ballroom of a 3 star hotel in suburban Philadelphia with about 200 – 300 people aged 50 – 60.

However…

THE MUSIC WAS EXACTLY THE SAME AS WHAT ONE WOULD HAVE HEARD IN THAT INNER CITY BALLROOM IN 1969.

There are three reasons why that was the case….

1. The 10 piece band at it’s core was well versed in PHILADELPHIA FUNK and supremely augmented with both HORNS & STRINGS, that one could be excused for thinking that MFSB itself was up on that stage.

2. The lead singer for the group “LOVE’S MAGIC” (Wilson Lambert – Blue Magic Tribute Group) sounded EXACTLY (and I do mean EXACTLY) like Ted Mills.

3. The lead singer for the group “PHYLIES INTRUDERS” (Tony Strong – Intruders Tribute Group) sounded EXACTLY (and I do mean EXACTLY) like Little Sonny.

4. I have seen and reviewed BOTH of these groups in the past on the Soul-Patrol.com website….

–Some of you will remember my review of the SPECTACULAR “Love’s Magic” at this same venue last year

http://www.soul-patrol.com/soul/lovesmagic.htm) which earned them a 2011 Soul-Patrol.com “Best of” Live Performance Award as well as an appearance at the 2011 Soul-Patrol Convention, where some of you also saw/heard them perform live. Somehow they managed to turn in an even better performance last night.

— Some of you will remember my review of the Phillies Intruders from a couple of years ago in Baltimore

http://www.soul-patrol.com/soul/elgins.htm) They turned in an absolutely horrible performance (to tracks) that night. Last night in Exton, PA they were absolutely fabulous. “Mrs. Earthjuice” and I wondered how this could possibly be the same group that “stunk up the joint” in Baltimore a few years ago? Turned out that the group we had seen in Baltimore, not only performed to tracks, but also were without the services of their lead singer Tony Strong, so of course they hardly sounded like the “Intruders.” Last night they redeemed themselves!

So what I had in front of me was something not a whole lot different than “Beatlemania”….

Remember the commercials for “Beatlemania???”

“NOT THE ORIGINAL ARTISTS, BUT INSTEAD AN INCREDIBLE SIMULATION….”

That is EXACTLY what occurred and transformed the 3 star Wyndam Springs Hotel in Exton PA last night, into THE EPICENTER OF CLASSIC SOUL MUSIC for at least one evening.

NOTE: not one time last night was there even the slightest inference that these in any way shape or form were “the original artists.” In fact the OPPOSITE occurred. The fact that this was in fact a TRIBUTE was made quite clear in BOTH the advertising and during the performances.

And guess what…

THE AUDIENCE DIDN’T CARE

THEY ONLY CARED ABOUT THE MUSIC

& THE MUSIC WAS OFF THE HOOK!!!!

Of course we love the “original artists.”

But…we also realize that a little thing called TIME, is NOT on the side of the “original artists.”

BAD NEWS: 10 years from now, there will be very few of the “original artists” still performing.

GOOD NEWS: 10 years from now TRIBUTE ARTISTS like “LOVES MAGIC,” “PHILLIES INTRUDERS,” and the INCREDIBLE SIMULATION OF MFSB,” will still be around.

(and God willing, so will I…)

As I have said in the past…

“GOD DIDN’T STOP HANDING OUT TALENT IN 1979”

(Black music really does have a future!!!!)

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

RIP – Johnny Otis, Etta James, Jimmy Castor, Bobby Purify, John Levy

Editor’s Note – This past week was a rough one if you are a fan of Black music. Johnny Otis, Etta James, Jimmy Castor, Bobby Purify, John Levy. Last week I was interviewed on WRKS (Bob Slade, Bob Pickett, Mtume – NYC), WRNB (Dyana Williams – Philly), Davey D (KPFA – Oakland), WRTC (Kevin Amos – Pittsburgh) and the American Urban Radio Network, to discuss the passing of these giants of Black music, with their listeners. I’d like to thank those folks for allowing me to come on their airways and talk with their listeners.

yeah….we have a LOT of artists passing away. This is a trend that ncan only accelerate, and there isn’t verymuch that we can do about itb ut be sad, right?

Well, maybe not, here is an idea, that I would like you to try out…

DO ME A FAVA…..PROMISE YOURSELF THAT YOU WILL GO AND SEE YOUR FAVORITE ARTIST, PERFORM LIVE IN 2012, AND THAT WHEN YOU DO, TAKE A YOUNGER PERSON ALONG WITH YOU!!!! (I did it, as you will read in my concert review later, it will make you feel a whole lot better about things)

(& IF YOU DON’T HAVE A FAVORITE ARTIST, CONTACT ME VIA EMAIL AND i WILL SUGGEST ONE THAT YOU CAN ADOPT…)

Now take a look at this excellent essay by our friend ELP about the passing of these artists…(Bob Davis)

I know…I know….but…why is it important to say that the late and oh-so-great Johnny Otis was white? It seems to me that Mediterranean (Greek) is more a person of color (i.e. East Indian, Iraqi, Iranian, Afghani etc…NOT Mediterranean I know) than not. If he were black there wouldn’t be ANY mention at all. I’m jes sayin…the man’s greatness had little to do with his heritage as he was basically a non-white person anyhow. He swung with black folk and identified that way. I had no idea how much he touched and influenced. He’s right up there with Baby Ray, Richard Penniman, Louis Jordan and Chuck Berry as the progenitors, the architects if you will of R&B/ Rock n Roll. Hope he’s in the RRHOF! Peace go with you brother.

His passing is accompanied by the equally sad passing of one of his protege’s Ms. Etta James. I heard Bob say that she’s his fave singer of all time. While she’s not mine there ARE some very unique and special aspects of her voice and singing style that are her signature and hers alone! She growls, groans and grunts completely ‘out’ of key, time and everything else whenever she wants. You see this woman REALLY expressed herself in and through her voice and her music. Her expressiveness gave her music a certain personality that only Re-Re came close to emulating but NEVER duplicated. Where Aretha and Gladys had a way of layin yo ass out Etta EMOTED alla dat in her various ad libs and voice inflections. The lyric was the lyric but she had free rein all around that. Drawing notes out for effect. Lettin other tones sweetly linger and ring in your ears so melodically as if lullabye-in you to sleep. Try as she did Janis Joplin never could do what Etta did with Take “Another Little Piece of My Heart.” Both led tortured lives but Etta always seemed to stand over the nuked rubble as if to say: Here I stand MF!!!!! I HAVE SURVIVED!!!! Janis was more content to wallow in it and succumb to it. RIP Miss James!!!!!

And then Jimmy Castor earlier this week. A really deep brutha. What I knew of him initially was that he was part of that hip black-latin-conga-bongo thing that was happnin in the mid 60’s that served as the springboard for the likes of Santana and that whole West Coast African/Spanish wave that swept the country into the 70’s. See it all started with Joe Bataan. It was called Latin Soul or Boogaloo (Boogalu). It combined the most primal elements of doo-wop and R&B and married them to the African rhythms of the barrios and the ghettoes of Harlem and Newark and North Philly. Jimmy Castor did EXACTLY the same sort of thing with his work with Frankie Lymon and the Teenagers subbing for Frankie and serving as understudy. He wrote one of their biggest hits in Promise To Remember. But this Latin Soul thing was something else. No Mandrill, Osibisa, Cymande or any other early funk/roots acts would have been possible without this small but hugely significant piece of musical culture. No Salsa either. New Yorkers more than anyone remember the days when Puerto Ricans and Blacks gang warred and fought like dogs back in the day. But then like nowhere else these two subdivisions of basically the same ethnicity began to come together. First musically and then socially and politically. The music was as greasy as anything JB made but it also moved with a lil bit mo syncopation with that clave underscoring everything. Cornbread, hawgmaws and chit-ta-lins became a battle cry that was equaled only by ‘I’ll Never Go Back To Gawgia’! Jimmy Castor and Hey Leroy was smack dab in the middle of this. Cats like Joe Bataan, Joe Cuba, TNT Band and Pucho and the Latin Soul Brothers all made this music that was basically born on the stoop. When I was a kid cats used to do the doo-wop but many also got bongos and congas (the cheap studded head kind) that had to be tuned by heating over the burners on the stove or a can of sterno. This gave em that ‘teacup’ sound. Cats played sambas, guaguancoes and mozambiques (basic African hand drumming rhythms) on my steps until late or until the cops shooed em away. This is what made Jimmy Castor so special to me. The 1st place I saw him was at the Apollo and he tore the house up! He could’ve stopped right there and made a career out of that but instead he used the concept of ancient times, Genesis and the dawning of civilization to spawn a novelty act that HAD to be very influential to the Troutman clan. From Troglodyte through Bertha Butt and all of the slick, hard driving funk in-between Jimmy Castor became a monster in his own right. How bout Groove Gon Make You Move? It’s Only Just Begun? Potential? These are all funk workouts SUPREME!!!!! If you were in a band one or all were worthy of your playlist just as much as Kool or JB or Sly.

The fact that he used FUNK as the vehicle for ALL of his crossover hits just verifies my argument that in order TO crossover you gotta take care of home FIRST. In other words you’ve got to DESTROY every living breathing thing around you and yours before anybody even cares that you’re alive. That’s how the BEST did it. Otis, JB, Kool, Wilson, Aretha had long since slain and left black folk for dead before the general populace even knew they were on the radar. Johnny Otis knew this and acted accordingly with self then Hank Ballard, Etta and Jackie Wilson.

Mr. Castor ‘The E-Man’ knew this as well and he milked it to DEATH. Really interesting cat. Job well done sir You go haid and rest now….we love you and will be missed dearly. Dat black hole gets deeper and wider…and we aint eeem a month into 2012! *flash*…just got mo sad news as Bobby Purify of James and Bobby/ I’m Your Puppet fame and Mr. John Levy has also passed away RIP all!

Hire A Band

Peace

http://www.radioio.com/channels/classic-hip-hop/?rp=genre/hip-hop-soul

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

Etta James, is terminally ill

Sorry to have to report this news.

Many times I have been asked the question; “Who do you think is better, Aretha Franklin or Gladys Knight?” My answer to that question has always been:

ETTA JAMES

As I mentioned earlier, Etta James is probably by favorite female vocalist. So quite naturally I have spent the day immersed in her music. I went into my playlists from the RadioIO.com Blues and Classic RnB channels to compile the following playlist of 77 Etta James songs that I have been listening to all day today.

However as strange as this might sound, I have never really written much about her. After listening to these 77 songs, I have finally figured out why that is. You see, there really isn’t much for me to say about Etta James. For me, she really does say it all with her music. I couldn’t possibly have anything to add.

However I will add the following. Many people have written to me over the years asking me to give them a sort of definitive list of R&B songs that they should have in their collection. Of course my response is usually two fold:

1. I don’t believe in lists.

2. I don’t collect music, so I have no idea what to tell you that you should collect.

However I will break my rule today, just for Etta James

I would suggest that if you are a person who is trying to compile a serious collection of “Black music,” that if you don’t have at least half of the songs in the following list, then you have probably missed the point and you should probably rethink your “Black music collection.”

I suppose that some of you might be getting one of those new tablets from Amazon during this holiday season? You might want to give this list of songs to whomever is getting you that device and ask them to fill up the device with these songs before then deliver your device….

Etta James (I Don’t Need Nobody To Tell Me) How To Treat My Baby

Etta James A Sunday Kind of Love

Etta James All I Could Do Is Cry

Etta James All the Way Down

Etta James Almost Persuaded

Etta James At Last

Etta James At Last (Live)

Etta James Baby What You Want Me To Do (Live)

Etta James Born On The Bayou

Etta James Born Under a Bad Sign

Etta James Cheatin’ in the Next Room

Etta James Come Back Baby

Etta James Damn Your Eyes

Etta James Do Right Woman, Do Right Man

Etta James Don’t Cry Baby

Etta James Don’t Get Around Much Anymore

Etta James Don’t Let My Baby Ride

Etta James Don’t Lose Your Good Thing

Etta James Fire

Etta James Good Rockin’ Daddy

Etta James Gotta Serve Somebody

Etta James Hawg For Ya

Etta James Here I Am (Come and Take Me)

Etta James Hoochie Coochie Gal

Etta James Hound Dog

Etta James I Don’t Want It

Etta James I Got You Babe

Etta James I Just Want to Make Love To You

Etta James I Want to Be Loved (But Only By You)

Etta James I Want to Ta-Ta You Baby

Etta James I Worship The Ground You Walk On

Etta James I’d Rather Go Blind

Etta James If I Can’t Have You

Etta James If You Want Me to Stay

Etta James I’ll Take Care of You

Etta James I’m Gonna Take What He’s Got

Etta James Inner City Blues (Make Me Wanna Holler)

Etta James It Hurts Me So Much

Etta James I’ve Been Loving You Too Long

Etta James I’ve Gone Too Far

Etta James Just A Little Bit

Etta James Let’s Straighten It Out

Etta James Life, Love & the Blues

Etta James Lover Man (Oh, Where Can He Be?)

Etta James Miss You

Etta James Misty

Etta James My Dearest Darling

Etta James My Mother in Law

Etta James Prisoner of Love

Etta James Pushover

Etta James Rhymes

Etta James Running Out of Lies

Etta James Security

Etta James Slow and Easy

Etta James Something’s Got a Hold On Me

Etta James Sookie Sookie

Etta James Spoonful

Etta James Steal Away

Etta James Stop The Wedding

Etta James Stormy Weather

Etta James Take It To The Limit

Etta James Tell Mama

Etta James The Love Of My Man

Etta James The Love You Save (May Be Your Own)

Etta James The Man I Love

Etta James The Same Rope

Etta James The Sky Is Crying

Etta James The Wallflower (Dance With Me Henry)

Etta James Trust In Me

Etta James Try A Little Tenderness

Etta James Walking The Back Streets

Etta James Watch Dog

Etta James Whatever Gets You Through The Night

Etta James W-O-M-A-N

Etta James You Got It

Etta James You Took It

Etta James You’re Gonna Make Me C

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

RIP – Vesta, Sylvia Robinson and now Marv Tarplin! Wow!

Editor’s Note: They say that “it comes in three’s.” We have lost 3 major figures in the history of Black music in the past few weeks and we certainly want to make note of that. Sylvia Robinson and Marv Tarplin both should have been inducted into the Rock n’ Roll Hall of Fame during their lifetimes. How ironic that their passing occurs during the same week that this years nomanie’s for the RRHOF are announced and once again the names of Sylvia Robinson and Marv Tarplin are excluded. Hopefully that will be rectified soon. Vesta will perhaps be best remembered most by “what, coulda, shoulda been.” Read ELP’s essay below…(Bob Davis)

Vesta, Sylvia Robinson and now Marv Tarplin! Wow!

Vesta a bad girl in her own right made her transition last week and it sure seemed weird. My two faves were Once Bitten Twice Shy and Sweet, Sweet Love. Aside from the obvious Chaka Khan references she really was a witty and talented individual. I believe she suffers with or from Larry Holmes syndrome…the eternal numero DOS, following Muhammad Ali. Somehow her stars got a little crossed with Chaka but once she kicked into her own things got great real fast. A GREAT singer and easily one of the last of her ilk.

Sylvia? She co-invented hip-hop for God’s sakes! And to be honest HER version was much more musical than Russell Simmons. Russell was into the ‘sonic boom theory’ school of thought. That noise you hear behind Run DMC is really how he wanted to do it all. When hip-hop first jumped off it actually was hip-hop MUSIC and rap. The Sequence (feat. Angie Stone), Kurtis Blow, Sugar Hill Gang all sang over band recorded music. Run DMC, The Beasties and a couple others employed the ‘sonic boom’ thing. Later on she overlaid it into their JB samples. At any rate Sylvia’s was more musical and thankfully then has enough nostalgic content that it might save hip-hop somewhat from the desolateness of the black hole we’ve been kickin around lately. That stuff actually could be placed right beside Rick James and the best of 80’s funk. See? THAT’S what was SUPPOSED to happen with hip-hop…ushering in a BETTER Neo Soul but it didn’t really happen that way. Anyway Ms. Robinson was to me gorgeous and the combination of her lusty, bawdy, rubenesque figure and the sighing and cooing of Pillow Talk always took me very close to the edge. By the time Donna came along we were more than ready because of Sylvia and that other recorded screw-fest J’taime. Yall forgot that one eh? Janet Jackson also has a whole career’s worth of this for which to thank Sylvia. But Pillow Talk (like Sexy Mama) holds a whole new interest for me today. The groove on this thing is UNSTOPPABLE! That pounding Lets-stay-together-Al Jackson-Native-American rolling drum pattern and the chords layered in such lovely fashion make this tune good eatin indeed! I LOVED me some her. Great pioneer of GREAT Black music. Peace To Her and Vesta.

Marv Tarplin is really the sound of America all by himself. He too is the co-creator of a whole genre and style of music. His guitar playing became the standard AND trademark of the Motown Sound. He was in but also above and beyond the Funk Brothers. He was like a Thom Bell. He was a pioneer, co-creator, musician, composer, producer and any and everything both Smokey AND Berry did as far as the recorded music was concerned. This cat was a genius. I trust that his family and descendants are well taken care of and that those who are in that charge properly maintain his legacy for years to come. Ditto for Sylvia and Vesta.

–ELP56

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

RIP – Smokin Joe Frazier & Heavy D (Death & Taxes)

Editor’s Note: We can’t let this week pass without saying what a terrible week it has been for Black males. We have seen the conviction of Dr. Conrad Murray (he surely is not the only person guilty?), We have seen the mis-adventures of Repuli_Coon Herman Cain, We have seen the the exposure of what I will call “Pat-er-no Isim” at Penn State University (How much ya wanna make a bet that most of the victums will turn out to be little Black boys?) and then finally the passing of Smokin’ Joe Frazier and Heavy D. Read ELP’s essay below…(Bob Davis)

What with alla da political content round dese heah parts I’m thinking we might be missing the point in some ways. First of all my condolences to the families of Joe Fraizer (whom I know pretty well) and Heavy ‘D’ (Dwight Myers- whom I don’t). Both had very deep musical backgrounds. Smokin Joe aside from being THE boxing icon of Philly (don’t get it twisted…most REAL Philly folk love, worship,adore and idolize ‘The Champ’), Mr. Fraizer ALWAYS had a band and a latent interest in being somewhat of a soul singer.

Remember Joe Fraizer and The Knockouts? To some that was a joke which included the old Miller Lite commercial using him as it’s living punch line .Personally I used to think it was swingin (no pun intended). All black. All Philly. REAL ROCKY stuff. The iniquities and improprieties of ‘Rocky’, that damned statue and Rock as icon that represents all it does in light of Frasier, Monroe, Shavers, Watts and so many REAL examples of the inimitable persevering-against-all-odds spirit are subjects for another day, place and time. What many don’t know is that this was a very serious band that worked consistently and were paid well.

I’ve had sporadic encounters this way with Mr. Fraizer over the years. I can tell you that he loved to sing Mustang Sally. He used to tear that and many tunes like it UP! Nobody ever mistook him for the next coming of Wilson Pickett or anything but he was beloved in Philly. He’s right up there with if not at the head of the Iverson, Barkely, Dr. J, Cunningham, Chamberlain, Hopkins class of Philly sports superheroes. I’m not going to get into the political interracial psychobabble here. Let’s just let this marinate for a minute. Smokin Joe will be missed.

Dwight ‘Heavy D’ Myers is the 2nd death in these 24 hrs. I’m sure there will be a third. Isn’t there always? Mr. Myers is significant because he capitalized on and in so doing utilized BEST the sub-hip-hoppian genre/niche called New Jack Swing.

Originated by Teddy Riley by combining certain elements of James Brown funk (what else?), much percolating yet driving grooves and most notably an emphasis on lyrical rhythm. In short this was some of the best of rapping on the beat. JB was king naturally but in this newly manufactured funk re-imagining nobody did it better. It got so his signature became ‘bun-diddly-diddly-dee…the overweight lover in the house…Heavyyyyyyy D d-d-d-d (repeated infinitely to fade). He danced and he rap/sang. He often used a band and was in my opinion one of the best at what he did. He made rap fun and most importantly danceable. The Jacksons among others loved him! Janet’s It’s Alright With Me is THAT much mo happnin because of ‘D’s rap in the middle.

Anyway I really dug this cat, his style and presentation. His class and overall sensitivity made his transition into acting smooth and his work enjoyable. Cider House Rules and a recurring role on Boston Public immediately come to mind .I followed him on Twitter and amidst all of the flotsam and jetsom of cyber chatter his was a calm voice of reason, highly developed consciousness, spirituality and love. A good brother indeed.

You’ll git yo brain shook

to money took

an yo name in the undertaka’s book.

-Joe Frasier.

Peaces go with you brothers.

–ELP56

One more note on the brotha from “Money Earnin Mt. Vernon”

I dug his music.

On Classic Hip Hop @ RadioIO.com we have 17 songs by Heavy D & the Boyz in the rotation…

http://www.radioio.com/channels/classic-hip-hop/?rp=genre/hip-hop-soul

Heavy D & the Boyz – The Overweight Lovers in the House

Heavy D & the Boyz – Mr. Big Stuff

Heavy D & the Boyz – Don’t you Know

Heavy D & the Boyz – We Got Our Own Thang

Heavy D & the Boyz – Somebody For Me

Heavy D & the Boyz – Truthful (Untouchable Mix)

Heavy D & the Boyz – Gyrlz, They Love Me

Heavy D & the Boyz – Who’s the Man? [Jeep Bass]

Heavy D & the Boyz – Is it Good to you

Heavy D & the Boyz – You Can’t See What I Can See

Heavy D & the Boyz – Got Me Waiting

Heavy D & the Boyz – Now That We Found Love

Heavy D & the Boyz – Nuttin’ But Love

Heavy D & the Boyz – Black Coffee

Heavy D & the Boyz – Big Daddy

Heavy D & the Boyz – On Point

Heavy D & the Boyz – Just Coolin’ (With Levert)

RIP

Check it out…

http://www.radioio.com/channels/classic-hip-hop/?rp=genre/hip-hop-soul

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

Event Review: Gamble and Huff 40th Anniversary @ The Dell East

Editor’s Note: Be on the lookout for a brand new release from the great Mr. Leon Huff coming soon from Mr. Leon Huff, who told us all about it at this event. Also check out the new internet radio station from Gamble & Huff called TSOP Soul Radio (http://www.tsopsoulradio.com) – Bob Davis

As alluded to in a previous post about a little more than a week ago The Gamble and Huff machine known as Philadelphia (Philly) International records celebrated it’s 40th anniversary. The party was located at The Dell Entertainment Center located at 32nd and Ridge aves. in North Philly. There was also a subsequent concert following the small intimate gathering of PIR intelligentsia and close friends and family.

WDAS’ own Patti Jackson served as mistress of ceremonies for both the reception and concert.

Many of PIR’s biggest names were on hand including Russell Thompkins Jr., broadcaster Emeritus of Philly black radio/tv journalists (and one of very few survivors from the pioneering breakthrough days of early black representation in Philadelphia TV news reporting) Ms. Trudy Haynes, Dexter Wansel, Bunny Sigler, one of my favorite drummers of all time Mr. Earl Young, hit songwriter Ms Cynthia Biggs, ageless wonder Ms Dee Dee Sharp-Gamble, SP’s own Billy Paul and his lovely wife Blanche, Kenny Gamble and Leon Huff, and many many more-far too many for this writer’s addled memory banks. The Amazing Grace Little regaled us with song along with a nice harmonizing group of younguns from Camden N.J. In my opinion Ms. Little almost deserves an Unsung episode of her own. Possessor of one of the most magnificent voices in the PIR catalogue Grace Little unfortunately suffers from coming on the scene during the waning years of the label’s success. It was extremely hot yet a great time was had by all.

As the reception wound down we all adjourned to the amphitheatre of the Dell Entertainment Center for a concert featuring the beautiful Ms. Shirley Jones of the Jones Girls,the still-SANGIN-her-ass-off-after-all-these-years Ms. Jean Carne,Poogie’s version of The Delfonics,Russell Thompkins Jr and the New Stylistics and smoothie supreme The Iceman hissef Mr. Jerry Butler.

On this night (which incidentally proved to be a precursor of sorts to The Soul Patrol Convention) the stars shone brightly in the city of brotherly love.

Hire A Band

Peace

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

NYC: Review: Park Central Hotel 11/13/2010 – Steve Arrington + Jocelyn Brown + Skyy + Double Exposure + Bow Legged Lou + Persuaders (the music, the people and the one)

First off let me start off with a few statements…

1. BLACK CULTURE IS NOT FOR SALE

2. AS MUCH AS BLACK PEOPLE WANNA KEEP TRYING TO GIVE IT AWAY, OTHER’S STILL CAN’T HAVE IT

3. WHEN BLACK CULTURE (THE REAL BLACK CULTURE) IS ON DISPLAY THERE IS NOTHING MORE BEAUTIFUL

4. SO I CAN UNDERSTAND JUST WHY OTHERS WANT IT SO BADLY…

There is almost something that is spiritual & re-generative about Black Culture. There have been volumes written about it, but it is something that is so elegant that it really can’t be described in words. It needs to be experienced in it’s RAWEST form and has to be under the 100 PERCENT CONTROL OF IT’S ORIGINATORS in order for it’s true power/spirituality to be duplicated, even for only a few hours.

These types of events are truly important and when they occur, you need to participate because you need to have the essence of that power/spirituality in your life in order to help you to maintain perspective and to assist you in gathering the strength that is required in order to merely survive in today’s society.

BIG UP’S to Don Welch for recognizing the absolute need for these type of events and for continuing to do them in the face of obstacles no numerous and unsavory to mention here in this space. As you know Don is one of several different promoters who are a part of Soul-Patrol that we work with on these type of events and it is our pleasure & honor to do so!!!

Here is a summary, I will write more later…(maybe….lol)

THE MUSIC:

A super rockin non stop master mix of Classic Soul/Hip Hop/Disco/Funk that will entice you to go out on the dance floor and the an hour later asking yourself how you could have possibly have been on the dance floor for an entire hour.

Live performances from Steve Arrington, Jocelyn Brown, Ladies of Skyy, Double Exposure, Bow Legged Lou (of Full Force), Tony Riley of the Persuaders All were in fine voice, performed their greatest hits and worked the crowd into a different level of frenzy, just by virtue of the fact that they were there.

THE PEOPLE:

The kind of people who were in the house are the folks that you have seen me refer to here before as “mah people.” When “mrs. earthjuice’ and I first walked in, I thought that the night might just be a bust. Around midnight when I surveyed the crowd it was packed. I know that the ballroom at the Park Central holds 1,400, but I really don’t know how many were there, but the huge dance floor was a sweatbox. I know that for a fact, cuz I was right in the middle of that dance floor. They were all “cleaner then the board of health,” primed, primped and ready to roll. They were “average Black Americans,” the kind that you don’t see on TV, but are the absolute back bone of the REAL Black community. They are Bus Drivers, Teachers, Construction Workers, Postal Employees, etc. Some are people I have known & partied with for 30 years and some I met for the first time last night.

THE ONE:

Whenever I see right wing pundits on TV describing the demographic make up of the “Tea Party,” their descriptions are all the same. They always say “just a bunch of average americans from all walks of life, who are fed up with the current political/economic system who seek to return to the principles of the founding fathers.”

I don’t buy that baloney for one second, however…

That description is actually on point for describing the PEOPLE & more importantly THE VIBE of the event last night @ the Park Central Hotel in NYC. It wasn’t simply about “participation.” It was also about taking the power/spirituality and harnessing it for purposes that go well beyond anything that happened at the event.

It’s about not settling for mediocrity and striving for excellence in every facet of our lives. When the slaves who first started gathering in Congo Square for afternoons of singing and dancing, creating what we call today “Black Culture” (really American Popular Culture) they did so with a purpose and they did so being on THE ONE with each other.

That is EXACTLY the same purpose that was served by last night’s event @ thee Park Central Hotel in NYC on a mild November Saturday night.

It was the NYC version of “congo square,” that I have been a participant in for damn dear 40 years….LOL

And I was happy to be there with “mah girl” to catch some of that vibe…

–Bob Davis

609-351-0154

Looking For The Golden Days of AM Radio? (you are just one click away from it!!!!)

Anyone here remember listening to music on AM Radio????

Over on RadioIO,com I am responsible for programming many different types of Black music channels. However two different channels (Classic RnB @ RadioIO.com & 1950’s/1960’s Rock @ RadioIO.com) that are specifically designed to somewhat mimic AM Radio stations of the past. Needless to say, I have a blast programming these channels. If you are into the “nostalgia” of the days of AM Radio, I think that most everyone here, who is into “nostalgia” will have a blast listening to both of these channels.

–Classic RnB @ RadioIO.com: It is specifically modeled on both WWRL & WNJR of the 1950’s – 1980 (http://bit.ly/1fn5cW

The Classic RnB channel just recently passed the 3,000 song mark in it’s music library and it is one of the top rated stations on the RadioIO service. It’s got a hardcore following of fans here in the United States and surprisingly international following.

Here is a quote from an email that I got yesterday: “You’re groovin my office world here at the newspaper (Vancouver Sun) in British Columbia, Canada.” Based on the email I get from listeners, this channel gets most of it’s listener ship from office workers and from people listening on mobile devices.

This channel has a “deep & wide” playlist that reflects the diversity in Black music that was a key feature of the classic AM stations located “on the far right hand side of the dial.”

One key difference in what I do on this channel and the way it actually was on AM radio of the past, is that each hour I schedule one live song. It could be from Little Richard, Sam Cooke, Ohio Players, Isley Brothers, Sam Cooke, James Brown, Miracles, etc. I do this so that the station always sounds fresh and never stale.

Here is a List of Recent Updates To Classic RnB @ RadioIO.com:

Chee-Chee & Peppy – I Know I’m In Love

Clarence Carter – Slip Away

Earth Wind and Fire – Serpentine Fire-Saturday Nite-Can’t Hide Love-Reasons (live)

Exciters – Tell Him

Five Stairsteps – From Us To You

Five Stairsteps – Pasado

Flamingos – Boogaloo Party

Grover Washington Jr – Soulful Strut (live)

Ike and Tina Turner – Proud Mary

Ike Turner & His Delta Cats – Rocket 88

Jay & the Techniques – Keep The Ball Rollin’

Jessie Hill – Ooh Poo Pah Doo

Little Richard – Ain’t That a Shame-I Got a Woman-Tutti Frutti (live)

Little Willie John – Fever

Marvelettes – Beechwood45789 (live)

Marvelettes – Playboy (live)

Marvelettes – Someday, Someway (live)

Marvelettes – Strange I Know (live)

Marvelettes – Tossin’ and Turnin (live)

Ohio Players – O-H-I-O (Live)

Ohio Players – Fire (Live)

Ohio Players – Love Rollercoaster (Live)

Ohio Players – Skin Tight (Live)

Otis Redding – (I Can’t Get No) Satisfaction (live)

Otis Redding – I’ve Been Loving You Too Long (live)

Otis Redding – My Girl (live)

Otis Redding – Respect (live)

Otis Redding – Shake (live)

Screamin Jay Hawkins – I Put A Spell On You

Shorty Long – Devil with the Blue Dress

Sly and the Family Stone – Everyday People + Dance To The Music + Sing a Simple Song + Hey Music Lover + Higher (Live on Ed Sullivan)

Thurston Harris – Little Bitty Pretty One

Check it out and let me know what cha think: http://bit.ly/1fn5cW

–1950’s/1960’s Rock @ RadioIO.com: It is specificly modeled on WINS & WMCA of the 1950’s – 1970 (http://bit.ly/7fdjeh

This channel is mis-named. It should be called 1950’s/1960’s Rock n’ Roll. It is designed to be a hard core 1950’s/1960’s Rock n’ Roll station that explores the roots of rock n’ roll. This channel only has about 1,200 songs in it’s music library, so it’s still evolving. The real trick here is to make sure that I keep out as much of the pop music and middle of the road music as possible that was played on stations like WINS & WMCA. That means that I have to be something of a “rock n’ roll purist” in programming the station.

One really interesting about listening to this channel this is that the 1950’s music sounds “blacker” and the 1960’s music sounds “whiter.” That shouldn’t come as a surprise since in the 1950’s Rock n’ Roll music was something that was primaraly created and consumed by Black Americans. This later changed during the 1960’s, which is a topic that I go into much deeper in my “Evolution of American Popular Music” seminar (that was a commercial folks…..LOL.) Therefore you will hear sets where a song by Big Mama Thornton, is followed by a song from the Beach Boys followed by a song by Sam Cooke, followed by a song by Sly & the Family Stone, followed by a song by Bo Diddley, followed by the Yardbirds.

People who listen to it love it. In fact I have had several listeners tell me that they like it so much that they have stopped listening to the streams of WCBS-FM in favor of listening to 1950’s/1960’s Rock @ RadioIO.com. The other thing that has recently occurred is that more and more commercial outlets (Restaurants, Supermarkets, Shopping Malls, etc.) So if you are out & about and you are hearing some good 50’s/60’s music playing, there is a possibility that you may be listening to my handiwork

Here is What A Typical Hour of 1950’s/1960’s Rock @ RadioIO.com Sounds Like:

Creedence Clearwater Revival – Susie Q

The Ventures – Walk Don’t Run

Elvis Presley – All Shook Up

Harold Dorman – Mountain Of Love

Bob Dylan – Like A Rolling Stone

The Flamingos – Boogaloo Party

Bobby Fuller Four – I Fought The Law

James Brown – Prisoner Of Love

Chuck Berry – Rock & Roll Music

Danny & The Juniors – At The Hop

Little Richard – Tutti Frutti

The Fiestas – So Fine

Bobby Lewis – Tossin’ And Turnin’

Big Maybelle – 96 Tears

Booker T And The MG’s Green Onions

The Olympics – (Baby) Hully Gully

Box Tops – The Letter

Ike & Tina Turner – Proud Mary

Beach Boys – Help Me, Rhonda

Thurston Harris – Little Bitty Pretty One

Byrds – Mr. Tambourine Man

Big Joe Turner – Corrine Corrina

Stevie Wonder – Uptight

Gladys Knight & The Pips – Letter Full Of Tears

Cannibal And The Headhunters – Land Of 1000 Dances

Betty Everett – You’re No Good

Capitols – Cool Jerk

Sonny & Cher – Baby Don’t Go

Beatles – Can’t Buy Me Love

Edwin Starr – Stop Her On Sight (S.O.S)

Elvis Presley – Hound Dog

Denise LaSalle – Trapped By A Thing Called Love

Fats Domino – Walking to New Orleans

The Flamingos – Nobody Loves Me Like You

Ray Charles – What’d I Say

Bobby Darin – Queen Of The Hop

Sam and Dave – Soul Man

The Olympics – Big Boy Pete

Booker T And The MG’s – Time Is Tight

Little Walter – Last Night

Check it out and let me know what cha think: http://bit.ly/7fdjeh

Personality on AM Radio:

In many ways this was the most important aspect to listening to the great AM radio stations of the past like WWRL, WNJR, WINS, WMCA, etc.

In my mind, the people who were the DJ’s on these stations always felt more like “friends” than anything else. Their voices not only represented the radio station but also represented the lifestyle and culture of the listener. These people are what made AM radio the very center of life in the Black community and to a lesser extent in the white community during the 1950’s, 1960’s and 1970’s.

So it wasn’t just about the music. It was about the sense of community that these stations created, that is burned into the memories of people who had the good fourtune to make listening to these stations a major part of their daily routines.

Recently I attended a memorial service for the late/great Hank Spann of WWRL in NYC. In attendance were all of the former DJ’s of the station who are still here with us. Also in attendance were former DJ’s from WLIB, WBLS, and WRKS. I looked around the room and saw Jeffrey Troy, Bobby Jay, Vy Higgenson, Gary Byrd, Vaughn Harper, Ken Webb and more. Most all of them had also done time with WWRL as well.

For me it was like being a kid in a candy store. Even more thrilling for me was as I walked around talking with them, that all or most of them are also subscribers to the Soul-Patrol Newsletter and had some very nice things to say to me with respect to what I am doing on both Soul-Patrol and on RadioIO.com. Several told me that in their opinion, we are doing an excellent job of keeping the spirit and the substance of WWRL alive. Nothing could have made me happier to hear those type of compliments coming from some of the very same people that I had admired so much as a kid, listening to them on AM radio.

As much as I admire them all, I do not try to emulate any of the personalities of any of these classic DJ’s on either Soul-Patrol or RadioIO. Not only would that be impossible, but it would also be fraudulent.

On the two RadioIO.com “AM Stations” (Classic RnB & 50’s/60’s Rock) that I manage, I suppose that I do talk about some of the same things that people like Frankie Crocker & Murray The K might say during the short 20 second commercial’s & promos that I do. However I would never try to sound like either one of them. That would be impossible.

What I do try and do is to inject my own personality into the programming and I think that it makes a big difference to the listeners, based on what they tell me.

Of course I am quite biased and I think that both of these stations do a superior job of what they are intended to do. If you missed out on the glorious heyday of AM Radio or you just miss AM radio, take a listen and let me know what cha think?

–Classic RnB @ RadioIO.com – http://bit.ly/1fn5cW

–1950’s/1960’s Rock @ RadioIO.com – http://bit.ly/7fdjeh

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

PRESS RELEASE: Mighty Sam McClain & “Love Duets” on YouTube

This is a Press Release, however if you are a lover of good….I MEAN GREAT SINGING, then you owe it to yourselves to check out this material from our friend Mighty Sam McClain, teamed up with Iranian singer Mahsa Vahdat. Check out the links below and I guarantee that what you find when you get there will bring a smile to your face–Bob Davis

Please visit these sites on YouTube to listen to Mighty Sam’s newest project recorded at Cedar House Sound and Mastering in Sutton, NH.

This is Mighty Sam McClain as you have never heard him before. “Scent of Reunion — Love Duets Across Civilizations” is now available in Europe at http://www.kkv.no and will be available in the US in January 2010. Downloads may be had soon at http://www.valleyentertainment.com

http://www.youtube.com/watch?v=8HMA97Bnf6Q

and

http://www.nme.com/awards/video/id/lbvlx-5eLoc/search/vahdat

Here is a link to a thorough, in-depth and insightful interview / review of this outstanding CD:

http://thebluegrassspecial.com/archive/2009/october2009/bordercrossingoct09.php

Let us know what you think and remember that his newly released “Betcha Didn’t Know” is available nation-wide and at http://www.mightysam.com

–Bob Davis

609-351-0154

CHI-LITES LIVE: Are You My Woman, More Power To The People, Lonley Man, I Want To Pay You Back, Stoned Out Of My Mind, You Don’t Know My Name, Letter To Myself, Oh Girl, Have You Seen Her, Low Key

PHILLY: CAMEO-PARKWAY RECORDS REUNION SHOW, feat: Charlie Gracie, Dee Dee Sharp, the Orlons and Tymes @ Cannstatter’s Crystal Ballroom. Sat. February 13th 8:00pm – 11:30pm

Listen to the music of the 50 ‘s &60 ‘s with the songs like Butterfly, 99 Ways, Mashed Potato, The Bird, The Wahtusi, South Street, So Much In Love, Wonderful, Wonderful, Miss Grace and all with live music from two incredible back-up bands @ Cannstatter’s Crystal Ballroom. Sat. February 13th 8:00pm – 11:30pm (call 215-983-5200, for info)

Charlie Gracie, Dee Dee Sharp, the Orlons and Tymes…all sold millions of discs in the late 1950s and early 60s-and all contributed to making the Cameo-Parkway label the nation’s largest independent record company in the nation from–1957 through 1963. All of them continue to tour nationally and internationally and still enjoy a global fan base.

Charlie Gracie’s hits Butterfly (#1), Fabulous (#16), Ninety Nine Ways (#11) got the label off the ground in 1957 and ’58. He had 5 titles reach the British Top 20 as well, including: Wandering Eyes, I Love You So Much It Hurts and Cool Baby. Charlie’s new cd with guest artists–Graham Nash, Peter Noone, Al Kooper Keb Mo and others will be out in the spring of 2010.

Dee Dee Sharp had 5 monster top 10’s in the early 60s: Mashed Potato Time, Gravy, The Bird, Ride and Slow Twistin’ with Chubby Checker. She also scored chart placings in the late 70s and early 80s when the Philly Soul sound ruled the airwaves.

The Orlons and Stephen Caldwell carved up the Top 10 as well with The Wah Wahtusi, South Street, and Don’t Hang Up. Other Top 20 hits followed: Crossfire and Not Me.

The Tymes reached # 1 with So Much In Love and followed with Wonderful Wonderful (#7) , Somewhere (# 19), You Little Trust Maker (#12) and the British #1, Miss Grace

JOIN US FOR THIS HISTORIC SHOW!

Saturday Feb 13 th 8pm to 11:30pm

Cannstatter ‘s – 9130 Academy Road – Philadelphia, PA 19114

Tickets $35.00 Each, All seats reserved, Meet & Greet 7:00pm to 7:45pm

Tables can be reserved for 10 people

Full Dinner is available from 5:30pm in the main dining room, Price is $15.00

(pay when you get there)

For Tickets please send a check and a self addressed stamped envelope to:

Digi – 3580 Progress Drive,Unit J -1 – Bensalem,PA 19020

DigiConcerts.Biz or 215-983-5200

Statement from Marshall Thompson of the Chi-Lites on the passing of Robert “Squirrel” Lester

Marshall Thompson, leader of The Chi-Lites, mourns the loss of his partner, Robert “Squirrel” Lester. Squirrel was an original member of The Chi-Lites. They have been sharing the stage together for the past 50 years and were about to celebrate their 50th Anniversary.

Today I am mourning the loss of my dear partner and friend, Robert “Squirrel” Lester. He and I have been performing together for the past 50 years and now I am facing the reality that my friend has left me behind. I pray for peace to his family, friends and to each of you. I also ask that you include me in your prayers as I attempt to accept his passing, knowing that after a short illness, he is no longer suffering and has made his final journey. He will remain in my heart and can never be replaced.

Funeral arrangements for Squirrel are the following:

His body will lie-in-state all day Wednesday, February 3, 2010 from 12:00 noon at the Harold Washington Cultural Center, 47th and King Drive, Chicago, IL.

Funeral Services will be held on Thursday, February 4, 2010. The service will be as follows: Family hour – 11:00 a.m., funeral at 12:00 noon at Third Baptist Church of Chicago 1551 West 95th Street (95th and Ashland) Chicago, Illinois 60643. Phone (773) 445-8500. Fax (773) 445-2957. Interment to follow immediately after services. Repast to follow in the church ballroom.

If you plan to attend either day, please advise as I am attempting to reserve seating for all artists/personalities and media staff. Flowers, cards and telegrams can be sent to Minor-Morris Funeral Home, 1018 West 79th Street, Joliet, IL 60433 – 815-723-1283.

Please keep his family members and The Chi-Lites in prayer. Squirrel is survived by his wife, Louise; 9 children, his mother and 3 sisters. .

–Marshall Thompson, leader of The Chi-Lites.

LOW KEY: Low Key, Still In My Head, Hold On To Your Dreams, Sly, Slick and Wicked

R.I.P – “Teddy Bear” March 26, 1950-January 13, 2010

The official public viewing will be held Friday, Jan. 22 at 10 a.m. at Enon Tabernacle Baptist Church, 2800 West Cheltenham Ave., Philadelphia, PA 19150. The funeral will be held Saturday, Jan. 23 at 10 a.m., also at Enon Tabernacle Baptist Church. Internment will follow at West Laurel Hill Cemetery, Bala Cynwyd, PA.

The family is asking that in lieu of flowers, donations be sent to The Joan & Teddy Pendergrass Memorial, P.O. Box 382, Gladwyne, PA 19035..

(bio from Wiki)

Theodore DeReese “Teddy” Pendergrass, Sr. (March 26, 1950 – January 13, 2010) was an American R&B/soul singer and songwriter. Also known by the nicknames Teddy P, TP, or Teddy Bear, Pendergrass first rose to fame as lead singer of Harold Melvin & the Blue Notes in the 1970s before embarking on a successful solo career at the end of the decade.

Early life

Teddy Pendergrass was born to Ida Geraldine Epps and the late Jesse Pendergrass (murdered in 1962), who left when Pendergrass was young and was not a part of his life. He was a student at the old Thomas Edison High School for Boys in Philadelphia. However, he dropped out[3] in the 11th grade to go into the music business. According to author Robert Ewell Greene, Pendergrass was ordained a minister as a youngster. Later he was to become a drummer for a band, and later lead singer. The church was his initiation for talent and eventual success.

Career

Pendergrass’s career began when he was a drummer for The Cadillacs, which soon merged with Harold Melvin & the Blue Notes. Melvin invited Pendergrass to become the lead singer after he jumped from the rear of a stage and started singing his heart out. Months later the group signed with Gamble & Huff on the then CBS subsidiary Philadelphia International Records in 1972. The Blue Notes had hits such as “I Miss You,” “Bad Luck,” “Wake Up Everybody,” the two million seller “If You Don’t Know Me By Now” and many more. Following personality conflicts between Melvin and Pendergrass, Pendergrass launched a solo career and released hit singles like “The More I Get the More I Want,” “Close the Door,” “I Don’t Love You Anymore,” “Turn Off the Lights” and others. His first solo album was self titled Teddy Pendergrass (1977), followed by Life is a Song Worth Singing (1978), Live Coast to Coast and Teddy (1979), 1980’s TP and the final Philadelphia International Records album It’s Time for Love (1981). He also sang a duet with Whitney Houston on “Hold Me,” from her self-titled debut album.

Accident

On March 18, 1982, in the Germantown section of Philadelphia on Lincoln Drive, Pendergrass was involved in an automobile accident when the brakes failed on his Rolls-Royce and he hit a tree. Pendergrass and his passenger, Tenika Watson, a transsexual nightclub performer with whom Pendergrass was casually acquainted, were trapped in the wreckage for 45 minutes. While Watson walked away from the accident with minor injuries, Pendergrass suffered a spinal cord injury leaving him paralyzed from the waist down.

In August 1982, PIR also released This One’s for You, while Pendergrass was recovering from an automobile accident. In 1983, the album Heaven Only Knows was released. This was his last album containing his pre-accident recordings. Ten years after the accident, he recorded a version of “One Shining Moment,” the theme for March Madness Basketball on CBS.

After completing physical therapy, he returned to the studio to record the album Love Language, featuring the 1984 ballad “Hold Me”, a duet with a then-unknown Whitney Houston. He also returned to the public for a performance on July 13, 1985 at the historic Live Aid concert in Philadelphia, then continued to record throughout the 1980s and 90s.

Later career

In 1996, he starred alongside Stephanie Mills in the touring production of the gospel musical Your Arms Too Short to Box with God. In 1998, Pendergrass released his autobiography entitled, Truly Blessed. In 2006, Pendergrass announced his retirement from the music business. In 2007, he briefly returned to performing to participate in Teddy 25: A Celebration of Life, Hope & Possibilities, a 25th anniversary awards ceremony that marked Pendergrass’ accident date, but also raised money for his charity, The Teddy Pendergrass Alliance, and honored those who helped Pendergrass since his accident.

Death

In 2009, Pendergrass entered Bryn Mawr Hospital for treatment from a rare illness related to his paralysis condition. He died there on January 13, 2010, at age 59.

Revisionist History – Rod Stewart – Soulbook, (The Greatest Soul Singer of All Time)

(Soul)

WHO OWNS HISTORY?

It is often said that one should never pick a fight with someone who “order’s ink by the barrel.” That is of course a reference to picking a fight with the press, because you simply can’t win. They will overwhelm you with written documentation.

The same concept can also be applied to individuals who would like to adjust their historical legacy in whatever way that would make their legacy somehow different for people who don’t have first hand knowledge, than what the reality of the memories of the people who did have first hand knowledge of what that individual’s actual legacy was.

Individuals who control the written (including text, graphics, video, audio) documentation about their own historical legacy are in a position to frame that legacy in whatever manner they would like to. These individuals know that their written documentation will outlast the “opinions” of people who have firsthand knowledge of the truth. Thus they are in a position to create their own version of history with the full knowledge that 100 years after the fact, it will be their version of history that will be regarded as the factual truth as opposed to the “opinions” of other people, who are now dead.

THOSE WHO TAKE THE TIME TO DOCUMENT IT

I say all of this to let you know that is exactly what is occurring in the case of Rod Stewart and that it was predicted by Soul-Patrol many years ago, when we analyzed the 1 hour broadcast on VH-1 of “Rod Stewart: Behind the Music.”…..(Commentary Continued Here

Concert Review- Eccentric Soul Review Starring Syl Johnson- Music Hall of Williamsburg Brooklyn, New York Friday Nov. 13

What do you get when you put together a passionate record company with great, often forgotten artists, and the young, hungry R&B loving musicians backing them? The triumph that is the Numero Records Eccentric Soul Revue. Rolling into the Music Hall of the very Bohemian hipster haven of Williamsburg, Brooklyn, the tour finale opened with JC Brooks & The Uptown Sound who ultimately served as house band for all the acts Think Sharon Jones & The Dap Kings and you get an idea of what this ultra tight, horn heavy band is. Vocalist JC Brooks is a young dynamo who may not have the steps of a James Brown or Jackie Wilson, but certainly has the energy and passion.

He also served as host/MC of the show, bringing up the first guest in an unsung hero of Chicago soul, Renaldo Domino. Although he possesses a heavenly voice, he never was a big seller and quit the music business in the early 70s. With a sound as sweet as sugar, he wowed the appreciative and vocal crowd. Brooks and the boys returned to do two sizzling numbers (which they did between each set throughout the night).

They then brought out early female rap pioneer Missy Dee, who also never got the mainstream exposure she deserved. Her two numbers were dazzling and this is coming from someone who is not the worlds biggest rap fan.

The wonderful Notations were up next. This quartet was blessed by working with the brilliant Curtis Mayfield early in their careers and charted a few national hits. Exuding class and grace, their impeccable dress and choreographed steps reminded one of the legends still touring on the 70s Soul Jam. Although far less known than the Stylistics and other peers of that era, they were just wonderful, even doing breathtaking accapella. Their 30 minute set was a highlight of the evening.

And then there was Syl Johnson. At 73 years old, my friend said to me with amazement, He looks 50. And he, in fact, had the energy of a man a fraction of his age. Whether singing, playing harmonica, or doing call and response, he remains as great a showman as youll see on any stage. He thanked the many, many rappers who sampled him and paid for his house. His 40 or so minute set was memorable, ending with his brilliant hit Take Me To The River that Al Green wrote for him. Simply put, what this man did was just magic. All the artists came on stage for two encores, finishing with Archie Bells classic Tighten Up. The crowd literally roared its love and approval at the end of the amazing event. Although I felt that Mr. Domino as well as Ms. Dee certainly deserved more stage time, this was as close to a flawless show as one is likely to see.

I only hope that the harsh economics of touring somehow work for Numeros Eccentric Soul Review. At a bargain $25 the great, great two hour gig had the packed hall rocking. But their Manhattan booking the night before was, in fact, cancelled. That any R&B fan within a hundred miles would pass on the rare opportunity to see a Syl Johnson live makes me scratch my head, but such is our couch potato society.

Do anything you can to support this company and their live events. You certainly wont regret it.

Go here for more info: http://bit.ly/KZnpj

–Evan Ginzburg

–Bob Davis

609-351-0154

LISTEN TO: SOUL-PATROL’S TRIBUTE TO 2004 ROCK N’ ROLL HALL OF FAME INDUCTEES – THE MIGHTY DELLS

RIP JOHNNIE CARTER

I’m sorry to report that Dells tenor, Johnnie Carter has passed away. Johnnie is one of the few artists who have been inducted into the Rock n’ Roll Hall of Fame twice. I was in attendance both times. That simple fact however only tells part of the story…

It seems to me that we can’t possibly discuss the THE MIGHTY, MIGHTY DELLS enough, and we haven’t used this space to talk about them in quite a while, so we are going to do so today. The Dells really are at the core of much of what has occured in Black music over the past 50 years. I realize that a whole bunch of yall don’t want to belive me? However I have proof for you… Take a listen to the following internet radio brroadcast on the history of the THE MIGHTY, MIGHTY DELLS, where you will not only be able to listen to all of their greatest hits, but also listen to the commentary/analysis provided by our co-hosts (“nightrain” & “funkoverlord”) which tells you exactly how THE MIGHTY, MIGHTY DELLS, are in fact what “connects the dots” of Black music history.

World Famous Nightrain Radio Program, featuring Soul-Patrols Tribute to the Mighty Dells. Introduced by Soul-Patroller and Rock n Roll Hall of Famer, Terry Johnson of the Flamingos.

With commentary analysis and perspective on the 50 year career of black music legends Mighty Dells from nightrain and tha Funkoverlord, connecting the dots between the Mighty, Mighty Dells, Chicago Soul, Charles Stephany, EWF, Minnie Riperton, Temptations, Vee Jay, Chess, Willie Dixon, Robert Townsand, Harold Melvin & the Bluenotes, Sun Ra, P-Funk, and the Rock n’ Roll Hall of Fame.

Featuring music from the Dells Anthology (HIP-O Records): Dreams of Contentment, Oh, What a Night, Oh What a Nite, Pain In My Heart, There Is, Stay In My Corner, Sing A Rainbow/Love Is Blue, Love Is So Simple, Always Together, Open Up My Heart, Glory Of Love, Standing Ovation, Heart Is a Home For Love…

Be sure that when you listen, that you share it with your children I have

CLICK HERE TO LISTEN!

While you are listening, click on the following link. It will take you to over 3,000 listings that we have stored in our data base about the MIGHTY, MIGHTY DELLS. We have discussed the MIGHTY, MIGHTY DELLS here on Soul-Patrol.com more than any other artist

The Mighty Dells in the Soul-Patrol.com Data Base

My reflections on Micheal Jackson (RIP 1958 – 2009)

I was just interviewed and asked to give my reflections on Michael Jackson.

Here is what I said, I dunno if this is how they will run it…

“Michael Jackson was a cultural icon that surpassed all others that you might be tempted to compare him to. Unlike others such as Elvis, the Beatles or others, the legacy created by the Jackson’s was totally ORIGINAL. They truly created something out of nothing and Michael Jackson was the star of that something. Although that might be considered to be an amazing thing, Black Americans have been creating something out of nothing since the beginning of time. Michael Jackson became the most famous person on the face of the earth because of his role in creating something that ultimately he found a way to eclipse. So in effect he first created a star for his family and then created an even bigger star for himself. I don’t think that anyone else has come close to accomplishing that.”

–Bob Davis

For more on Michael Jackson and the Jackson Five check out the following link:

http://www.soul-patrol.com/funk/jackson5.htm

RIP – Randy Cain of The Delfonics

PHILADELPHIA (AP) Randy Cain, a founding member of the soul group the Delfonics, which had such hits as “La La Means I Love You,” has died. He was 63.

Cain’s death Thursday at his home in Maple Shade, N.J., was confirmed by investigator Rob O’Neal of the Burlington County medical examiner’s office, who declined to release other details. Brothers William and Wilbert Hart and Cain formed the group while attending Philadelphia’s Overbrook High in the 1960s. The group, one of the earliest to define the smooth, soulful “Philadelphia sound,” won an R&B Grammy in 1970 for their song “Didn’t I Blow Your Mind This Time.” Cain left the group in 1971 but returned for a later version of the group.

That is what the “mainstream media” has to say about Randy Cain. However as all of you who are reading this know, that is just the tip of the iceberg. The passing of Randy Cain is a milestone in the history of Black music. The Delfonics (or Delphonics) were the “creame de la creame” of the genre of “slow jams.” The fact that the original group can never perform again, is a serious milestone.

Randy Cain was someone that I got to know only over the course of the past few years, thanks to our friend Wilbert Hart, here in NJ. He was a heck of a nice man. I met with Randy many times inside of the home of Wilbert Hart. He was genuinely excited at being a part of Soul-Patrol.

When the Delfonics were honored at the R&B Foundation Awards a few years ago with a Pioneer Award (see picture where I got to be a “delphonic” for 30 seconds, Randy Cain is on the far left), I can tell you that Randy was on top of the world. Beyond the award itself, the thing that he seemed to be most happy about was the fact that ALL THREE ORIGINAL DELFONICS were finally re-united in what was certainly a positive public setting.

But it seemed to me that he was a “troubled soul.” My hope is that Randy Cain is now at peace with himself. I just spoke with Wilbert Hart via telephone and he tells me that Randy Cain’s funeral arrangements are currently pending and I’ll post more details as I get them…

Here is a tribute to Randy Cain/Delfonics By our friend ELP…

Anything that even remotely has anything to do with the Delphonics gets my interest. It should come as no surprise then that I am deeply saddened by the loss of Randy Cain. There was nothing like Randy, Poog and Wilbur doin their thang at the Uptown back in the day.

As a student of Delphonics music, it has only been in the last 10 or 15 years that I realized the importance of the Delphonics, Thom Bell and their overall contribution to the vaunted ‘Sound Of Philadelphia’. The term ‘sexy soul’ was coined and subsequently owned by these cats. Think about it. Thom Bell was a flat out genius to surround these cats with the lush orchestrations that he did but it was the trademark soaring tenor of William ‘Poogie’ Hart along with the seductive moaning-almost-weeping backgrounds of Randy Cain and Wilbert Hart that mesmerized. Let’s see you had the french horn opening of Didn’t I Blow Your Mind? The french horn….hmmm…where did we hear that sort of sound? In the movies in all of those period flicks. Hunting music. Robin Hood music. Gladiator music. Hunting music…that’s all of that nostril-flaring-heavy-breathing-breasts-heaving-ruby-red-lipstick-mouth-agape sort of music.

Basically ALL of the Delphonics music is like that. Ready Or Not, Walk Right Up To The Sun, La La, Break Your Promise (sexy-as-HELL guitar line), Somebody Loves You. You name one, there’s more. Each and every one of em had that thing that made both men and women swoon, roll their eyes around in their heads and proceed to invoke those virile passions of unspent youth. Y’all know what I’m talkin about. Ike and Barry and even Loofah were sexy but not like this. This was no sweetly lyrical Smokey or metro-man accommodating Prince or Babyface. This was all brash If You Think You’re Lonely Now sort of declarations. Sweet and nasty but pulling no punches about anything. Eric Benet brings this to the table now.

In another era these cats would be smoking jacket and ascot clad lounge lizard cad types. That was then. At any rate as you can see, I LOVE the Delphonics. I always hope for a reunion. I never thought any of em would be dying so soon. At least not Randy. Que sera sera.

–ELP

–Bob Davis

609-351-0154

While you are pondering this, watch & listen to Gerald Alston’s great new video of the classic “A Change Is Gonna Come”, dedicated to Senator Obama!

Will a (cultural) Change Actually Come???

(Check Out Gerald Alston’s New Music Video “A Change Is Gonna Come”)

According to the “experts”, if the election were held today, Senator Obama would win. Many of those experts are suggesting that a “generational shift” is occurring. History has proven that when “generational shifts” occur, it means big changes for the culture.

If we accept those three things as a fact for just a moment…Lets play pretend…and ask ourselves the question, once the “newness” wears off…

What cultural changes would you predict are actually going to occur, if we were to look back at the past, 4 years from now?

–Music –Film –TV –Internet –Youth Culture –General Behavior & Attitudes

–Would the mere presence of Senator Obama in the White House cause these changes to occur? (or does he have to “do something specific” in order to kick start things, and what would that specific thing have to be?)

–Would the deepening financial crisis cause any potential cultural changes that might occur to not occur? (will people be too consumed with issues of financial survival and “having fun” will simply be pushed to the “back burner?”)

–Or will there really be little “cultural change” at all, and we will look back 4 years from now and things will be relatively the “same” as they are today?

WHAT ARE YOUR THOUGHTS???

(send me an email and let me know what’s on your mind)

–Bob Davis

609-351-0154

Click here to check out more of Soul-Patrol’s coverage of R&B Foundation Pioneer Awards

PHILLY: R&B FOUNDATION 20th ANNIVERSARY PIONEER AWARDS (9/9/2008)

Well this event is done and I wanted to do a quick brain dump. We have tons of pictures, audio/text interviews. Kevin Amos, T.Watts and I worked our be-hinds off documenting all of this and although we are tired, we are smiling. We are smiling because this was a fantastic three days that have made me extremely proud to be a Black American.

More often than not I find myself writing about how ashamed I am of how “mah people” treat their own culture and treat each other. However what we observed and documented at the 2008 R&B Foundation Pioneer Awards, provided a very clear picture over the past 3 days of what things could/should be like. I watched with pride as a massive, complex & multi venue event, managed by Black folks come off with few hitches.

Another aspect to this pride that I felt was that these very same Black folks, although clearly in charge, did not forget that there are many white artists & others who stand as major contributors to the legacy of R&B music. We saw people like Teena Marie, Bob Babbitt, Dennis Coffy, Steve Cropper, Philly’s own Butterball & Jerry Blavat and others get major props during the festivities as well.

The 2008 Pioneer Awards Honorees are:

Lifetime Achievement – CHAKA KHAN

Individual Artist Awards – TEENA MARIE, BILL WITHERS and SUGAR PIE DESANTO

Group Awards – KOOL & THE GANG and THE WHISPERS

Sidemen Award – THE FUNK BROTHERS

Legacy Award – DONNY HATHAWAY

Leadership Award – AL BELL of STAX RECORDS

The evening’s hosts include:

DIONNE WARWICK

BONNIE RAITT

JERRY BUTLER

WAYNE BRADY

In addtion to performances by this year’s honorees and hosts, the 2008 Pioneer Awards will feature appearances by:

WILLIAM BELL, JERRY BLAVAT, GARY US BONDS, G C CAMERON, STEVE CROPPER, VIVIAN GREEN, ANTHONY HAMILTON, MABEL JOHN, KINDRED THE FAMILY SOUL, KENNY LATTIMORE, JOHN OATES, JAGUAR WRIGHT

BETTY WRIGHT

Report From The Blues and Spirit Symposium at Domenican University

L-R: Bob Davis, Bob Jones (Legendary Chicago Blues Songwriter, Bruce Iglar of Alligator Records)

I had planed to put report of my visit to Chicago to participate in the Blues and Spirit Symposium at Domenican University, but it slipped away from me. Two recent events reminded me that I needed to get this out to yall ASAP.

–Janice Monti, the organizer of the Blues and Spirit Symposium at Domenican University in Chicago, was given the Sister Mary Clemente Davlin Diversity Leadership Award

–I attended the Keb Mo/Robert Cray show last week @ the Keswick Theatre in Philadelphia.

Please read the articles as well as the summaries of the topics (How to Represent Black Music in 2008, the future of record labels, tips for indy artists, etc) that I spoke on at the Blues and Spirit Symposium at Domenican University in May/2008. Also, listen to the broadcast that we did from WHPK – Chicago with brotha Gary Tyson while I was out there. And there are a few more surprises…

It’s all posted on the web at the following link as well:

http://www.soul-patrol.com/dominican_blues_spirit_2008.htm

Check it all out and let us know what cha think?

Thanks in advance…

–Bob Davis

609-351-0154

Soulsville Sings Hitsville

It’s a Shame… (Pervis Jackson of the Spinners Passes

…That Pervis Jackson the bass singer of the Spinners passed away this week.

In his honor I played both the Spinners version of “It’s a Shame”, as well as Monie Love’s version today here at the crib. I realize that a few of yall will consider Monie Love’s version to be a “sacrilege.” However you shouldn’t. It actually has more “juice” sung from a female perspective, considering what the song is actually about (not to mention the kick azz sax solo in this version). So don’t sleep on her version!!!

Later I think that I will play both versions for my daughter. I wonder if she will like either one?

After listening to Monie Love’s version, I then put on the Spinners version…

It was a pleasure to listen to the Spinners version as well. I hadn’t listened in a while and I listened to it about 10 times straight (hitting the repeat button on the CD player).

I remember when it first came out and how much I dug the song, back in 1970 (I think?). I remember that I wanted to actually buy the 45, but I was too cheap to buy it. That’s because seemed like “It’s a Shame” was then playing on EVERY single radio station in NYC at that time, and at the age of 13 years old, with my limited record buying budget, I didn’t see the need in parting with 59 cents to buy the 45 ….(continued here

Album Review: Otis Blue: Otis Redding Sings Soul

(Classic Soul)

OTIS BLUE: OTIS REDDING SINGS SOUL—-THE COLLECTORS EDITION is an expanded package of Otis Redding’s 3rd Album done back in 1965. It’s a 2 CD set containing the original Mono and the original Stereo mixes. These two versions ALONE would be worth having as a “Collector” of the music timeline of the development of Soul on the American Pop Music scene. HOWEVER…..this package goes NOT “A” step further….NOT 2 steps further…..but….a THIRD and a FOURTH step further!!!!!

We have all gotten used to the “Bonus Tracks” on these re-releases. That’s just that “A” step further. “I’M DEPENDING ON YOU”(“B” side to “I’ve Been Loving You Too Long”) and “ANY OLE WAY”( “B” side to “Satisfaction”) serve as the “Bonus Track” we are accustomed to that weren’t a part of the Original release. What they have done as a “Second” step further is doing a Mono Mix of the Stereo versions of “I’ve Been Loving You To Long”, “Respect” and “Ole Man Trouble”. They have also a 1967 version of “Respect” and a recorded Mono Mix Live version of “Shake”. That’s the Second step. Now the value of these are relative to what your “ears” perceive as “quality”. The good news is they are ALL done very well. If you’re of the persnickety or you are “techno-savvy” and convert these tracks to your mobile vehicle of choice, iPod or MP3 Player, you have choices of Mixes to convert (although converting this entire package to MP3 wouldn’t be a bad thing)…..Review continued here

–Earl Gregory

Album Review: The Sound of Philadelphia – Gamble and Huffs Greatest Hits

(Classic Soul/Funk)

Sometimes I think that as music fans we get too sophisticated for our own good. Many people would see an album like this featuring: The O’Jays, Harold Melvin and The Blue Notes, Teddy Pendergrass, Lou Rawls, Patti LaBelle, The 3 Degrees, People’s Choice, The Intruders and Billy Paul and pass it by, with the idea that either they already have these songs or that they have heard them all before. On one level they would be correct, however I do think that it’s useful to be able to go back and listen to a compilation like this, because the whole is indeed larger than the sum of it’s parts. And one of the things that makes it so is the contribution of MFSB underneath of it all (but more on them later).

Here is my track by track review…(continued here….

–Bob Davis

Look for these all of these songs playing on Classic RnB @ RadioIO.com

Album Review: Cracked Ice – Soul Noir

(Classic Soul)

Real quick, if you look at the artist name, the title and the album cover you might think that this album was made by some “downtown neo-soul heads.” Well not only would you be wrong, but you would also be presently surprised by the music contained. This is a brand new album containing a very strong/dated 1960’s R&B kinda sound. In fact it’s the very same sound that just won 5 Grammy Awards. It’s Stevie Ray Vaughn meets Wilson Pickett meets Dusty Springfield meets Clarence Carter for those of you over the age of 45. For those of you who are under 45 it’s Doyle Braham II meets Amy Winehouse meets Ryan Shaw meets the Dapkings. It’s the music of the past and the music of the future at the same time. And right now it seems that 1960’s based R&B music has suddenly become the hippest music on the planet. Don’t let the title, the name of the artist fool you, you would be making a mistake if you glossed over this album. It’s a brand new album of Classic Soul plain and simple. It’s got saxophones, trumpets, piano’s, drums, guitars and human beings singing alone and singing with each other. I could see this album being big in the “heartland”, but ignored by New York and Los Angeles. But when New York and Los Angeles “discover” it they will get on the train also. They won’t have any choice, it’s the same train that Obama is the conductor of. This album is already a huge hit on the Beach Music charts!!!

Find out more about this album at:

Cracked Ice – Soul Noir

Look for these songs to appear “heavy rotation” on Nu Soul @ RadioIO.com

–Bob Davis

Album Review: Teeny Tucker – Two Big M’s

(Blues/Soul/Rock n’ Roll)

This is a fun album by Teeny Tucker, daughter of Tommy Tucker (“Hi HeelSneakers”.) It’s tribute album to Big Maybelle and Big Mama Thorton. You have heard all of these songs before and if you are a fan of either artist you will love the “Two Big M’s”. Big Mama Thornton is the originator of the classic song “Hound Dog”, that most people think was an original tune by Elvis Presley. Big Mama Thorton was paid a flat $500.00 for “Hound Dog” and three years later Elvis Presley made it a hit and got paid millions. On the other hand, Big Maybelle was the original singer of “Whole Lotta Shaken Going On” and later made a hit by Jerry Lee Lewis. She also got paid pennies and died broke while Jerry Lee Lewis made millions. Big Mama Thornton was a songwriter in her own right. She wrote the classic song “Ball & Chain” which Janis Joplin made into hit. However if you are “culture bandit”, you will want to skip the one original song on the album, the title track entitled “Two Big M’s”. I don’t think that Teeny would mind me mentioning a portion of the lyrics:

“You were pioneers with a crossover style

Your presence and power would make folks bow

“Hound Dog”, “Rockhouse” and all the great tunes were cool

They only became hits when someone stole them from you”

Overall this album is a powerful presentation of classic songs, originated by two Black women that today few Blacks know anything about whatsoever. However students of the history of Rock n’ Roll know all about Big Maybelle and Big Mama Thorton, they know their history. http://www.teenytucker.com

–Bob Davis

Album Review: Ashford & Simpson- The Warner Bros. Years. Hits, Remixes and Rarities

(Warner Bros/RHINO R2 347964)

WELL NOW~~!!!

This is SPECIAL. This is a 2-CD Dance themed overview of the CLASSIC Warner Bros output of NICHOLAS ASHFORD and VALERIE SIMPSON.

Disc One is fairly straight. In the early “disco” days there were special mixes of the hit songs that only the radio guys and the disc jockeys got. Disc One has all of those rare versions that were hard to get THEN, and impossible to get (unless you want to get in a bidding war with some UK or Japanese cat for 3-500 dollars for “One More Try” as one example) now. All of those great tracks are on Disc One. If that excites you, realize they went one step MORE. They got some back-in-the-day remixers. The GOOD ones. The names you remember from your 12-inch vinyl collection: Tom Moulton. Paul Simpson. John Morales. Tommy Musto.

And then, they brought some of the best of the new guys: Joe Claussell. Joey Negro. Dimitri From Paris. And they turned them loose on some of the same tracks on disc one to redo them on Disc Two.

STOP…..STOP right there.

Too many of you just threw up your hands and screamed “Leave Well Enough Alone”. That’s only because you don’t realize that version of “Bad Luck” or “I’ll Always Love My Mama” that you used to jam to WAS REMIXED…back THEN. Did I hit the mental RESET BUTTON HARD enough? Good….review continued here –DONALD CLEVELAND

Ike Turner – R.I.P. – by Phil Arnold – artist administrator, manager, agent for Ike Turner 1999 – 2007

(Southern Soul/Blues)

Most of yall don’t know the name of Phil Arnold.

He is a good friend of Soul-Patrol.

The fact that you don’t know his name isn’t really important. What is important is that he is also a good friend to all of you, even if you never realized it till just this moment.

Take a look at what Phil has to say about Ike Turner and his relationship with him and please consider Phil’s words, the next time that you read something in the “mainstream press” about Ike Turner….

————-

California – April 4, 2008

Ike Turner – R.I.P.

by Phil Arnold – artist administrator, manager, agent for Ike Turner 1999 – 2007

I have procrastinated commenting about his passing. In vain disbelief I refused to acknowledge the loss. It is as if I was trying to convince myself that the longer I waited, the less Ike Turner was dead. I was not alone in denial; nor was I alone in concealing my fears and suspicions about what caused his death. I often told him “it was a privilege to work with you, and even more of an honor to know you; and if you had been a blue-collar worker I would still be just as proud to know you.” I knew Ike Turner, the man, as well as the myth.

After kicking his drug habit in jail, Ike stayed clean for about 16 years, which is a fact. He was proud of that. When he spoke at LA-area high schools in 2004-05 for “Blues Schools” his quote was “Stay in school, stay off drugs, don’t make the same mistakes I did, respect yourself, and others will follow.” He was not a hypocrite. After prison, Ike was noted for helping others turn away from drugs. The successes should remain anonymous – and so should the failures; you know who you are. Honor his sacrifice by helping yourself. Get help. He actually fell backward reaching out to help someone else…….Continued at the following link….http://www.soul-patrol.com/soul/iketurner.htm

Album Review: The Dells Sing Dionne Warwicke’s Greatest Hits

(Revolutionary Pop)

1. I’ll Never Fall In Love Again

2. Walk On By

3. This Guy’s In Love With You

4. Raindrops Keep Fallin On My Head

5. I Just Don’t Know What To Do With Myself

6. Close To You

7. Trains & Boats & Planes

8. A House Is Not a Home

9. I Say a Little Prayer

10. Alfie

11. Wives & Lovers

This album is technically a Chess records reissue, originally released in 1972, back when I was in 11th grade and wouldn’t have paid it any mind because this album doesn’t have anything to do with pushing any teenaged girls up against a basement wall in the dark. I don’t think that anyone else paid any attention to it either, so for all practical purposes, it’s a brand new album.

However if you are a little older than an 11th grader, you will find quite a bit here to enjoy and savor with your significant other, who should also be a bit beyond the 11th grade as well.

If you are looking for outakes from the “70’s Soul Jam”, just keep on steppin. Because if you dare to stick THIS album into your CD player, ger ready instead for some “revolutionary pop music.”

There are those times when it becomes a requirement to listen to an album in the manner that an album was meant to be listened to. Especially when it comes to listening to a blast from the past, that embodies all that I thought that I knew, but in reality never really knew, until this particular moment in time.

An album in my opinion was meant to be listened to as if it was an event. Back in the day, the mere purchase of an album was cause in and of itself to be a celebration. It meant that you would at some point in time, shortly after making the purchase allocate a period of time to do nothing else but just listen to that album, preferably with headphones on. So when you listen to this album, don’t do what I did, instead create an event for yourself to experience all that is going on here, so that you don’t miss anything….(continued here

Look for these songs to appear as “buzz cuts” on Nu Soul @ RadioIO.com

–Bob Davis

Album Review: Various Artists – Soulsville Sings Hitsville

(Classic Soul)

On the surface, this is an album that you might consider to be “hokey”, but ya gotta actually listen to it. First of all it contains several GREAT songs that if you are a Classic Soul fan, you no doubt already own. Hearing the Staples Singers “You’ve Got To Earn It”, written by Smokey Robinson, which in fact reached #9 on the R&B charts back in 1971 is a real treat if you haven’t heard it in a while. It contains strong horns & bass along with a muted blues harp all brought together by the beautiful voice of Mavis Staples. Hearing Isaac Hayes cover the Jackson Five’s “Never Can Say Goodbye”, which reached #5 on the R&B charts back in 1971 as well reminds us of just how powerful Isaac Hayes was and just how much of a “Midas touch” he had during that time. There are a few surprises here as well. For example there is “OH BE MY LOVE”, a song originally done by Smokey Robinson and the Miracles, that is one of my favorite Miracles songs. To my ears it’s a song that should never be touched by anyone else….lol. However Barbara Lewis turns in a surprisingly good cover version of it. Another example is John Gary Williams cover of the Four Tops “Just Ask The Lonely”, in which he turns the up-tempo Motown classic into a MONSTER SLOW JAM. Yet another is the Soul Children’s deconstruction of Stevie Wonder’s “Signed, Sealed, Delivered” into another MONSTER SLOW JAM. This is far from being an essential album to own, but if you are a hardcore Soul music fan you will want to have this album, just on “GP.” And when you listen to it, you are gonna smile a whole lot more than you thought that you would.

Find out more about this album at:

Look for these songs to appear “in rotation” on CLASSIC RnB @ RadioIo.com

–Bob Davis

ALBUM REVIEW – Will Downing: “After Tonight”

There will never be another Barry White. There will never be another Luther or Lucian. Isaac is still around but not “really” active in a contemporary sense. We are left with the likes of WILL DOWNING….but with the album “AFTER TONIGHT”…that is NOT a bad thing.

Perhaps it is unfair to use such legendary artists as the measuring tool for the efforts of their successors. Yet, at the same time, they have established a demand on those successors to, at the very least, follow the clear path they blazed to success and greatness, and in the end, isn’t that what we want to hear?

This isn’t an “easy listen”. It is a “Soulful Listen”. You get that right away with “Will’s Groove”. From track to track and at times with the help of some other gifted performers, this album runs the gamete from “Pure Soul” to NuSoul and “just a hint of Jazz” throughout.

Click hear to read more on Will Downing and his new album….

NEW RELEASE: Angie Stone – The Art of Love and War

One of the things that I will usually get done in the car is to listen to albums that have been submitted for review by artists and other entities to Soul-Patrol for review. As is my custom last night as I took a supply of albums with me to listen to my 3 hour (round trip) drive to and from NYC.

This of course can be a good or a bad thing.

1. If I am listening to an album during the first part of the trip, it can be better for the artist, simply because I am in a better mood.

2. If I am listening to an album during the return part of my trip, it could potentially be devastating for the artist, simply because I am in a bad mood (I mean, who really wants to be out driving around NJ at 2am?)

Coming back home from the Family Stand show in NYC of course I had a supply of albums with me to listen to during the trip. About halfway back home, I reached for the new Angie Stone album alled “The Art of Love and War” (on STAX), which is scheduled for release in late October. Now I gotta be honest with you, that is the worst possible time for me to reach for an album that I haven’t heard before. I was at around exit 8a of the NJ Turnpike and really tired. The chances of me out right rejecting an album, calling it a piece of crap and throwing it into the “never to be listened to again pile” are actually quite high. If it bores me in any way, even for 30 second’s it’s coming right out of the CD player and I will be replacing it with James Brown, Miles Davis or Jimi Hendrix.

Well I gotta tell you, this new Angie Stone album is off the chain. In fact I didn’t finish listening to it because I kept hitting the repeat button for songs 9 & 10 (“My People” and “Sit Down”) Sit Down is quite “hypnotic/erotic” and I wanted to listen over and over again. “My People” is destined to become an anthem much in the same manner as “Aint No Stopping Us Now”.

It’s great to listen to a robust album, that is full of passionate songs once again and I have no problem whatsoever highly recommending this one. I mean, what can be higher recommended that an album full of great songs that has the power to revive the senses at 2am on the NJ Turnpike?

–Bob Davis

Album Liner Notes: Billy Jones – “My Hometown”

(Blues/Soul/Funk/Southern Soul/Urban)

“Sometimes It Takes The Rest of the World a While To Catch Up To That Which We Already Know”

I am an unabashed and unapologetic fan of Billy Jones Bluz. And I have been for quite a long time.

IMHO his music along with just a handful of others represents the future of the entire genre.

Of course there aren’t many who would agree with that opinion. In fact it’s my opinion that many of those same people would in fact like to see the genre called “Blues” disappear anyhow. Those people would like to see the “Blues” continue to “morph” into something that is completely disconnected from it’s creators.

The music & philosophy of Billy Jones is diametricly opposed to the desires of those people. That is why I was extremely honored earlier this year to be asked by the Black & Tan Record Label to write the liner notes for Billy’s latest album, entitled “My Hometown”. What higher honor can there possibly be for a music fan than to be actually made an official part of a great album by an artist that he truly loves?

You can read my liner notes for the album Billy Jones – “My Hometown” right at the very top of Soul-Patrol.com’s Southern Soul & Blues portal at the following link: http://www.soul-patrol.com/soul/south.htm

I haven’t said much about this new album, but certainly not because I don’t think that it’s any good. It is an excellent album that features great great original music, featuring Billy Jones and his continuing quest to make the Blues genre relevant to the modern day concerns of it’s originators.

I am personally conflicted in providing commentary on an album in which I am an “official” part of. And that keeps me from providing commentary on the album itself.

“Bluez From The Ancient To The Future” Click here to read the liner notes…. http://www.soul-patrol.com/soul/south.htm

–Bob Davis

Album Review: Ledisi – Lost & Found

(Nu Soul)

This is the one we have all been waiting for. This album is on the level of the great female artists of the past. No need to make any comparisons to the Erykah Badu’s or Jill Scott’s of the world this time. Now it’s time to compare Ledisi to the great female song stylists of the past. In no way is this “retro” or “throwback” in any respect whatsoever except for the fact that it’s thoroughly listenable from start to finish. In fact to illustrate that point the album is designed much like the book Ulysses, the end of the album puts you right back at the beginning of the album. In other words we finally have an album that tells a coherent story from end to end, just like great albums are supposed to. There aren’t any “throwaway” or “filler” tracks here. If you buy the album, you won’t feel cheated (like with most Neo Soul” albums) or feel like instead of paying 15 dollars, you should have paid only three dollars because there are only 3 good songs on it. It’s actually a great and fully realized concept album full of fresh original songs that will grab you the very first time that you listen. These songs stand alone. They also stand as a collection of artistic gems that link together the full range of female emotions over the course of up’s & downs of modern relationships. All of this is anchored by the classic voice and tone of the best and top Indy artists of this century. Ledisi is ready to become a household name and if this album doesn’t do it for her, then Black music fans should be ashamed of themselves, because it truly means that they are in a “catatonic state.” Ledisi – “Lost & Found” is an album that you will not only want to rush out and purchase immediately (release date 8/28), but you will also immediately want to encourage your friends to buy it as well. Ask yourself honestly, when was the last time that you felt like that about an album?

Check out Lost and Found

Commentary – A Real Blues Artist and Innovator (by Chick Willis)

“Blacks & Blues”

Intro: I find this letter to be both disheartening and yet inspirational to me on a personal level at the same time.

You see I always try to learn something from those who have come before me, since they have seen more and done more, they usually have something of value to offer to me. Although it is usually not possible to right the wrongs of the past, it doesn’t mean that we can’t change our current behavior in order to effect change in the future. That is something that we have absolute control over and our failure to change our own behavior may in some cases be just as bad as was the original injustice.

My hope is that people read this piece, absorb what Chick Willis is saying and figure out for themselves if there is any modification of behavior that they can do on an individual basis in order to influence the future.

And even if upon some reflection, you find that there is nothing that you can personally do within your own behavior that can effect any changes, one of the things that I know that you can do is to circulate this email to other people who might be willing/able to challenge themselves to change their behavior in an attempt to make the future just a little bit better?

–Bob Davis

….(click here to read the rest of the Chick Willis’s commentary

–Bob Davis

MR. ARCHIE BELL (from Houston Texas)

Concert Review: The Blues Is Alright Tour 2007 – Marvin Candy Licker Sease, Mel Waiters, Shirley Brown, Bobby Blue Bland, Floyd Taylor, Johnnie Taylor Revue (March 2, 2007 ~ Columbus, Ohio)

The Blues Is Alright Tour 2007 arrived in Columbus stop number 10 on a scheduled 19 city tour ended in Columbus, Ga, March 25Th loaded with the veterans of soul to set Columbus and the Palace Theatre on fire. Mission accomplished and we’ve not seen the end of the noise yet. Young entrepreneur Julius C. Lewis (my maiden name-no relation) hooked this lineup up so it is alive and jumping right out the shoot. Chatting with him briefly afterwards he is a young black man on a mission. I certainly intend to keep close tabs on this brother to encourage him to draw close to Professor Bob Davis and the international Soul-Patrol community. Those of you who know anything about me know I’m about being about it and doing it on a win win premise.

Anyway: It do be about the show. Believe it or not everything was on time, tight, polished, professional and off the enjoyment scale. Opener was the ever young and athletic Bobby Rush. Bobby treated the men to eye candy with singer/dancers who gave got it so hot up in there the management had to put on the air condition. Next came Theodis Ealey who did his thing. Handsome, sexy Latimore told the young men to do it right “so you don’t have to be all up in there all night!”

Then came young Floyd Taylor and his Johnnie Taylor Revue), Floyd paid homage to his dad and his dad’s best friend Tyrone Davis. Floyd did a medley of both men’s famous hits and entertained us with some of his own. I personally had the pleasure of meeting Johnny in Harlem years ago so it was a double pleasure for me to see and hear his lookalike son. And yes– Floyd got his daddy’s pipes if y’all wondering. The man can “sang.”

The entire lineup was a phenomenal treat. Marvin “Candy Licker” Sease, Mel Waiters, Shirley Brown and the incomparable Bobby “Blue” Bland. All the favorites, all the juke jumpin, stompin in the middle of the building show stoppers. Folks got to feeling good after a few libations and were hand dancing in the aisles, men and women cried, laughed, shouted, got up out they seats and moved–some of ’em got to running! Hands stayed up in the air applause broke out unexpectedly, men shouted and women swooned. It was truly a sight to be seen. Sometimes it was hard to tell if I was at a blues convention or Sunday night at church….(click here to read the rest of the review

Whatever Happened To Archie Bell (Music, Interviews, Concert Reviews and more)

On the morning 8/20/2006I woke up early on a Sunday morning despite having been out late the night before attending the Hil St. Soul show in Philly. That’s because I had the honor of interviewing the legendary…

at an “undisclosed location” in NYC earlier today.

Actually it’s less of an “interview” and more of a “conversation” that also included Mrs. Juanita Bell (Archie’s wife)and Soul-Patrol’s NYC Coordinator Cheryl Russell.

Our “conversation” lasted about 1.5 hours and included the following topics…

– The TRUE story of “Tighten Up”.

– Former NFL great Ricky Bell (Archie’s Brother)

– Archie’s Years @ Atlantic Records

– Archie’s Years @ Philadelphia International Records

– Archie’s Years @ TK Records

– Legendary Houston DJ/Manager Skipper Lee Frazier

– Artist Rip-offs (then and now)

– The effects of Hurricane Katrina on Houston Texas

– MFSB

– What’s a “Drell”?

– Texas FUNK

– FAKE versions of Archie Bell and the Drells

– The book “House on Fire” (the story of Philadelphia Soul)

– The past, present and future legacy of Black Music

– and more

As you can imagine this 1.5 hour “conversation” was not only a whole lotta fun, but quite educational as well. Thanks Cheryl for helping out. So listen, learn and let us know what cha think???

Bob Davis:

A great vocalist and stylist, he moved black music into the mainstream and was also one of the earliest singer/songwriters working in the soul tradition – to that extent, he was a prime early mover in the Black artist’s struggle to begin to control his own destiny.

Listen to the performance of his own ‘A Change Is Gonna Come’ and fail to be moved by it and it probably means you shouldn’t really be reading anything about soul or blues music – you can’t be interested!!

We would like to take this moment in time to not only pay homage to the musical genius of Sam Cooke, but also to introduce to you a brand new book entitled“Our Uncle Sam: The Sam Cooke Story From His Family’s Perspective” , recently published by one of our Soul-Patrol members, named Erik Greene. Erik is the nephew of Sam Cooke and his book gives us for the very fist time the perspective of Sam Cooke’s family on his life, career and death (still one of the great unsolved mysteries of the 20th Century)

As you read, please take a moment to click on the links about the book and check out the online chapter that Erik has provided for us.

–Bob Davis

Featuring Our Resident Love Man WILL WHEATON. Some SERIOUS ‘3am FUNK’ in the tradition of Isaac Hayes, Teddy P, Chuck Jackson, Barry White.

WILL WHEATON –

OLD SCHOOL SOUL

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WHAT’S HAPPENING IN CLASSIC SOUL?

UPDATED: A FUNKY JACKSON FIVE SITE
This has always been one of my favorite artist pages on the entire Soul-Patrol.com website. That’s because it was so much fun to put together. One of the reasons why it was so much fun for me on a personal level is because doing Soul-Patrol’s Jackson Five web page allowed me to take a truly nostalgic look back at a group that was certainly a big part of my own teenage years. The page has never attempted to be anything more than a look back at the history of the group from the perspective of two funkateers (yours truly along with Sue Porter). Over the years that the page has been up, Soul-Patrol’s Jackson Five webpage has proven not only to be one of the most popular artist pages on the Soul-Patrol.com website, but also it has become one of the most popular websites about the Jackson family on the entire internet! I get dozens of emails each week from Jackson Five fans around the world and I enjoy the dialogue that I have with them about the music and the overall impact of the Jackson Five has had on our society. In addition to the fans, about two years ago, I began to correspond with various members of the Jackson family, their representatives, journalists and others with a strong interest in the ongoing saga of the Jacksons. All of this intensified this past summer: – The publication of Soul-Patroller Geraldine Hughes book about the Michael Jackson Child abuse allegations, which prove his innocence. – Meeting longtime Soul-Patroller Joseph Jackson (the CEO of The Jackson Five) in person for the first time. – The release of the new ‘Jackson’s Story’ CD compilation from our friends at Universal So I updated the site with some references, some commentary and some links associated with those two events, along with a review of the latest Jackson’s compilation CD (The Jacksons Story). It seems that we can truly… NEVER SAY GOODBYE to the Jacksons Take a look at the updated site and let me know what cha think? –Bob Davis CLICK HERE TO CHECK IT OUT
INTERVIEW WITH THE ‘SUPREME’ MARY WILSON INTERVIEW WITH THE ‘SUPREME’ MARY WILSON A Soul-Patrol.NET Radio exclusive interview. In a wide ranging and candid interview, Mary Wilson tells us about her career as a founding member of the SUPREMES, her views on the evils of culture banditry and fake groups, on the possibilities that the Internet gives artists and other related issues. CLICK HERE TO CHECK IT OUT
CELEBRATE THE LIFE/MUSIC OF OUR MAESTRO, MR. BARRY WHITE Some folks are celebrating the Death of Barry White. However we would like to take this moment to celebrate his life…
THE LEGENDARY FIVE STAIRSTEPS! Click here and learn about the Chicago’s LEGENDARY FIVE STAIRSTEPS! Soul-Patroller Gary Tyson presents us the complete history of the group as it evolved from the ‘First Family of Soul’ and it’s classic and rich Blue Light In The Basement Slow Jams of the late 1960’s to the surprising DISCO FUNK of The Invisible Man’s Band, to the solo career of JAZZ/SOUL/FUNK of singer/bassist/producer Kenni Burke into the 1980’s. In addition to learning everything you always wanted to know about the Five Stairsteps, Gary drops some of their ‘prime cuts’ such as Baby Makes Me Feel So Good, World of Fantasy, Danger (She’s a Stranger) Ooo Child, From Us To You, All Night Thang, Rising To The Top and more… Click here and check out To Soul-Patrol’s Salute to the FIVE STAIRSTEPS!!!

The intent ofSoul Patrol, is to be a celebration of Great Black Music From The Ancient To The Future. It’s all aboutSoulJazz, Blues,RockFunk, and theculturethey evolved from.

Click here to enter your suggestions and feedback

]]> http://soul-patrol.com/classic-soul-music-and-rb-music-culture-rb-foundation-southern-soul-music-micheal-jackson-motown-legends-soul-stax-soul-philly-soul-music-radioio-bobby-womack-pete-seeger-martha-redbone/feed/ 0 P*FUNK Review: Funk Music http://soul-patrol.com/pfunk-review-funk-music-gil-scott-heron-raphael-saadiq-rolling-stones-sonnyboy-living-colour-gary-shider-p-funk-victor-wooten-dawn-silva-mandrill-sharon-jones-and-dap-kings-charles-wrigh/?utm_source=rss&utm_medium=rss&utm_campaign=pfunk-review-funk-music-gil-scott-heron-raphael-saadiq-rolling-stones-sonnyboy-living-colour-gary-shider-p-funk-victor-wooten-dawn-silva-mandrill-sharon-jones-and-dap-kings-charles-wrigh http://soul-patrol.com/pfunk-review-funk-music-gil-scott-heron-raphael-saadiq-rolling-stones-sonnyboy-living-colour-gary-shider-p-funk-victor-wooten-dawn-silva-mandrill-sharon-jones-and-dap-kings-charles-wrigh/#respond Mon, 01 Jun 2020 01:07:35 +0000 http://soul-patrol.com/pfunk-review-funk-music-gil-scott-heron-raphael-saadiq-rolling-stones-sonnyboy-living-colour-gary-shider-p-funk-victor-wooten-dawn-silva-mandrill-sharon-jones-and-dap-kings-charles-wrigh/

RIP: Vince Montana

One of the FUNKIEST musicians I have ever known…

(and an even better person!)

RIP Vince Montana

How many here remember the song: “Sad Girl” -Intruders?
Do you remember how the song starts?

First there are the horns….duh duh duh duh duh…
Then Lil Sonny (I think?) comes in and sings…
Saaadd Giiiirllll

Then there is a short vibe solo
(that’s VINCE MONTANA)

Then Lil Sonny comes back and sings….
“Did he break your heart…”

Then there is another short vibe solo
(that’s VINCE MONTANA)

Hell I didn’t know that till I met Vince….LOL

Right now my head is spinning around thinking of all those little vibe solos.
In songs from the O’Jays to Archie Bell & the Drells to the Delfonics and on and on and on.

I can remember Billy Paul coming up to me at one of the SP Conventions and saying to me…

(I had no clue…..I just thought Vince was a super funky disco
man…..LOL)

Vince was a badd mf

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

RIP: Cordell “Boogie” Mosson

NOTE: There will a Wake (public viewing) Friday between 5 & 9pm at Calvary Baptist Church, W 4th & Monroe Ave, Plainfield NJ 07063.

This is the same church both Ray Davis & Garry Shider’s services were held.

Boogie’s funeral will Saturday April 27th 9am from Ruth Fellowship on South 2nd St near Grant Ave, Plainfield NJ.

I am planning to be in attendance…

BTW….the picture is of Boggie, along with guitarist Michael Hampton (Kidd Funkadelic) and our good friend Daryl Moon of theFunkstore.com FUNLON IT UP TILL THE END!!!

–Bob Davis

No good discussion of P-Funk is complete without a mention of the some of the baddest funk bassists in history.

Essay By
“Bustin” Bob Mitchell.. ….
Funk Journalist & Atlanta-GA-USA Radio Personality
Funk Journalist & www.TheFunkStore.com Head Writer

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

This has been one heck of a week (if you are a F-U-N-K-A-T-E-E-R)

All of that good stuff is somewhat tempered by all of the bad stuff that has been happening in the neighborhood of the world that Soul-Patrol lives in.

This has been one of the worst weeks that I can recall.
(and the week is not yet even 1/2 over yet)

We lost 3 soldiers this week.

FUNK soldiers that is:

–Belita Woods of Funkadelic.
Hers is the sweet voice of estrogen that we heard at all of those acid drenched concerts for so many years, that neutralized the testosterone of the P.

This has NOT been a good week to be a F-U-N-K-A-T-E-E-R

(and the week is only 1/2 over)

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Spotify + Funk Church + Connecting with the People (Guest Commentary From Bill Curtis of the Fatback Band)

Also here is a free download from Bill/Fatback of their new single: “CAN YOU FEEL THE RHYTHM?”
http://www.bandletter.com/fatback/music/can_you_feel_the_rhythm.mp3

Ok, if you don’t believe me go to Church and get your groove on, come back and tell me about your experience.

Bill

Also here is a free download from Bill/Fatback of their new single: “CAN YOU FEEL THE RHYTHM?”
http://www.bandletter.com/fatback/music/can_you_feel_the_rhythm.mp3

–Bill Curtis
http://www.fatbackband.com
–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

GUEST EDITORIAL: Chuck D – Never have so many been pimped by so few

I don’t have much to add to this, except to say; read it and pass it along. Especially to someone who is younger than you. And ask them to pass it along to someone even younger…

–Bob Davis
——

Chuck D:

Never have so many been pimped by so few.

Read the rest of this essay here….

—————–
Bob Davis
earthjuice@prodigy.net
609-351-0154
——————
Co-Founder www.soul-patrol.com

Blues, Hip Hop and Soul Music Director www.radioio.com
——————-

Gil Scott-Heron – “Peace Go With You Brotha”

That is what I wish for brotha Gil. It’s much more than simply the opening and closing track on my very favorite Gil Scott Heron album called “Winter in America.”

Gil Scott-Heron was kinda like Malcolm X put to music for me as well as the entire generation of young Blacks who came of age during the early 1970’s.

However there were two artists who actually drove BOTH the content and the attitude of the conversation; JAMES BROWN and GIL SCOTT-HERON.

Their music provided the not only the topics for that never ending conversation. Their music also provided the attitude for that conversation, night after night.

In fact it’s a conversation that has never ended….it was then and is still today….”my REAL college education”

Back in 1996 I wanted to bring that conversation to the internet. That’s when my brother and I created the daily Soul-Patrol Mailing listserv.

How ironic that brotha Gil passes just a few months before that event?

Obviously I could write a whole lot more about Brotha Gil, his music, his poetry, his politics, his humor, his influence on me, his influence on others, his influence on multiple generations.

So for now I will just say…
“Peace Go With You Brotha”

(and leave it at that…)

More Gill Scott Heron Commentary…

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com
Blues, Hip Hop and Soul Music Director www.radioio.com

SONNYBOY/BARFLY THEORY RELEASE PARTY REVIEW:

I must say that last night’s event w/Sonnyboy was extraordinary for me on multiple levels.

4. And of course there was Shel Riser, who today is one of my best friends. I was most pleased to be able to introduce him to the great UK soul artist James Hunter who was also in the house

5. So it was quite a nice thing for me to wake up this morning and see a very nice review of the show from “Dr. Brookenstien” (see below)

6. There is nothing like attending a live show in NYC and then getting home @ 3am…..YA JUST GOTTA SHOW UP!!!!!!!!!!

–Bob Davis

It was nice to be back in New York City to check out a show by the one and only (DRUM ROLL, PLEASE………………) SONNYBOY!!!

At 9:30pm, the fun started an introduction to the funk by SOUL-PATROL’s own BOB DAVIS (APPLAUSE!!!!!), followed by the start of the SonnyBoy performance. A looped sound sample started off the “BarFly Theory”, which led into “Satisfy U”….this was some NASTY FUNK STUFF that will straighten out your curls! Super-funky with some great rhythm guitar funkiness by one and only Sheldon Riser aka SonnyBoy. The fun continued into the reggae-funk extravaganza called “I’m Soul Music”…TOO HOT! SonnyBoy had the fans singing along with some chant….of course, we need some help getting the chant right! “Who’s Been Lovin’ U” was funky, featuring some meaty bass lines by Mark Bass! “Special Friend” was the one slow ballad featured in the set. After the slow pace, it was on to some SUPER-HEAVYWEIGHT FONK with The Isley Brothers’s “Fight The Power”….talk about some SERIOUSLY NASTY FUNK-ROCK MADNESS!! YOU COULD TRY TO CUT THE FUNK WITH A KNIFE…..AND STILL WOULDN’T GET THE KNIFE ALL THE WAY THRU!!!!

The SonnyBoy set was over at 10:40pm.

–David “Dr. Brookenstien” Brooks

–Bob Davis
609-351-0154
earthjuice@prodigy.net

Concert Review: REST IN P – A TRIBUTE TO GARY SHIDER (RIP) – NY/NJ: July 11, 2010:Funkraiser for P-Funk’s Garry “Starchild” Shider

Guess what happened????

(“Mrs. Earthjuice” was on her feet for most of the 4.5 hours of this
show)

And she was for good reason…..(THE POWER OF THA FUNK)

As I am typing this, 24 hours after the show was over, she is still raving about the show…

(she remembered what she thought that she had forgot)

This show wasn’t about “reality show fame,” “chart position,” “tabloid headlines,” “american idol victories,” “fake award shows,” etc.

IT WAS ABOUT SOME STANK AZZ MUSIC

(in “living color”)

Sorry folks, for this one…..YOU HAD TO BE THERE and shame on you if you are a music fan, could have been there and YOU WEREN’T THERE

Shout outs to the BRC, Sweet Relief, and all of you who gave up a comfortable Sunday evening in front of the idiot box, and chose instead to get FUNKED UP.

BIG UP’S To our friend Darrell McNeil for overseeing the proceedings and doing the lions share of the work behind the scenes.

& for you artists out there….GET YOURSELVES A DAMN INSURANCE POLICY, so your family doesn’t have to do this for YOUR BLACK AZZ)

ALL PROCEEDS FROM THESE EVENTS WILL GO DIRECTLY TO THE SHIDER FAMILY!

http://www.garryshidermedicalfund.com or http://www.sweetrelief.org

–Bob Davis
609-351-0154
earthjuice@prodigy.net

More on Mick Jagger @ the Grammy’s

I wrote this in response to some negative comments I got regarding Mick Jagger’s appearance at the 2011 Grammy Awards. Just sharing…
——–

Well…I thought that Mick Jagger did a fantastic job of covering Solomon Burke @ the Grammy’s.
http://www.youtube.com/watch?v=dngAmH0bi1U

My point is that…He accomplished two things:

1. He paid a great tribute to an artist (Solomon Burke) who had significant influence on his music.

What Jagger did @ the Grammy’s was nothing new. He’s been doing it his whole career. And he deserves props for remaining true to his own roots as an artist and NOT being a sellout…

And it’s been a pleasure Cuz I haven’t really checked out the Stones in a while.

-He did it with Tina Turner
-He did it with Stevie Wonder
-He did it with Prince
-He did it with Living Colour

And on Sunday nite @ the Grammy’s he did it with Raphael Saadiq.

Anyhow…

——–
Quickie Review – “Going To A Go Go” – Rolling Stones
From the live album “Still Life” (1981)
http://www.youtube.com/watch?v=fNlni8ysHD8

Now first of all I need to mention that Smokey Robinson & the Miracles original version of “Going To a Go Go” doesn’t get it’s props either.

But in my humble opinion the Stones version absolutely kills the Miracles version.

Then Jagger shouts…”GOING TO A GO GO…..EVERYBODY…”

“THERES A BRAND NEW PLACE I FOUND, WHERE PEOPLE ARE COMMIN FROM MILES AROUND, THEY COME FROM EVERYWHERE AND IF YOU DROP IN THERE YOU SEE EVERYONE IN TOWN….”

But then he sings…

“IT DOESN’T MATTER IF YOU’RE BLACK, IT DOESN’T MATTER IF YOUR WHITE, YOU TAKE A DOLLAR FIFTY, A SIX PACK OF BEER AND PICK UP DAMES ALL NIGHT…”

You say to yourself: “hey those words are different from the original….”

Then out of no place an ultra phunky sax solo appears and now along with just the ferocious backbeat provided by Charlie Watts, now the song sounds like Africa-New-Orleans-Harlem combined.

The solo ends and Jagger sings more new lyrics:

“IT DOESN’T MATTER IF YOU COME IN DRAG, IT DOESN’T MATTER IF YOU COME IN STAG…”

The song just ended (I’ve just hit replay at least six times……lol) and now I’m thinking about the first time I heard the Stones version of this song.

(If I ever get a chance to talk with Smokey Robinson, one of the first questions I will ask him is what he thinks of the Stones version of “Going To A Go Go”???)

Got’s ta give them their props!!!!

(but that’s another story for another day…)

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com
Blues, Hip Hop and Soul Music Director www.radioio.com

RIP: DAVID MILLS
(Funk)

–Bob Davis

–Bob Davis
609-351-0154
earthjuice@prodigy.net

Marva Wright (1948-2010)
(Soul)

I invite you to take a listen to the interview conducted that day with Marva Wright at the following link:
http://www.soul-patrol.net/riverjam.ram

Read the reviews from the 2001 RiverJam at the following link:
http://www.soul-patrol.com/soul/riverjam.htm
Marva Wright (1948-2010)

–Bob Davis
609-351-0154
earthjuice@prodigy.net

RIP Ron Banks (of the Dramatics)

Ronald Dean Banks, born May 10, 1951

“It’s not a good day Iris, as a matter of fact it is a terrible day It’s always terrible when someone dies, but it’s even more so when it’s your brother, your friend…”

–“L.J. Reynolds” Co-lead vocalist of The Dramatics speaking on the untimely death of founder and co- lead vocalist Ron Banks”

Iris Smith
Soul-Patrol – Cleveland, Ohio
http://www.myspace.com/therealdramatics

Rickey Vincent – “head to the other stage” (this goes on after each performance.)

You can’t stop the funk – you can only hope to contain it!

–Duane lance Filer
SoCali

–Bob Davis
609-351-0154
earthjuice@prodigy.net

Concert Review: Mother Finest, Derek McKeith & Alyson Williams @ Fort Dupont Park, Washington DC August 15th

And I am really glad that we apparently had so many folks from Soul-Patrol who felt compelled to submit a written review of the show. What does that say?

Just try & tell the thousands of people who were out this past Saturday night in Ft Dupont Park, that “Rock n’ Roll isn’t BLACK MUSIC?”

This review comes from our friend Skip Kelley….
———-

–Bob Davis
609-351-0154
earthjuice@prodigy.net

Commentary: 100 Days/100 Nights – The Future of Tha Funk (Barrack Obama & Sharon Jones)

So therefore 2008 represented the “coming out” year for BOTH Sharon Jones and for Barrack Obama and as far as I am concerned, the “face of funk” is now changed forever.

As a funkateer, I have also had a dilemma with this reality and asked myself the question; “could it be that the funkiest band in the land are culture bandits?”

And so it has remained, till now.

At the same time that all of this was occurring, during 2008 Sharon Jones & the Dap Kings became “the funkiest band in all the land.”

Commentary continued here: http://www.soul-patrol.com/newsletter/2009/news2/sharonjones_dapkings.html

–Bob Davis
609-351-0154
earthjuice@prodigy.net

–Bob Davis
609-351-0154
earthjuice@prodigy.net

LISTEN TO – CLASSIC HIP HOP @ RadioIO.com

TAKE A LISTEN FOR 1/2 HOUR, IT WILL MAKE YOU SMILE AND YOU WILL BE HOOKED

————————————
Classic HipHop @ RadioIO.com: http://www.radioio.com/channels/classic-hip-hop

||GREAT BLACK MUSIC ||
||WALL-2-WALL-FUNK ||
||70’s, 80’s, 90’s HIP HOP||
||ALWAYS SLAMMIN, ||
||ALL THE TIME ||

Classic HipHop @ RadioIO.com: http://www.radioio.com/channels/classic-hip-hop
—————————————-

We complained and asked, “where is the band?”, we said things like “why don’t those kids learn how to play instruments”, or perhaps you said; “these aren’t real musicians.”

And if you can answer those questions correctly, now you know the reason why Chuck D has me on his radio show every month

————————————
Classic HipHop @ RadioIO.com:http://www.radioio.com/channels/classic-hip-hop

TAKE A LISTEN FOR 1/2 HOUR, IT WILL MAKE YOU SMILE AND YOU WILL BE HOOKED

–Bob Davis
609-351-0154
earthjuice@prodigy.net

Album Review – Nikka Costa: Pebble To A Pearl

This is exactly the type of new music I enjoy getting. It’s a total surprise that made my smile from the first moment I opened it. Ear to ear and end to end.

What does it sound like???

You will note in the press release they describe it as: “GENRE: R&B, BLUES, SOUL & STAX”

(I wonder why they can’t just use the term “FUNK”????????)

(I am VERY happy that the STAX label is putting this one out)

–Bob Davis

For more info, check it out here: NEW RELEASE – Nikka Costa: Pebble To A Pearl

NEW RELEASE – Maysa: Metamorphosis

Maysa – “Metamorphosis”
(Black American Standard Music) http://www.soul-patrol.net/maysa.ram

Random House Unabridged Dictionary:
met-uh-mawr-fuh-sis; a profound change in form from one stage to the next in the life history of an organism

In the liner notes of the album, Maysa says; “I am changing, re-arranging, my mind, body and soul, growing better, feeling stronger…..slowly, but surely, my metamorphosis has begun.”

Go ahead & challenge yourselves and tell me what you think? http://www.soul-patrol.net/maysa.ram

–Bob Davis

For more info, check it out here: Maysa: Metamorphosis

Celebrating the Birthday of Jimi Hendrix and the 10th Anniversary of the Jimi Hendrix BLACK Experience Web Page

Most people are preparing to celebrate Thanksgiving over the next few days.

However if you are a Jimi Hendrix fan (like I am), the four day Thanksgiving Day weekend is also a time each year to celebrate the birthday of the man who changed both our music & culture.

–Some people thought that I shouldn’t be writing anything at all about Jimi Hendrix, only white people were allowed to do that.

–Some people thought that it was racist for me to even imply that Jimi Hendrix had anything whatsoever to do with Funk music or Black people.

–Some people thought that my analysis of the Crash Landing album was racist.

(it was a pretty big deal to play a .wav file on a web page back in those days.

Anyhow, that’s what caused all of the controversy to erupt. And the contoversey inspired me to write more about Jimi Hendrix.

And more, And more, And more…Till I ended up with 23 web pages about Jimi Hendrix, his music, his cultural impact, and more…..LOL

Keep up the great work!

H*A*P*P*Y B*I*R*T*H*D*A*Y

J*I*M*I H*E*N*D*R*I*X

–Bob Davis
609-351-0154
earthjuice@prodigy.net

This 3 day Black Music Extravaganza in Philadelphia @ beautiful/historic Keswick Theatre was a SMASHING SUCESS!!!

Thanks to the staff & management of the Keswick Theatre for allowing Soul-Patrol to be a part of their family.

Click here to read the reviews of all 3 shows by our own Funkoverlord, Mr. Kevin Amos…

–Bob Davis
609-351-0154
earthjuice@prodigy.net

LISTEN TO: SOUL-PATROL/NU SOUL/CAMPAIGN 2008 (Featuring the following Artists: Barack Obama, Chuck D, Gerald Alston, Chip Shelton, Nadir, Rose Stone)

(Nu Soul)

http://www.soul-patrol.net/sp_2008campaign1.ram

When is the last time you heard a Presidential contender quote Mr. Sylvester Stewart?

FUNKY PRESIDENT
Chuck D feat. Kyle Jason & the baNNed- Introducing the SLAMjamz Artist Revue (Tribb to JB) http://www.slamjamz.com or http://www.publicenemy.com

A CHANGE IS GONNA COME
Gerald Alston
(Gerald Alston Sings Sam Cooke)
http://www.gerald-alston.com

MLK
Chip Shelton/Peacetime
(Imbued With Memories)
http://www.chipshelton.com

SLAVE
Nadir/Distorted Soul
(Distorted Soul 2.0)
http://www.distortedsoul.com

CAN YOU MAKE IT
Rose Stone
(Already Motivated)
http://www.rosestoneuniverse.com

And let me know what cha think????

–Bob Davis

I’m NOW ready To Cast My Vote For……..(Most Relevant Album of 2008)
Nadir – “Workin’ for the Man” (The Phuture of Phunk)

Album Review – Nadir – “Workin’ for the Man” (The Phuture of Phunk)

C-O-M-P-E-L-I-N-G

(till now)

SERIOUS RAW FUNK + A CALL TO SOCIETAL & PERSONAL RESPONSIBILITY

FORCED TO SHAKE YOUR AZZ

AND

THINK ABOUT WEIGHTY ISSUES OF THE WORLD

(at the same time)

T-H-A-T-S C-O-M-P-E-L-I-N-G

Right now we are at a special point in Amerikkkan history.
It’s the morning of August 30, 2008…(article continued here

H*A*P*P*Y F*A*T*H*E*R*S D*A*Y – NEW RELEASE – Munkeez Strikin Matchiz – Wreck It (Bo Diddley, Chuck D, Bernie Worrell, Scott Free)

I love this song. I think that we will make this the
OFFICIAL FATHERS DAY SONG OF SOUL-PATROL.COM:

Munkeez Strikin Matchiz – “Wreck It”
(Bo Diddley, Chuck D, Bernie Worrell, Scott Free)
http://www.soul-patrol.net/wreckit.ram

Check it out, it’s one stone cold, sho nuff:
GREAT BLACK MUSIC FROM THE ANCIENT TO THE FUTURE:
http://www.soul-patrol.net/wreckit.ram

H*A*P*P*Y F*A*T*H*E*R*S D*A*Y

Soon to be released on: www.slamjamz.com

–Bob Davis

Album Review: Norman Kelsey – A Talent For Lovers
(Funk/Rock/Soul)

Look for these songs playing as as “buzz cuts” on Nu Soul @ RadioIO.com

–Bob Davis

Album Review: Lenny Kravitz – It’s Time For a Love Revolution
(Boring Azz Pseudo Beatles/Soft Rock/Elevator Music)

Check out Lenny Kravitz – It’s Time For a Love Revolution at: Lenny Kravitz – It’s Time For a Love Revolution

Look for one of these songs to appear as “buzz cuts” on Nu Soul @ RadioIO.com

–Bob Davis

Album Review: Maceo Parker – Roots and Grooves
(Jazz/Funk/Soul)

Check out Maceo Parker – Roots and Groove at: Maceo Parker – Roots and Groove

Look for these songs playing as as “buzz cuts” on Nu Soul @ RadioIO.com

–Bob Davis
Album Review: Rose Stone – “Already Motivated”
(Soul/Funk)

Look for these songs playing as as “buzz cuts” on Nu Soul @ RadioIO.com

–Bob Davis

PHILADELPHIA SOUL-PATROL EVENT: An Evening With VICTOR WOOTEN @ the Keswick Theater, April 1, 2008

:::THE TRUTH EVER TOLD:::

(that’s because there are always “some people” who DON’T WANT YOU TO KNOW THE TRUTH)

And that is a shame, cuz if there is anyplace where THE TRUTH IS OBVIOUS FOR ALL TO SEE, it is AT A CONCERT

Well I was there @ the Keswick and let me tell you something…

DR. BROOKENSTIEN IS TELLIN YALL THE TRUTH ABOUT VICTA

:::::and I am glad that I was there to bear witness to it:::::

(and I am STILL in “recovery mode” myself, two days after the concert is over)

–Bob Davis
—————————————————

Review of VICTOR WOOTEN
At The Keswick Theatre – Glenside, PA (4-1-08)
********************************************************

UNDERSTAND THAT I JUST WOKE UP ABOUT A HOUR AGO!! I’M TALKING ABOUT SOME BRAIN DAMAGE GOIN’ ON HERE!!

And as the Prince song (1999) goes, “I was dreamin’ when I wrote this, forgive me if it goes astray!”

Buddy Miles Passes

I just spoke with his wife Sherelee. He passed at 10pm last night. Sherelee wanted everyone to know that she was holding his hand when he passed.

Buddy is a Co-founding father of fusion rock with the band Electric Flag. He also Co-founded the legendary Band of Gypsys, with Jimi Hendrix and Billy Cox.

My Funk Flag is flying at half mast on this day…:(

Listen to our two hour Buddy Miles Interview

In Honor of Marlon Saunders for his Performance at the 2008 Academy Awards

Concert Review – Sly & the Family Stone(?) @ BB Kings in NYC (11/20/2007)

Hey, Bob,

Just got back from the Sly & The Family Stone “show” and thought I’d file you a report while my memory was still fresh….

……..(click here to read the rest of the review…

Up Close and Personal With Original P-Funk (In Baltimore 8/18/2007)
“I met Jesus once, I saw him walking down the street in Baltimore, eating a tunafish sandwich..”
–Richard Pryor )

Of course for them much has changed over the course of the past 7 years.

– Calvin Simon has left the group to become a solo artist in Gospel music.
– Ray Davis has passed away

So the “Original P” is now down to 2 members.
– Grady Thomas
– Fuzzy Haskins

(and of course George Clinton now performs with a different set of band mates)

continued…click here to read the entire story…
TEAR THE ROOF OFF THE MOTHASUCKA
(indeed)
–Bob Davis
earthjuice@prodigy.net

Concert Review: Howard Hewett/Teena Marie @ the Dell East. Philly (6/17)
Teena Marie Live Onstage@ the Dell East. Philly (6/17)

Click here to read the rest of the review and learn what is truly….
….”behind the groove.”

–Bob Davis
earthjuice@prodigy.net

Concert Review: Kyle Jason @ City Hall Park NYC (6/17/2007)

Returning to the scene of the crime….Both for myself and for Kyle Jason…

We need Kyle Jason’s version of THE REAL THING far more than he even knows…..

Click here to read the rest of the review…..

–Bob Davis
earthjuice@prodigy.net

CD Review: King Curtis – “Live At Fillmore West (Deluxe Edition)”
(Soul/Jazz/Funk/Gospel)

If you don’t already own this album, it’s really a “no brainer”. If you already own it in it’s original form then you will want to get this new release so that you will have the bonus cuts

“Are you hungry??? Go ahead and get yourself a plate of “Grandmas’ cooking….”

–Bob Davis

I’m pleased to report that this show was a MONSTER wall to wall FIVE HOUR FUNK/ROCK/BLUES MUSIC SPECTACULAR…..(Click here to read the rest…

Concert Review: Reinventing Laura Nyro (NYC 12/9/06)

CD Review: Paradise Freejahlove Supreme – “Jazz-Funk-Hip-HoPoetry”
(Jazz/Funk/Spiritually Elevating Spoken Word/Like It Was Supposed To Be)

A king wears his bling on the inside!

–Bob Davis

Listen To Soul-Patrol’s BEST FUNK CD of 2005 NADIR/DISTORTED SOUL – Distorted Soul 2.0

The 2005 Funk Artist of the Year: Nadir – Distorted Soul 2.0 (Funk/Rock/Brain Food For the Neo/Organic Soul Generation)

Distorted Soul 2.0 is coming from a point of view that is totally and out of step with what is happening today in the world of music.

And that’s how it starts

So who does Nadir remind me of????

Click here and find out more about the BEST FUNK CD RELEASE OF 2005…

CD Review: The Best of James Brown, Vol. 3 James Brown & Friends (Stone Cold Funk)

P*Funk Review Features/Departments

The intent ofSoul Patrol, is to be a celebration of Great Black Music From The Ancient To The Future. It’s all aboutSoulJazz, Blues,RockFunk, and theculturethey evolved from.

Click here to enter your suggestions and feedback

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Black Rock Home Page: Radio Black Rock Coalition (BRC) – Living Colour, Band of Gypsys 40th Anniversary/Pedro Bell Benefit

http://www.myspace.com/livingcolourmusic Black Rock - Hendrix, Berry, Funkadelic, Living Colour, Prince, Lenny Kravitz, RHCP, Mandrill History Lesson – Vernon Reid

In Africa, music is not an art form as much as it is a means of communication.
A Negro has got no name. Quite often, the words of the song are meaningless.
A Negro has got no name We are wearing the name of our master
RIP: Richie Havens

While sitting here watching the news a few minutes ago I just learned that Richie died of a heart attack this evening. About a week and a half ago I was going to contact him just to say hi and to see how he was doing. I feel bad I should have called him but just plain got involved in something else. Remember to always follow your instincts.

About three years ago I had the honor and privilege to do a phone interview with him. Our conversation was nearly two hours. It was indeed a journey through great black music. We talked about him singing Gospel as a youth. We talked about him singing Doo Wop on the streets of Brooklyn. We talked about the Village, the folk scene and how he met Jimi Hendrix. We talked about the Civil rights marches of the 60’s and all the folks who took part in it and of course he told me about Woodstock and how the song “Freedom” was created. He also talked about how he ran his own independent record label, and the environment along with the challenges to the youth and our generation. wow…

Richie’s gone…and it’d Earth Day. Rest in Peace my Brother. You can read the review I wrote bellow…

–Kevin Amos
Richie Havens has quietly influenced several generations through his music and community activism. The music of Havens, along with that of others, became the soundtrack for a revolution and many times that revolution was implemented by direct community action. Since the early sixties, Richie has used his music to bring forth
messages of unity and personal freedom.

Haven’s music and stories of his journey were recently shared at the Carnegie Lecture Hall in a presentation sponsored by Calliope House. Havens reflected on wisdom his grandmother passed down, the folk-rock scene in Greenwich Village, playing stickball in Brooklyn and individual freedom.

Havens agrees that there is a great change in the air. He is overwhelmed by the amount of positive influence previous generation have passed on to our younger folks.
“I believe that what we are about to go through is a marvelous variety of support where it gets fed from one and goes out to others. To see the difference is really far out for me.” “My recent experience witnessing a young man in New Orleans performing a Miles Davis piece absolutely blew me away!”

Richie has devoted his energies to educating young people about ecological issues. In the mid-1970s, he co-founded the Northwind Undersea Institute, an oceanographic children’s museum on City Island in The Bronx. That, led to the creation of The Natural Guard, an organization Richie describes as “a way of helping kids learn that they can have a hands-on role in affecting the environment.”

Born 1941 in Brooklyn, Richie Havens began organizing his neighborhood friends into doo-wop groups and was performing with The McCrea Gospel Singers at age 16. He gave the example in our interview of how songs like “Get a Job” and “I’m Not a Juvenile Delinquent” were actually the protest and statement songs of the time. Havens also reflected in our conversation about his work with Dr. King, Odetta, Nina Simone and others.
Richie is also featured in the documentary “Soundtrack for a Revolution” This film tells the story of the American civil rights movement through its powerful music: freedom songs sung on picket lines, in mass meetings, in paddy wagons, and in jail cells by black and white Americans all over the country. Featuring performances by John Legend, Joss Stone, Wyclef Jean, The Roots, Ritchie Havens, and others, along with riveting archival footage, and interviews with civil rights foot soldiers and leaders, including Congressman John Lewis, Harry Belafonte, Julian Bond, and Ambassador Andrew Young,

At the age of 20, Richie left Brooklyn to seek out the artistic stimulation of Greenwich Village. “I saw the Village as a place to escape to in order to express your self,” he recalls. “I had first gone there during the beatnik days of the 1950s to perform poetry, and then I drew portraits for 2 years and stayed up all night listening to folk music in the clubs. It took a while before I thought of picking up a guitar.”

The hour and fifteen minute set included “All Along the Watchtower”, a tune written by his close friend Jimi Hendrix, “Here Comes the Sun” and his world wide anthem, “Freedom”. Havens’ current CD is “Nobody Left to Crown” on Verve Forecast and his website is www.richiehavens.com

More Info Here

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review: Living Colour – BRC @ Summerstage Report (Whatever Happened to the Black Hippies?)

As much as I’d like to file a full blown report of this event, I am unable to. That’s because I was only there for the tail end of it. As is often the case I tried to do far too many things in a single day and ended up being in Central Park yesterday for about the last hour of the BRC @ Summerstage event and only got to see Living Colour perform.

However the time I was there gave me a great deal to ponder.

The last time that I saw Living Colour perform live was 22 years ago. That show took place at Shea Stadium in NYC, as Living Colour was the opening act for the Rolling Stones during the Steel Wheels tour. The crowd for that event was 99 $ 44/100 percent white. This time out in 2010 in Central Park the crowd was about 60 percent white. I suppose that represents some progress?

Living Colour of course delivered the goods as expected, pounding the audience with live renditions of their speed metal/funk classics of the late 1980’s (including “Cult of Personality”) and finishing up with what seemed to be a Miles Davis/Weather Report inspired version of the song “Time’s Up.” I had a great time at the show, the music & the people were truly off the hook.

The reason I had been late in coming to the event was because my day started out early in the morning taking my daughter to a suburban South Jersey HS for her SAT examination (keep your fingers crossed for her). After the test, we drove to Staten Island for a family BBQ/Graduation party for my niece. Since I was already in NYC, I decided to leave the BBQ/Graduation party in mid afternoon to attend the BRC @ Summerstage show in Central Park (& come back later), using a combination of automobile, commuter rail, subway and a 20 block walk. After the BRC @ Summerstage show I returned to the family BBQ/Graduation party in Staten Island, which ended at around 1am.

I mention all of this to you within the context of filing a report on the show because on some level it is a story that is full of conflicts, yet at the same time it is a story that makes me smile.

Earlier today I wrote about the differences between “black hippies” and “funkateers.” Back in the day (1970’s) clearly I was a part of both crowds and I suppose that I still am today. While superficially they may appear to be the same, they aren’t.

The BRC @ Summerstage Event – “Black Hippie Event”

This was a great NYC event. As I stated the crowd was about 60 percent white. However what I didn’t say about the racial make up is that it was 20 percent Black & about 20 percent “mixed” (interracial couples/families). Therefore I could say that the crowd was 40 percent “non white” and that would give you perhaps a more accurate picture of the composition of the crowd. Another way of saying this would be to say that the crowd was ‘fully integrated.” This of course is what the objective of “Black Hippies” is. They think that an “integrated world” is a better world than a “segregated world.” In short these folks are more like disciples of Martin Luther King, than they are of Malcolm X. I ran into numerous people at the event who have long been a part of facilitating an integrated music scene in NYC. There was a whole lotta camaraderie in the crowd. They all seemed to be there in support of a “cause” (including myself) and if you were to take a survey among the people, they would all agree that the “cause” is now in much better shape then it has ever been, except we just need more Black folk to join in. Of course the reality is that once I left this event, to return to Staten Island by first walking back to the subway station with each succeeding block that I moved away from the event, it felt more like it had never happened at all. Instead what I saw was the reality of 2010 in NYC, a place where you can see extreme wealth and extreme poverty co-existing with each other, within just a few feet of each other as you walk down the street. One wonders how long this condition can last before the “extreme poverty folks” simply decide to start killing the “extreme wealth folks?”

Family BBQ/Graduation party – “Funkateer Event”

This event was a typical inter-generational funkateer type of event (ages from 8-80.) The crowd here is nearly 100 percent Black, except for the lone white woman who has married into the family that everyone is whispering about. They don’t really care about an “integrated world,” they get quite enough of an “integrated world” during the work week. In short these folks are more like disciples of Malcolm X, than they are of Martin Luther King. There was way too much food & alcohol, not because people want to over indulge. There is way too much because the people just want to make sure that everybody has as much as they want to have and that they don’t run out. They even encourage other folks to take home with them a weeks worth of food on their way out the door (it’s called “a plate”….LOL) It’s what folk who aren’t used to having stuff do as a matter of habit. The conversation is mostly about lies. You tell a lie, then I’ll tell a lie and we all continue to tell lies till it’s time to go home. The reality is that all of our combined lies then become our collective “inconvenient truth” (sorry Al Gore….LOL.) The music is a cross section of 60’s/70’s/80’s Soul & Funk classics + 1980’s Hip Hop. There is no Jimi Hendrix, Chambers Brothers or Living Colour playing and if one of their songs were to be inserted into the mix silence would come over the crowd until someone would yell out “take that rock sh*t off.” By the time 8pm rolls around, the heavy drinking ensues and all ideas of this being a party for a teenager are completely disregarded. The old folks start tellin lies and more lies with each drink and eventually start dancing to the beat of what has now become exclusively late 70’s/early 80’s Funk + 80’s hip hop. Of course by now all of the teenagers have been relegated to the basement and the old folks (including myself) have now turned the backyard into a kind of “bizzaro basement party from the 70’s.”

Of course the reality of the two groups isn’t really a simplistic as I have depicted here. It’s really much more complex…

Both of these two groups have had a substantial impact on American society over the past 22 years. America wants very much to be the kind of integrated society that it’s founding documents explicitly endorse (but do not mandate.) However America struggles against itself in moving toward this objective. The adoption of the culture created by the “funkateers” into the mainstream of the larger culture. At the same time the “black hippies” taught the mainstream culture how to socialize across “tribes” and not have to lose the culture of your own “tribe.”

Today America has a President who is 1/2 white and 1/2 Black. On a symbolic level his very existence would seem to place the American culture at peace with the notion of integration. In fact on the surface, the President seems to be both a “black hippie” and a “funkateer” at the same time?

Yet somehow we don’t seem to “happy?”

Living Colour – http://www.myspace.com/livingcolourmusic

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com
Blues, Hip Hop and Soul Music Director www.radioio.com

PRESS RELEASE: “Miracle for a Maggot: Funkraiser for P-Funk Graphic Artist Pedro Bell”

If you are in the NYC area on 1/2/2010 this is gonna be a great way to kick off the New Year.

–Celebrate the 40th Anniversary of the legendary Band of Gypsy’s Concert
–Help raise money for Funkadelic’s genius of graphic arts Mr. Pedro Bell

You can bet your bottom dolla that I will be in the house to hear some Band of Gypsy’s and some Funkadelic music. Hell, I may even wear my tie dye t-shirt, along with my F*** Nixon baseball cap. (that is if “mrs. earthjuice” will let me outta the house that night)
————

The Black Rock Coalition Presents

“Miracle for a Maggot: Funkraiser for
P-Funk Graphic Artist, Pedro Bell”
Saturday, January 2
Santos Party House
7PM doors/8PM show

Featuring original members of Funkadelic and The BRC Orchestra Celebrating the music of Funkadelic and the 40th Anniversary of the Band of Gypsys concert; proceeds will be donated to a relief fund for Pedro Bell

If You Can’t Attend, To Donate via PayPal, click on the following link:
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=10581525

NEW YORK – The Black Rock Coalition, launching its 25th year of being nation’s premier support 501c3 nonprofit for alternative music artists of color, will present a fundraising concert on the behalf of pioneering Parliament-Funkadelic graphic designer Pedro Bell.

The concert, “Miracle for a Maggot: Funkraiser for P-Funk Graphic Artist Pedro Bell” will feature original members of Funkadelic (to be confirmed) and the Black Rock Coalition Orchestra performing Funkadelic classics and selections from Jimi Hendrix’ Band of Gypsys concert at The Fillmore East 40 years ago. “Miracle for a Maggot,” will be hosted at Santos Party House on Saturday, January 2, at 7PM and tickets are $15. All proceeds will go to a general relief fund on Pedro Bell’s behalf. A full lineup announcement will be made in the next week.

Bell, whose subversive and psychedelic work has appeared on every Funkadelic album cover since “Cosmic Slop,” has been in extremely poor health and living a life a virtual squalor in his native Chicago. Bell has seriously considered selling off his collection in order to cover his medical and living expenses.

The BRC hopes to raise money to help offset Bell’s costs and resituate the artist in a more stable living environment for the time being. The BRC also hopes to help Bell retain his collection while helping his family develop opportunities to exploit his in-demand works.

“Miracle for a Maggot: Funkraiser for P-Funk Graphic Artist Pedro Bell” will be hosted at Santos Party House on Saturday, January 2, at 7PM and tickets are $15. All proceeds will go to a general relief fund on Pedro Bell’s behalf. A full lineup announcement will be made in the next week. Santos Party House is located at 96 Lafayette Street (between White and Canal Streets), (212) 584-5492, www.santospartyhouse.com

For more information on the BRC, contact Earl Douglas at (917) 209-2977, earldouglas006@yahoo.com, or brcmembersinfo@gmail.com

If You Can’t Attend, To Donate via PayPal, click on the following link:
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=10581525

–Bob Davis
609-351-0154
earthjuice@prodigy.net

Prince Gave a History Lesson @ the 2007 Super Bowl

I just got thru watching the video of Prince’s performance @ the Super Bowl. (I missed the game). And I think that he was doing the same thing that he did at the 2004 RRHOF Inductions.

Here is what I said about that performance, taken from an old Newsletter. First read what I wrote then about Prince’s performance at the 2004 RRHOF Inductions. Then read what I thought about the Super Bowl performance and how the two are linked.

Prince Burns Down The Waldorf Astoria @ 2004 Rock n’ Roll Hall Of Fame Inductions

Hey Yall,

I just got back from the RRHOF induction ceremonies at the Waldorf in Manhattan, and Prince did a mini concert that burned thru the hallowed ballroom of the Waldorf-Astoria hotel like a gonorrhea epidemic inside of a convent.

I watched Lenny Kraviz sitting there if full “rock star posture’, and I’d be willing to bet that by the time Prince was thru, Kravitz was under his chair, quivering in the full knowledge that he will NEVER ON THE BEST DAY OF HIS LIFE match the intensity of what Prince displayed for all of the ‘industry rock music establishment’ who have been trying to hype the creatively unsuccessful career of Lenny Kravitz with their money machine for the past 10 years

In one fell swoop, just in case anyone in that ‘lilly white audience’ forgot that Rock n’ Roll music was invented by African Americans, Prince reminded them of that during his incendiary set.

NP: ‘MY NAME IS PRINCE, AND I AM FUNKEE…
–(guess who)

NP: ‘BABY I’M A STAR…
–(guess who)

–Bob Davis
earthjuice@prodigy.net

Prince used the grand stage of the Super Bowl to make a HUGE point. He was in “teaching mode”:

That’s why during the Super Bowl performance he paid homage to Ike Turner (the brotha with the FIRST Rock n’ Roll Record) and Jimi Hendrix (the brotha who RE-INVENTED Rock n’ Roll). And that’s why he played that Foo Fighters song.

– It’s Black History Month
– Two Black coaches
– I’m the baddest Rock n’ Roller that most of you will EVER see in your entire lives & I’m a Black man

Prince has a sense of history.
He knows what the deal is. He even used the Florida A&M University (FAMU) Marching Band as his “horn section”.

For most of the people who watch it either in person or on TV, that was the greatest Rock n’ Roll performance that they have ever or will ever seen. He had the crowd in the palm of their hands.

When they showed the overhead shot of the illuminated “purple symbol” inside of a dark stadium, he created an powerful icon that will last in the minds of EVERYONE who witnessed it either in person or on TV.

They will NEVER forget what they saw and heard at halftime. They will NEVER forget Prince.

It was his way of spitting on the “myth of Elvis Presley inventing Rock n’ Roll”. And he gave a huge kiss to every other Black man who ever played Rock n’ Roll. Cuz he just showed EVERYBODY where Rock n’ Roll came from. He did it during Black History Month. And he did it in a “nice way” (w/style & class)

They could LIE and say “it never happened”.
(but they would be lying to themselves)

He’s got an amazing sense of history.
He also understands how to utilize the power of the mass media. He understands that for most Americans, what actually happened doesn’t matter. The only thing that matters is what’s on TV.

So not only did he give perhaps the greatest Rock n Roll performance that most of the 85 million people will EVER see in their lives. He also did something that Black folks don’t usually do. (he documented it)

He also just wrote his own obituary.
(what do you think that they are going to show when he passes from this earth?)

NP: “Sign O’ The Times”
— O(+>

–Bob Davis
earthjuice@prodigy.net

Soul-Patrol and the Black Rock Coalition
(6 Hr. Black Rock Online Chat Session on 10/7 6pm est – 12 m)

I am am much like Michael Dukakis was a “card carrying member of the American Civil Liberties Union”, that is to say I am a “card carrying member of the Black Rock Coalition”. As I am sure that you are all aware, Soul-Patrol.Net hosts the Black Rock Coalition Internet Radio show, which is a fact that I am quite proud of. However it all goes much deeper that simply that.

I was a listener to the Black Rock Coalition radio program in NYC on WBAI-FM during the 1980’s after their formation by Village Voice writer, Greg Tate and Vernon Reid (leader of the then unheard of band Living Colour). The radio show was an excellent one, mixing the sounds of BRC bands (ex: Living Colour, Micheal Hill’s Blues Mob, Defunkt, etc) with commentary and also the identification of “Culture Bandits” (although they did not use that term).

The primary focus of the old BRC radio show was to inform people of the following:

1. Black people did indeed invent rock n’ roll
2. Artists as diverse as Chuck Berry, Little Richard, James Brown, Funkadelic, Hendrix, Isleys, Barkays, etc are a part of that tradition.
3. That there were still “Black Rockers” around.
4. Because of all of this and more, Rock n’ Roll is something that Black folks should be proud of and NOT simply take for granted as being a “white’s only artform”!

Needless to say, the old BRC radio show during the 1980’s was a big influence on me when I frist began Soul-Patrol in 1996. One of the first links that I sought was from the BRC website and they gave the P-Funk Review a link! Since that time, I have tried to talk as much about the BRC online in various forums as possible. In my opinion they are doing something close to “God’s Work”. I also make it a point to attend as many BRC events as I can, and write about them. Not that the BRC needs much assistance from me, after all they are an organization with a worldwide profile and reach.

Nevertheless over the years that Soul-Patrol has been in existence we have partnered with the Black Rock Coalition both online and offline on many different projects. Among other things the BRC is partnering with us this month in our celebration of R-O-C-K-T-O-B-E-R by moderating our SIX HOUR MARATHON BLACK ROCK ONLINE CHAT SESSION on 10/7 2006 from 6pm est – 12 midnight in the Soul-Patrol Chat room at the following link: http://www.soul-patrol.com/chat

A six hour marathon chat session (6p – 12m est) hosted by our partners from the Black Rock Coalition open to all on the general topic of Black Rock, featuring audio from BRC Radio @ Soul-Patrol.Net streamed into the chat room as a backdrop to our discussion. The session is open to all and we will have numerous guests from the world of “Black Rock” during the course of the evening. If you are interested, make it a point to join in and contribute to the expansion of the dialogue…

–Bob Davis
earthjuice@prodigy.net

Buddy Miles Comes To The Soul-Patrol Chat Room
(10/24/2006 @ 10pm est)

(10/24/2006) A one hour chat session (starting at 10pm) in the Soul-Patrol chat room hosted by the legendary drummer/guitarist/vocalist BUDDY MILES. During the session Buddy will take your questions about his career, past, present and future as one of the pioneers in fusing together funk/soul/rock/blues music and doing so during a period of American history when it wasn’t really “safe” to do so. Buddy will also bring us up to date on his current and future activities. Hopefully you will be able to attend and interact directly with Buddy Miles during the session here on Soul-Patrol.

Click here for more info on Buddy Miles…

–Bob Davis
earthjuice@prodigy.net

Nadir and Distorted Soul

As you all know, Nadir & Distorted Soul was named as the Soul-Patrol.com 2005 Funk Artist of the year. We love both the style and substance their music here on Soul-Patrol. Distorted Soul 2.0 is coming from a point of view that is totally and out of step with what is happening today in the world of music.

Distorted Soul 2.0 puts it in your face, right from the start, the first voice that you hear on the CD is that of Fannie Lou Hammer, followed more spoken word from word from the Civil Rights era in a song called “Prelude To Revolution”. Then it rips into a mind blowing FUNK/ROCK groove that would have Lenny Kravitz peeing in his pants if he were to ever hear it, entitled “Slave” with the opening lyric that goes like this “I don’t want to feel the pain anymore, and I don’t wanna feel the whip across my spine”… Song #3 called “Daddy’s Cane” is a great song in tribute to Black fathers and how hard they work. When is the last time we heard a song with that theme? Especially done to a serious Funk/Rock groove, with stellar vocals to boot, which even quotes “Cosmic Slop” in it’s lyrics??

And that’s how it starts…(click here to read more

–Bob Davis
earthjuice@prodigy.net

How Come the Five Royales Aren’t in the RRHOF?

I have been asked a dozen times over “why do I feel so strongly that the 5 Royales belong in the Rock n’ Roll Hall of Fame?” And the answer is always the same. The 5 Royales were rockin’ in ’49 and on through the 50’s. I feel their edgy soulful sound scared people. I mean no one knew what their sound was. Who was singing soul music before them?

NO ONE!

The 5 Royales would be out there for 2 full years before even Ray Charles broke his sound. The 5 Royales had a hard rockin’ guitar player, Mr. El Paulings. And no one knew what to make of this black man who played his guitar at knee level long before Chuck Berry and who would inspire Steve Cropper in a few short years. The birth of the 5 Royales was simply the natural evolution of the sound and direction of music in the black community. The group originally started as a gospel quintet. During the late 30’s and 40’s the sound for black groups was, blues, gospel or the smooth group harmony sound of the Mill’s Brothers. The Royal Son’s Quintet took the gospel route…..(click here to continue

–Bob Davis
earthjuice@prodigy.net

Shelley Nicole’s blaKbüshe

Obviously I have seen this band perform live before. I think that they are off the hook Best description I can come up with for “Shelley Nicole’s blaKbushe” that yall could relate to is that they sound something like a combination of Living Colour and LaBelle/Betty Davis.

In fact, you can check out a sample of “Shelley Nicole’s blaKbushe” on Soul-Patrol.net Radio at the following link… http://www.soul-patrol.net/prog1.ram
It’s the third track on the set!

Now I don’t want yall to think that Shelley is just a “pretty face with a bass” either. She was also one of the co-promoters of the show that we did at BB King’s in NYC a few years ago and at that show, I also had the distinct pleasure of introducing her onstage along with the BRC’s Darrell McNeill.

BOB D: “I have dealt with blaKbushe for most of my adult life, yet I have never heard what blaKbushe sounds like before…”
DARRELL MCNEILL: “Bob, stop being nasty and just introduce the band…”

Anyhow…
As you travel the internet, please say hello to Shelley and give her all of the props in the world from Soul-Patrol.

(she’s good people)

–Bob Davis
earthjuice@prodigy.net

Give it up for Jesse Stone

Music historian Donald Clarke, in his magisterial The Rise and Fall of Popular Music, astutely observed: “It was at Atlantic that Stone had an unsung influence on the music of ensuing decades. Atlantic’s recordings were more polished than those of other R&B labels … yet they also swung, because people like Stone brought the skills and values of decades of black music with them.” Similar sentiments are stated by Dave Marsh in The Heart of Rock and Soul, wherein he deemed Stone “unforgivably uncelebrated”.

And Nick Tosches devoted the entire first chapter of his book, Unsung Heroes of Rock ‘n’ Roll to Stone. Moreover, Stone’s influence at Atlantic was not limited to artists. In a letter written to Stone in 1996 and published in the 11/10/01 issue of Billboard, Atlantic Record’s premier producer, Jerry Wexler, (who coined the term, “rhythm and blues” when he was an editor at Billboard) declares: “It wouldn’t be overstating the case to say that you taught me everything I know about our craft; yes, everything I know, and a small fraction of what you have always known.”….(click here to read more

–Bob Davis
earthjuice@prodigy.net

Sonny Boy

It’s almost 2 a.m. I’m home. Blurry-eyed, Chinese-chicken-winged and fried. But mostly, I am sore-throated from whooooping it up for Sonny Boy. To say that they turned tha mutha out, would be an understatement!

Wow! Where to begin….
· With the big, tight sound that made you look around to see who-all-else joined the band from offstage?
· With the infectious hooks that snagged you into thinking you already knew the songs even though you had never heard them before in your life? (Can we say “Snaggle-puss?”)
· With the slick-@ss mid-song breaks done “just so?” (Yeah, done just so yo’ @ss will cheer 3-times louder when the groove returns to yo’ eardrum.)
· With the driving grooves that escalate perfectly, making you nod progressively harder with anticipation only to stop on a dime (to more cheers)?

Sonny Boy! You rocked it! Your tight-@ss grooves, your inter-locked-ness wit each other onstage, your exuberance, your twang-chucka-twan-ka-twang-chop spread thick like Karo dark corn syrup over a biscuit converted Bob Davis’s recent “Just Show Up” admonishment into a mantra! And speaking of conversions, yes! Sheldon Riser took us to church! That voice! The range! His dynamics! His cadence evoked a revival meeting (“Can I get a witness?”) while his especially skilled and adept scat evoked live trombones and horns (“Blow Gabriel, Blow!”) Even his ballad went down sweet and “Cool, Daddy-O!”…..(click here for more

–Bob Davis
earthjuice@prodigy.net

SOUL-PATROL .NET RADIO
CELEBRATE BLACK ROCK WITH “RADIO BRC”


RADIO BRC @ Soul-Patrol.NET Radio: Show #9 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. Featuring music from Ben Harper, Red Hill Down, The Negro Problem, Michael Hill’s Blues Mob, DJ Munz, Maktub, Soulive, Jeffrey Gaines, Tracy Chapman, Femi Kuti, Nile Rogers, Common, Erykah Badu… Listen Here
RADIO BRC @ Soul-Patrol.NET Radio: Show #8 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. Featuring music from The Negro Problem, Cody ChesnuTT, Spearhead, Chango Mango, Michelle N, Terrence Trent Darby, and others Listen Here
RADIO BRC @ Soul-Patrol.NET Radio: Show #5 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. The focus is on great LIVE performances, featuring James Brown, Bad Brains, Donny Hathaway, Jungle Funk, Jill Scott, Jimi Hendrix, Pheobe Snow, Cyprus Hill and more! Listen Here
RADIO BRC @ Soul-Patrol.NET Radio: Show #4 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. Featuring the music of: Vernon Reid, 7 Dust, Prince, Ursula Rucker, Herbie Hancock, Chaka Khan, Jimi Hendrix, Tricky/Amber Sunshower, Bilal, and more Listen Here
RADIO BRC @ Soul-Patrol.NET Radio: Show #3 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. Featuring 1 hour of NEW music and commentary from the following artists :Terrence Trent Darby, Buddy Guy, Saundra St. Victor, Saul Williams, and more Listen Here
RADIO BRC @ Soul-Patrol.NET Radio: Show #2 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. It’s a tribute of sorts to the 3 compilation BRC CD’s that were produced during the 1990’s * History of Our Future * Blacker Than That * The Bronze Buckaroo Rides Again The show is in effect a kind of “BEST OF 1990’s BLACK ROCK” Listen Here
RADIO BRC @ Soul-Patrol.NET Radio: Show #1 Black Rock Coalition: Critical wax, Seminal acts and Crucial facts from: Earl Douglas, Darrell McNeill, Laronda Davis of the BRC. Featuring: Living Colour, Band of Gypsy’s, Shuggie Otis, Eric Gales, Erykah Badu, Mos Def, Angela Davis, Langston Hughes and more Listen Here
Visit The Black Rock Coalition Web Site

WHAT’S HAPPENING ON THE P*FUNK REVIEW?

Sometimes terminology can be both troubling and misleading:

rock ‘n’ roll or rock-and-roll (r¼kn-r½l) n. Music. 1. A form of popular music arising from and incorporating a variety of musical styles, especially rhythm and blues, country music, and gospel.

I personally have no problem with this description, but I do have a serious problem with the usage of the term “rock n’ roll” by both Blacks and Whites. It seems that history has been perverted to the point where in today’s world neither Blacks nor Whites seem to feel that African Americans have anything to do with “rock n’ roll” !!

….I feel certain that the folks mentioned below might just tell ya that African Americans invented “rock n’ roll” and that somehow the “perversion of history” that has occured must be corrected

Here at the P*Funk Review this month, we have some BRAND NEW Black Rock CD Reviews to share with you from Cymande, Shuggie Otis, Jimi Hendrix, Bob Marley, Sonny Boy, along with the transcript of a chat session that we had recently with the LEGENDARY Lester Chambers of the 1960’s Super Group, the CHAMBERS BROTHERS, A LIVE concert from “Original P” (Parliament Funkadelic, an update on Chuck Berry, a special feature on “Black Hippies” and a chat session with some younger people about “Black Rock”

History Lesson – Vernon Reid

In Africa, music is not an art form as much as it is a means of communication.

A Negro has got no name

Quite often, the words of the song are meaningless.

A Negro has got no name

We are wearing the name of our master

Need some More BLACK Rock, Check Out These Links…

For more info we suggest a visit to the home page of the Black Rock Coalition …..peace!

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SOUL-PATROL NEWSLETTER INDEX

Movie Review – Get On Up (Please save your money)

I saw this movie, during the first week of its release. And I regrettably am unable to recommend it.

My perspective…

I had planned to go and see this movie, despite the promise I made to “Mrs. Earthjuice,” given the amount of money we spend in the Davis household each month for various Satellite TV services, therefore making it fiscally irresponsible to “go to the movies,” yall convinced me that I should go see it.

And I am glad that I did. Otherwise I wouldn’t be able to tell you to save your hard earned money.

This flick is really just a poorly written stock hollywood “buddy movie,” that “talks loud and says nothing.”

First let me state for the record that I thought Chadwick Boseman is best damn James Brown imitator I have ever seen (and I have seen a LOT of them!) He should win as many acting awards as the white man (and the “knee-gro elite”) wants to give him. Highly entertaining!!! Someone should probably build a one man play on Broadway around this talented brotha. However his great performance is wasted, next to the disgrace that this movie is to the legacy of James Brown.

Everyone here should go to the link below to the article called “THE WHITEWASHING OF JAMES BROWN (http://www.huffingtonpost.com/gregory-allen-howard/whitewashing-of-james-brown_b_5638130.html) After reading that article and also seeing the movie, the movie leaves a bitter taste in my mouth. James Brown isn’t really “whitewashed” in the movie, but he is marginalized, because the power of his truth is not told!

(It’s difficult for me to recommend a movie that MISSES THE WHOLE POINT about James Brown)

The story, while it deals with many of the known facts about the life of James Brown, really misses the three main reasons why I would want to see a movie about James Brown.

1. After Dr. King & Barrack Obama, James Brown was the most influential Black American of the past 50 years – Tell the story of how James Brown was the most influential Black man in the country, after the death of Dr. King, completely against all possible odds, especially with the “knee-gro elite” hating him so much, because he spoke directly to the folks that the “knee-gro elite” had their feet on the neck of. Show me how because of his influence, the United States government took him down, destroyed his businesses, stripped him of his communications empire, humiliated him, etc. Hell, show me James Brown in Africa transforming crowds of hundreds of thousands of people. He quite literally changed life in the United States, for all of its citizens. The movie completely ignores this.

2. Tell me the story of how James Brown developed/evolved FUNK MUSIC and made it into a positive and powerful musical force – Hell, tell me more about the contributions of Bootsy, Fred, Maceo, Bobby Byrd, Clyde, etc, to the development/evolution of FUNK MUSIC and not just barely mention their names. Damn it, I wanna see JB in the studio telling “Ron to keep the tape running,” during “Talking Loud and Saying Nothing.” Al Sharpton discusses in a powerful testimony in his eulogy of James Brown, what James Brown means when he uses the term “ON THE ONE.” Hell Al Sharpton’s eulogy of James Brown should have been the STARING POINT for anyone making a movie about James Brown. If you have never heard it, look for it online, if you call yourself a “funkateer” (or desire to be one) it is “required listening!” (and remember I am no fan of Al Sharpton’s…..LOL.) This movie in fact it marginalizes James Brown’s musical accomplishments.

3. The movie says that James Brown influenced many artists – Hell, why not show me which ones. Show me how James Brown’s music/style influenced George Clinton, Miles Davis, Public Enemy, Sly Stone, AWB, MC Hammer, Michael Jackson, Prince, etc. This movie however failed to show or tell me about even one single artist who James Brown influenced

(If you’re not going to cover those 3 topics, why even bother to make the movie?)

There are lots of other things that I would consider important (ex: no mention of Henry Stone’s career long involvement with James Brown, no mention of Mr. Bobbit who was James Brown’s right hand man, No mention of “capeman” Danny Ray, no mention of Fred Wesley, etc.) Worst of all is the foul treatment of James Brown’s parents in the movie, when there is documentation to the contrary of what was depicted in the movie. The “angry black man” inside of me thinks this is an attempt to show Black families in the worst possible light.

Perhaps if the movie has AT LEAST ONE BLACK WRITER, these topics may have been covered?

I guess one redeeming thing about there being NO BLACK WRITERS involved in the creation of this movie is that there was absolutely no discussion in the movie about the lyrics of James Brown’s songs. Clearly the reason for this is because no white man in his right mind would dare to try and interpret what James Brown is saying.

That’s cuz James Brown ain’t talking to white folks in his songs. Black folks (except for the “knee-gro elite,”) know EXACTLY what James Brown is talking about…

(Thus keeping the “secret language of the Booyah Tribe,” a secret for just a little bit longer!!)

Another good thing that this movie clarifies for me is that James Brown was such a dynamic, visionary & multi-dimensional individual figure, that there should be many movies or TV shows made about him, made from multiple perspectives.

And my hope is that in the future there will be. Because if this movie were to stand as the primary document/artifact about the life/legacy of James Brown…. (it would be a travesty)

However (#onthegoodfoot) I can recommend the movie…
James Brown: the Man, the Music & the Message.

I realize that many of you have seen the movie:
James Brown: the Man, the Music & the Message

It’s been on TV many times.
We featured it at the 2007 Soul-Patrol Convention.
And of course it was written by Black folks. And most importantly contains JAMES BROWN (warts and all.) It airs nationwide on TV ONE Aug 17 and also in Sept.
It’s worth checking out again.
(and of course sharing with your children!!!)

Right now there are a whole lotta folks who are pretty upset about “Get On Up.” I say, don’t fret. The subject of James Brown is so big that there will be many movies made about his life/legacy.

Right now we have at least two.
There will be more…
–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

A few thoughts on the late/great Henry Stone

I just want to take a few moments to reflect on the passing of Henry Stone. How ironic that Henry Stone should pass away within a few weeks of the release of that horrible James Brown movie. I know that Henry certainly must have been sick for sure, since the release of the movie.

That’s because had he not been ill, Henry Stone would have called and reminded me that James Brown would have never been signed to King Records in the first place, had it not been for Henry Stone, and didn’t the idiots who put the damn movie together know enough about the history of Black music to come and ask Henry Stone about James Brown?

And of course Henry would have been correct. But the larger question should be, why was it that those who claim to care about the history of Black music NOT go and speak with Henry Stone. After all, he created much of that history!

Henry was always cutting edge…

-He was recording DOO WOP in the early 1950’s BEFORE it became big.

-He was recording FUNK records, in the mid-late 1960’s, BEFORE Funk became a national phenomenon.

-Some of the very first DISCO recordings were made by Henry Stone in the early 1970’s.

-Henry was one of the first to “fuse” together the sound of the CARRIBIAN with American FUNK, with the hit song “Funky Nassau.”

-Henry Stone had one of the early SMOOTH JAZZ hit’s with Bobby Caldwell’s “What You Won’t Do For Love.”

-He practically created the “SOUTHERN SOUL” genre with Latimore.

-Henry Stone became a RAP music pioneer with “Jam On it” by Newcleus in the early 1980’s.

-And of course to bring it back full circle, Henry Stone was the first to record BOTH James Brown & Ray Charles back in the 1950’s.

Herny Stone did all of the above (and much more) as an INDIE. That’s right, an INDIE. There was no huge conglomerate, investment bank, real estate syndicate or hedge fund behind Henry Stone. Just him. So what does that mean in “real life?” It meant that most of the time when I called Henry Stone on the phone, he answered himself. And when he didn’t answer, it was either his wife Inez or his son Joe who answered the phone.

But that’s not why I liked Henry Stone so much.

Do you think that someone with all of these accomplishment in the music business should be in the RRHOF? (I do) But he isn’t.

Henry even embraced the internet. If you go to http://www.henrystonemusic.com you can see & listen to all of the above and much more up on his website. If you go there you will see that there is a TON of music up there, representing all of the musical styles I mentioned earlier and then some. When I first met Henry Stone in the late 1990’s, he told me all of this. And when he did, in some ways I didn’t believe him. After all I was a “smart aleck/mr. know it all” from NYC. I knew that all I really needed to know about Henry Stone was the disco/funk sound of TK Records. Little did I know how wrong I was.

But that’s not why I liked Henry Stone so much.

One day Henry said to me, “Bob what is your mailing address, I want to send you our catalog.” I gave him my “snail mail address,” and the next week a giant box arrived from Henry Stone containing over 200 CD’s. It took me YEARS to listen to those CD’s. But I got to hear a LOT of great music (doo wop, funk, southern soul, blues, etc) that I had NEVER heard before. I’m pretty sure that between that “care package,” and what Henry has sent me since that time, I am pretty sure that I personally have a copy of EVERYTHING that you would see on http://www.henrystonemusic.com

But that’s not why I liked Henry Stone so much.

Henry was a big fan of Soul-Patrol. Im sure that he read most of what I have written over the years. How do I know this? Because he would often send me a reply via email or he would call me to tell me how much he enjoyed what I had written (regardless of the topic) and encourage me to keep on writing, keep telling the truth and to maintain my integrity. How a 93 year old, who was blind could do this I’ll never know. Maybe he had Joe or Inez reading stuff to him or maybe he had some text-to-speech recognition software.

Here is an example; it’s a reply Henry wrote back to me in response to the Commentary – “BEING THERE (going to concerts in 2010)”:

Hi Bob,
Thank you for writing, it is so important. I don’t know how to change it but we need to keep trying one person or many at a time but let’s not just let it be without trying. You do a great job in trying to get it out there, don’t stop. If there is anything else I can do let me know. In agreement.

Best Always, Henry Stone

Inez Stone
Henry Stone Music USA Inc
www.henrystonemusic.com

Pretty cool, eh?

But that’s not why I liked Henry Stone so much.

Henry Stone really dug Soul-Patrol. He was always interested in advertising his new releases. Oh and before I get ahead of myself, remember all of those former TK records artists? Henry was pretty much committed to releasing NEW RECORDINGS by those artists. He pretty much always had a new Latimore, Gwen McCrae, etc album and he told me that he felt that it was important to him that Soul-Patrol get the new recordings first. He felt that our audience was interested in the REAL DEAL. In addition to that Henry was always very supportive of the Soul-Patrol Conventions. He told me that even though he wasn’t able to travel himself, he thought it was good to try to bring people together.

But that’s not why I liked Henry Stone so much.

The reason I liked Henry Stone so much is because in our telephone conversations, he was willing to share so much of his history with me. Now to be fair, Henry was no angel. In fact he was something of a scoundrel. I mean, after all he was a serious/hardcore businessman.

He told me about all of it. The good, the bad & the ugly of running an indie label for 60+ years. Taken all together, it is a fabulous story and I hope that at some point Inez & Joe will put it all down on paper. And if they do, I hope that they don’t ask the folks who made that horrible James Brown movie to make a movie from their book. Those folks would certainly manage to get the story WRONG.

Henry treated me as a serious journalist/broadcaster/technologist/whatever it is that I supposedly do here. He thought that it was import for me to know his story and to hear it from his own mouth.

I’ll always be thankful, that he was so willing to provide me with one hell of an education.

RIP – Henry Stone

Below is a short piece I wrote about Henry Stone back in 2010. I think it bears repreating today. Below that is another short note that Henry sent to me after reading my review of several of his albums, that’s worth sharing

Enjoy….

—————————
One of the questions I get from readers is “Why can’t we have a new Motown?” My answer to them is that they haven’t been paying attention. Motown was an “Indie Soul” label back in the day that had a huge impact on the music scene. Well the same thing really is happening today, literally right in front of our faces.

One of the biggest trends in music today is the explosion in something called “Independent Soul Music.” Here in 2010 there are tons of “Indie Soul” artists/labels. You can see them all over the internet, posting their various activity on YouTube, Myspace, Facebook, Twitter and other places here online, all pointing you back to their website/iTunes/Amazon/CDBaby, etc where you can buy their music.

Today in 2010 there are literally thousands of independent artists/labels producing Soul music, completely outside of the major label system, much the same as Motown did way back when. And as you all know, we feature the music of many of these artists/labels right here on www.Soul-Patrol.com

One of the “indie soul” entities from the past that remains a major player today in the internet/iPod era is Mr. Henry Stone. Henry Stone is a “shadowy figure,” whose name we all know from reading the liner notes of the albums we brought back in the 1970’s & 1980’s by artists who were on the legendary TK Records label.

TK Records was an “indie soul label” that was also the home to mega selling artists such as; KC & the Sunshine Band, Timmy Thomas, George McCrae, Latimore, Little Beaver, Gwen McCrae, Clarence Reid, Bobby Caldwell, Newcleus and more. We know the name Henry Stone, because he was the producer of the hit albums by these artists.

Today TK Records no longer exists, but the legacy of the Independent Soul Music that came from the label continues to endure in 2010 at www.henrystonemusic.com, where Henry continues to make available brand new soul music, featuring some of the very same legendary artists.

Today we want to feature two of them for your listening pleasure:

–GWEN MCCRAE – “Gwen McCrae Sings TK”: featuring the hit single “Please Don’t Go”

—LATIMORE – “All About the Rhythm and the Blues”: Featuring the hit single “Mr. Right Now”

Both are excellent albums, are reviewed in detail below and if you click on the links you will be taken directly to websites where you can listen to them. In fact the album “Gwen McCrae Sings TK,” is actually one of the top new albums in Black music released in the 2000’s and I am very pleased that Henry Stone is doing what ALL “indie soul artists/labels” that created HIGH QUALITY BLACK MUSIC during the earlier part of the 2000’s, should be doing RIGHT NOW.

(and that is RE-RELEASING that music RIGHT NOW, so that all of the new people that have come online in the past few years can check out what they have missed)

–Bob Davis

——————————-

And finaly, as always, I’m gonna give Henry Stone, the last word…

Dear Bob,

After reviewing and re-reviewing for the last few hours all the wonderful comments and reviews received from you on the new Latimore album “All About the Rhythm and the Blues” what can I say, Bob Davis one of the greatest Rhythm and Blues writers of all time has spoken his piece along with Earl Gregory’s live review of the album. (Thank you Earl Gregory, your right on).

Also, I love the way you included the early years. And what you had to say about the importance of not loosing the real soul of Black music. Where it has come from, who it has come from, what it has brought with it and hopefully where it is going.

Please keep writing and telling it like it is. Your one person we can always count on for that.

Best Always, Henry Stone
Inez Stone
Henry Stone Music USA Inc
www.henrystonemusic.com

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Press Release – TnT: Don’t Let Go (7/5)

This press release isn’t very long. However it is nonetheless quite significant.

It announces a new release from our friends TN’T (Trish N’ Tom.) I have heard the album myself and I really dig it! Check out the new song at their website: TN’T (Trish N’ Tom)
http://tritommusic.com
(and let me know what cha think?)
——

Here’s a brief note, letting you know we are releasing the first single ‘Today’ from our forthcoming LP. The official date is 08. 22. 2013. This is significant, as this is our wedding anniversary. Also we’re releasing the official video for ‘Today’ on the same day. Meanwhile, we’ll continue to work on the cover design for our new cd entitled ‘Don’t Let Go’. We’re excited and hope you’ll spread the word. Feel free to forward this e-mail to as many people you like.

Don’t Let Go (DLG) is our third indie album release. This was truly a fun record to make. We’ve always presented the listener with music that is fun, real, energetic, of substance and uplifting all at the same time. DLG is no different. However, with each release our intent is to take the listener higher. Our taste in musical styles vary, so when we write and record this is reflected in the music. One of the first things you’ll noticed is the variety. We take our listeners many places, it’s a musical journey. DLG crosses genres, it’s fast it’s slow, it’s soul, it’s funk, its house, sprinklings of jazz, pop, gospel, and reggae. More importantly its a easy album to listen to, there are

Oh yeah, and you know we love it when you holla back.

Love & Happiness,
TN’T (Trish N’ Tom)
http://tritommusic.com

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review – The Return of The Magnificent Carlton J. Smith Revue Show At NY’s B. B. King’s Club (7/5)

Nice Review from Mike Boone of this great show in NYC.
I was in the house at BB Kings for this one and had a blast myself, along with the rest of the packed house. I got to hang out with a bunch of folks (NYC Soul-Patrollers), I haven’t seen in a while. I need to get up to NYC a little more often!

P.S. – I heard a rumor that you will be able to see this show several more times this summer!!!

Thanks Mike for this excellent play by play of the show
————

The Return of The Magnificent Carlton J. Smith Revue Show At NY’s B. B. King’s Club

On a warm beautiful Saturday evening, a great musical happening took place at the infamous B. B. King Club, at New York’s Times Square at 42nd St near 8th Ave. No one individual looking for a good time, could have asked for a more dynamic entertaining showstopper, than the Carlton J. Smith Revue Show.

With his energetic musical personality and solidarity of his soul revue, Carlton J. Smith creates a happy party setting for his heavily anticipated audience. To set the mood of the evening, DJ Erik Talbert jammed some smoking rare ole skool super funk, that reminded me of my eargasm days, as a avid listener on NY’s WWRL (Super 1600) and WLIB-AM, the golden years of R&B/AM radio, on your listening dials. His set included, hits from Kool & The Gang ‘Kool It, Here Comes The Fuzz’
(1971) and Nite-Liters’ masterpiece instrumental of 1972 ‘Afro-Strut’ that was actually used as background music for a car commercial on WLIB.

As star time at B. B. King’s began, Carlton’s band in now which I knighted the CJS’s’ opened with Smith’s composition of ‘Old School Fool’. Smith (decked in white) entered the stage merrily and delighted us with 3 more of his composed tunes, ‘A Man’s Gotta Do What A Man’s Gotta Do’ ‘Tripple Nickels’ and a beautiful rendition of ‘Glisten’.

As Smith exit stage left, Tracy Brathwaite, a extraordinary talent in her own right, chilled us with a heartfelt belting performance of the legendary Etta James’ 1961 classic standard of, ‘At Last’. Ms Brathwaite informed the audience that she’ll portray the great Etta James in near future shows, in which I’m looking forward to.

Entering his 2nd return on stage, this time with a black outfit, Carlton shared with the crowd his memorable moments on stage with footage of his daughter Misa Love Smith as an infant in 2004, and as a 4 year old in 2008.

Now at the age of 10, Misa Love wowed the audience with a wonderful cover of Aretha Franklin’s classic hit of 1967 ‘Chain Of Fools’. With style, poise and stage commandment Misa Love’s apple doesn’t fall far from the musical tree that her dad planted. She was born to entertain !

After Misa’s set, Carlton eased on stage wearing orange. He then rocked the David Ruffin’s 69′ hit ‘My Whole World Ended’, giving shoutouts to each member of the Rolling Stones and and tributes to Marvin Gaye (Keep Gettin’ It On’ Sexual Healing’) and Michael Jackson with (‘Roses Make Me Feel’ aka ‘ The Way You Make Me Feel)’. With the devil in disguise, Carlton threw his orange jacket into the crowd and jammed with his drummer Lawrence ‘LP’ Perry on the drums.

Smith’s boyhood friends, EQ hit the stage, also attributing to Michael Jackson with his masterpiece smoothie LP cut of 1982, ‘The Lady In My Life’ with a still photo shot of Carlton and Michael J. taken together in 1977 on the club’s screen. EQ member, Rick Torres was giving a heartwarming thanks by Smith, responsible for his humble beginnings in show business, and belief in his talent, during his teenage years.

Background singers, Romona and Zahmu paid great homage to Marvin Gaye & Tammi Terrell with ‘Ain’t No Mountain High Enough’ as Carlton bounced back on in red, paid respect to the late great Bobby Womack with ‘Daylight’ ‘Across 110th Street’ and ‘If You Think You’re Lonely Now’.

The night fun continued with a Motown medley of Four Tops songs, ‘I Can’t Help Myself’ ‘Baby I Need Your Lovin’ and Reach Out, I’ll Be There’, the Beatles’ ‘Come Together’ Wild Cherry’s ‘Play That Funky Music’ with participation from an audience member, and James Brown’s stellar hit during the summer of 1970, ‘Sex Machine’

The powerhouse CJS band consists of, the robust Lawrence ‘LP’ Perry on drums. the funky Luke Kessel on bass, the groovemaker Mike Null on guitar and the magic fingers of Eric Smith on keyboards. CJS’s was extremely tight and always on cue on Carlton’s hand command and body gesture. Lawrence ‘LP’ Perry’s skillful synchronized stokes on the skins, stunk up the place, funkier than green onion! He’s one of the best drummers that I’ve seen in years. Mike Null’s guitar licks was reminiscing of James Brown’s great guitarist Jimmy ‘Scratch’ Nolan. Luke Kessel’s bass was funkier that a mosquito’s tweeter and Eric ‘Magic Fingers’ Smith created an illusion on the 88’s that would have made Billy Preston proud. The CJS group were on point!

If you ever want to re-energize your funk and soul, well baby, get refunked to sounds of the Carlton J. Smith Revue Show, whenever they’re in your town or city. The CJS Revue is an everchanging musical experience that continues the tradition of keeping the genres of R&B/ Soul/ Funk alive and kicking ! A little medicine to patch the hole in your soul!

Soulfully Yours
Mike Boone
The Chancellor of Soul

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review – Boney James @ Lake Terrace Ballroom, Lakewood, NJ (6/27)

The following are some rough notes that I took last Friday at the Boney James show in Lakewood, NJ last Friday. This is the 1st show of the Ebony Maze Productions (http://ebonymaze.com) Summer Jazz Series. This is all a part of our friend Jimmy Coefield’s (& longtime Soul-Patrol member) vision of creating a regular spot for adult oriented Black music in South Central New Jersey.

Tonight’s headliner at the Lake Terrace Ballroom is Boney James.

Here is a list of the upcoming shows in the series…

**Hiroshima – July 25
**New Urban Jazz Party (Bob Baldwin, Walter Beasley & Tom Browne) – August 22 **Brian Culbertson – September 19

Are you surprised that I would even be at such a show?
Well there are two reasons…

1. One of the things that I have learned about “smooth jazz,” is that although many of the records are formulaic and boring, that the live shows are often full of surprises. And the surprise is not really even a surprise. The reality is that many of the “smooth jazz” musicians themselves are actually BADD AZZ FUNK MUSICIANS in disguise. Very often they are locked in a “smooth jazz box” on their recordings, but when you see them live, they get downright NASTY. and this is what happened in Lakewood, NJ @ Lake Terrace Ballroom.

2. Even a brova like me, married for as long as I have been still needs a nice place to take his lady on a Friday night! So “Mrs. Earthjuice” was with me.

First lets start with setting expectations for Boney James himself. We know from the git go that we aren’t exactly getting John Coltrane or even Grover Washington Jr with him. What you are going to get is a “family friendly” style entertainment that is smartly packaged and presented. Boney James moves around quite a bit during the course of the show. He goes out into the audience during the performance to mingle with the crowd. Onstage he moves around the stage quite a bit in a manner that is most familiar to me. Much like Kenny Vance (yeah the doo wop guy) Boney James moves about the stage in a highly choreographed manner, that suggests “dancing,” but isn’t really “dancing,” but creates the illusion of “dancing.” This is exactly what Kenny Vance does on stage, and just like Kenny Vance, Boney James is quite effective with this presentation. As strange as it all sounds this type of stage presentation is an extremely good “audience engagement technique.” Scoff at this type of choreographed technique all you want. It’s part of the reason why Boney/Vance are the top “live draws” in their respective marketing niche’s. (Interestingly enough, Kenny Vance & Boney James both wear the same exact type of fedora on stage!)

This facility is BEAUTIFUL, Fancy plaster ceilings & moldings, w/gold trim & chandeliers Great lighting/sound. etc. Almost the type of venue where you might expect a “red carpet,” to be situated near the entrance. Food was also very good. It was a non pork soul food menu. Food was served in a separate room that, that had a DJ, playing stank azz 70’s funk and a larger dance floor than most clubs. I only mention the food, cusp if you come to the shows in the jazz series you should absolutely eat dinner here.

So how was the music?
Here are a few of my “raw notes”:

This band played some SEVERE off the hook almost RETURN TO FOREVER type BUTTHOLE WIPE STANK FUNK up in here for about 10 min. The bass player sounded like Stanley Clarke, guitarist sounded like Al DiMeola & drummer sounded like Lenny White. OK, enough of the BUTTHOLE DIGGIN & AZZ WIPING FUNK……now its time for some typical smooth jazz SOMINEX.

The guitarist (Norris Jones) is outstanding on this otherwise forgettable cover of “Ain’t No Sunshine.” He now sounds something like Carlos Santana. On the next jam, the guitarist is now doing a STANK cover of “Sweet Thing” Drum & Bass are on point too.

The last song is a GREAT cover of Hugh Masakela’s “GRAZIN IN THE GRASS” (minus the cowbell) and once again the guitarist is THA BOMB…..1960s psychedelic WAH WAH, DUCK WALKING (a la Chuck Berry) & then ending the song w/20 seconds of LOVE ROLLERCOASTER.

So I got my “funk fix” for the evening

Clearly this guy Norris Jones was the “surprise,” I talked about earlier. In addition to all of the above, he also sang several songs during the course of the evening. Since the show, I have gone up on the internet and checked out some of his video’s and he is just as SLAMMIN in a cornucopia of different situations (jazz, gospel, hip hop, rock) as he was last Friday night. He seems to be one of those “everything man” kinda artists!

After the show was over and we were in the car driving back, “Mrs. Earthjuice” asked me if we would be coming back for any of the other shows in the summer series. She said that she dug the vibe and had a really nice time. I said of course…(that’s cuz I know that she wants to go “funkin for jamacia” w/Tom Browne)

Coming up next…

**Hiroshima – July 25
**New Urban Jazz Party (Bob Baldwin, Walter Beasley & Tom Browne) – August 22 **Brian Culbertson – September 19

http://ebonymaze.com

FYI….Lakewood, NJ is one of those kind of places that while it appears to be in the middle of nowhere, it’s really in the middle of everywhere. It’s about 1 hr from the Trenton/Philly area (via I-195), about 1 hr from Staten Island/Newark/Jersey City or Atlantic City (via Garden State Pkwy). Took me about 45 min from S. Jersey.

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review: The Sugar Retakes Brooklyn

I also was in attendance at this show in “The People’s Republic of Brooklyn,” a few weeks ago. But it’s a good thing that our friend Tee Watts was also there to provide this review, since I was too busy dancing! Don’t forget to check out the Bittersweet: Sugar Pie DeSanto Documentry site as well. (Bob Davis)
I stay here as long as I can, I’ll leave when I cannot help myself,
I stay here as long as I can, I’ll leave when I cannot help myself,
Well we all got to go hoo-hoo, Lord, Lord, and I ain’t better than nobody else.

Don’t bring me flowers when I’m dead, flowers that I can’t smell,
Don’t bring me flowers when I’m dead, well, well, flowers I can’t smell,
Well, if I don’t go to heaven, hoo-hoo, Lord, Lord, I can’t smell no flowers in hell.
Bring Me Flowers While I’m Living – Champion Jack Dupree
Lyrics and music written by Champion Jack Dupree.

It was a gathering of those in the Brooklyn know. Some know-nots made it through a funky cosmic affiliation and were converted instantly. Brian Pace of The Pace Report was there. Bob Davis of Soul-Patrol was there making candid observational tweets. Sabrina Chap of Tom Tom Magazine was in the house. I heard that Kelsey Bennett of Vibe Magazine was there. (Oh, she’s so hard to see!) Ron Taylor, the Godfather of Soul’s former butler surprised The Sugar with a Sugar Pie DeSanto Go-Go power tee shirt imported from UK.

A standing room only throng of converts filled Littlefield’s for the continuing Dig Deeper series in Brooklyn on Saturday 6/14/14 for the return of The Sugar. When she last took Brooklyn in 2011, the city of her birth, They proclaimed it Sugar Pie DeSanto Day.

The opening set was originally to be filled by East Coast legend Gene Toons. Sadly, Mr. Toons suffered a debilitating stroke while visiting his own father recently. His slot was filled by Eli “Paperboy” Reed who turned it into a Gene Toons Tribute.

I actually first heard about Eli “Paperboy” Reed from Bob Davis. He recently completed a tour of Europe with J.B. Flatt & the Brooklyn Rhythm Band, the house band for the Dig Deeper show. And yes, this cat has pipes. To be honest though, when I saw him at sound check sportin’ argyle socks and Mack loafers, I really didn’t know who he was until he jumped on stage and ran through his 3 song set of Toons tunes. They were Turn To Me, Every Now and Then and What More Do You Want.

To put the musicians in perspective, J.B. & the BRB are soul funk chums with Sharon Jones’s Dap Kings and occasionally sit in when the Dap Kings are overbooked.

When “Paperboy” Reed was done sound checking, he hopped over to join forces with Jennie Wasserman as The Sugar’s backing vocalists.

The Sugar is a driven diva and clearly knows her limits. During sound check, she diligently went completely over each song in her set list. Her voice was strong. I noticed no holding back, no saving some for later. She gave her all in sound check and frankly, I was concerned that she might pay for it later. When I tried to bring it to her attention midway through, she shrugged me off as if I didn’t know what I was talking about. Turns out I didn’t.

She killed them. The crowd was completely captivated by her dance moves, her command of the band, her showmanship, vocals and of course her black widow move when she lures an unsuspecting gentleman to the stage and charms him to do her bidding.

She reprised two of the duets she recorded with Etta James; Do I Make Myself Clear and In The Basement. Excuse me while I digress. From the time Etta and The Sugar recorded those duets till now Etta’s has been the instantly recognizable name. If you analyze, for example, In The Basement, Pt.1, it has the divas trading lead lines that are at times so in the pocket that one can’t tell who is singing what. Then on Part 2, Etta James voice is not even there, it’s just The Sugar ad-libbing with the band lyrics that only she could have created…”I ain’t got yo’ girl! Oh, not me, oh yah, yah, well why don’t you be cool there baby. My God! We got to party, get this thang together, wow, don’t you know I’m feelin’ good! Gon’ party, in this basement baby. Wow, we havin’ a gay time. In this basement…!

So in terms of the sum total of energy put in, The Sugar clearly is more vested on this recording than Etta. Adding insult to highway robbery is the fact that The Sugar got no songwriting credit for Part 2.

The snub has continued into 2014. On April 11, Country artist Martina McBride appeared on the Arsenio Hall show promoting her latest album entitled Everlasting, a concept album which features covers of classic Soul hits. On the album, McBride reprises In The Basement with duet partner Kelly Clarkson. The YouTube clip that The Arsenio Hall Show posted says, “Martina McBride knocks it out of the park with her cover of the Etta James classic, ‘In The Basement.’

Get my drift? No mention of The Sugar. In another You Tube clip entitled, “Martina McBride explains her R&B cover album ‘Everlasting,’ Martina and Arsenio discuss how her she combed through 800 songs to pick the ones chosen for the album. Again Etta James is mentioned, but no Sugar Pie. I would think Arsenio would know better!

Back to her Dig Deeper set at Littlefield’s on 6/14/14. The Sugar also performed Keep It Like It Is, Life Goes On, Soulful Dress, Use What Got, Slip In Mules, Go Go Power, Hello San Francisco and In the Basement. She left the stage to rapturous applause and returned to do an encore of In the Basement. Yes children. She retook Brooklyn.

Sabrina Chap of Tom Tom Magazine was stunned. She was not at all familiar with The Sugar and is doing research for her own article.

Brian Pace predicts the film Bittersweet will garner the recognition she so richly deserves. I for one, watched the accolades pour in for our revered artistic angels Maya Angelou, Ruby Dee, Horace Silver and Little Jimmy Scott. But did you wholeheartedly support their art?

Did you ever hear Dee’s reading of Zola Neale Hurston’s Their Eyes Were Watching God? Yeah she did all the voices. I remember Ossie Davis and Ruby Dee doing a TV special on the most courageous Beat Poet there ever was; Black Bob Kaufman. The most fame went to Ginsberg, Ferlinghetti, Burroughs, Kerouac, etc., but Kaufman inspired Beats and Jazz Poets alike. Dee and Davis pleaded on national TV for Bob Kaufman to come out of his self imposed exile to take part in The Movement. These were artists who cared about their art and the masses even though all too often the masses don’t give a heck.

Sugar Pie DeSanto’s manager, Jim Moore once showed me an email from Little Jimmy Scott and his wife giving kudos and encouragement to The Sugar after she lost her husband. Let me say it again. This generation of artists that we are at the tail end of believed in our art and us as a people.

Yeah The Sugar retook Brooklyn on 6/14/14. Out of a packed house, less than a dozen were people of color. That being said, I humbly ask you to go to www.sugarpiedocumentary.com and click on Get Involved to help this film project entitled Bittersweet get done. Give her flowers while she’s living.

T. Watts
West Coast Correspondent
Soul-Patrol

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Bobby Womack – Rest In Peace (“That’s The Way I Feel About Cha”)

http://www.soul-patrol.com/soul/womack.htm

RIP is one of those acronyms that over time has ceased to even be an acronym anymore. Over time it has become a word. I suppose that it is a matter of convenience. After all it is much easier to simply type three letters than to type out what is essentially a short sentence…

REST
IN
PEACE

For me Bobby Womack is a total and complete enigma, despite the fact that I spent 2 weeks daily conversation with him back in the 1990’s.

For me it was a wonderful 2 weeks, that at the time was probably the most important thing going on in my life at that time. But today almost feels like a blur. Almost like it never happened.

Whets most interesting about that is that for two weeks of something that today feels almost like it never happened, there is in fact a very tangible thing that exists, that was the end result of the two weeks that I spent with Bobby Womack. You can view it at the following url: http://www.soul-patrol.com/soul/womack.htm

If you go to that url, you will find the end result of my two weeks with Bobby Womack. It is a chat transcript. A seemingly archaic and obsolete artifact, from an earlier time in the history of internet. However at that time it was a unique and supersonic concept. To take a musical icon like Bobby Womack, put him into an internet chat room with 50 hardcore musicologists from all over the world, and have a freewheeling “meta discussion,” about the highs & lows of his life and music.

If you go to Bobby Womack’s Wikipedia page you can find all of the basic facts about his life and career. You can learn all about his musical accomplishments, his basic biography, the artists that he worked with, the artists he influenced, the artists that influenced him, chart listings for his albums/singles, his family and more.

What I got during those two weeks I spent with Bobby Womack was the “un-sanitized” version of what you would find on his Wikipedia page. And I got it all in his voice. And it is his voice that is for me the most valuable “artifact,” from those two weeks. Have you ever had occasion to have a normal conversation with a famous person whose “voice” is burned inside of your mind? The first time I had a conversation with Bobby Womack, what registered in my mind was; “I’m actually talking to Bobby Womack…..LOL.”

We talked about Sly Stone, Rolling Stones, Sam Cooke. We talked about his songwriting, and his guitar playing. We talked about crooked/honest record labels, music executives, concert promoters, radio executives, music journalists, film producers. We talked about “sex, drugs & rock n’ roll.” I mean, damn it, I am after all supposed to be a “musicologist” myself. I want to know about all of those things myself. Maybe one of these days I will write about all of that stuff?

However I also had to focus on all of the “dots I had to connect,” both online and offline in order to pull off the chat session. As the “producer” of the chat session, it was truly a test of all of my “PMP Trained Project Management Skills,” from a business, technology and operational perspective.

In short there were many things that could go wrong, and cause the whole thing to result in failure. And if any of those things happened, they would be MY FAULT. And of course the details of that failure would be public knowledge.

And one of the things that I had to do within that process was to talk to Bobby Womack, multiple times per day, every day for two straight weeks.

And as you can see from viewing the web page at http://www.soul-patrol.com/soul/womack.htm it all turned out just fine. And it was a major accomplishment for Soul-Patrol.com. It was written about in most of the major music publications on the web at that time.

You see that was one of the things most important to Bobby Womack. He knew that was going to happen. It is one of the things that he told me. He said that it was very important to him that Soul-Patrol get as much recognition as possible since there were so few successful Black owned entities in the music business, he saw that as a part of a personal obligation for himself. He reminded me of the promise/vision that Sam Cooke had for SAR records and his involvement in that legacy. Bobby told me that he saw a parallel between that and what my brother & I were doing with Soul-Patrol.

If you pay a visit to http://www.soul-patrol.com/soul/womack.htm one of the key features that you ill notice is a photo of Bobby Womack, sitting in front of a PC/keyboard, with the Soul-Patrol.com website displayed on the screen. That photograph exists because it was Bobby Womack’s idea. A few hours before the chat session was to begin, Bobby called me up and said; Hey Bob, I’m not sure how all of this will go, but could you use a picture of me sitting at the computer?” I said; “of course, what did you have in mind?” Bobby said; “nothing complicated, just a picture of me and the computer showing Soul-Patrol. It would be something like an album cover of the chat session, proof that it actually happened.” He had the picture taken and sent to me via email. Again, a much bigger deal back then, as opposed to today, when camera enabled smart phones make this a task that can be done in a matter of seconds

Of course Bobby was completely, 100 percent computer illiterate. Keep that in mind, because coordinating how someone who didn’t even know how to turn on a computer was going to participate in a LIVE online chat session would prove to be yet one of many challenges of all of my “PMP Trained Project Management Skills.” (we had someone relay the questions to Bobby via telephone and someone else type for Bobby.)

In the end all turned out well.
About 50 people showed up for the actual chat session, some quite well steeped in the details of Bobby Womack’s career, and some who were “star-struck” at being in the same “space” with Bobby Womack. It was a BIG HIT.

When the chat transcript page went up a week or so after the session.
Bobby called and thanked me.
I thanked him.

We continued to stay in touch.
But not daily.
Soon not weekly.
Then not monthly.
Eventually not really at all.

Yesterday afternoon when there was some confusion about if Bobby Womack had passed, a number of people contacted in and out of the media me for information. They simply had to know IMMEDIATELY if Bobby Womack had passed. And they HAD TO KNOW NOW!

I don’t understand this particular “compulsion” that folks on the internet have to know if a person that they didn’t even know is dead or alive.

I can tell you this much, Bobby Womack is no doubt having a huge laugh about all of that right now. Inside of my mind I can hear his voice right now saying something along the lines of…

“Good, those mf’s can’t even figure out if I am dead or alive, good for em, none of them gave a shit about me anyhow…”

So….to Mr. Booby Womack

“That’s that’s the way I feel about cha”

And it is my sincere hope, that you are indeed…

“RESTING IN PEACE”

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review: Global Noize/Sly Reimagined, March 29, 2014 8:00 PM @ BerksJazz Festival (featuring: Jason Miles, Nona Hendryx, Maysa, Karen Briggs, Andy Snitzer, Alex Bugnon, Maya Azucena, Jay Rodriguez, Nick Moroch, Amanda Ruzza, Gene Lake, Ian Cook)

As I drove from New Jersey to Reading Pa, the site of the Berks Jazzfest on rainy Saturday afternoon, I had the album Global Noize – “Sly Reimagined” playing in the car CD player. You see I knew that since I knew that the primary reason for taking the drive was that I would be seeing Global Noize. That in and of itself was no big deal, since I have seen Global Noize perform many times. In fact I would dare say that I have seen Global Noize perform live more times than anyone reading this. They are perhaps one of the top 2-3 artists that you can possibly see live if you are a fan of FUNK music.

What made me anticipate this show so much is because I knew that they would be performing most, if not all of the songs from their innovative and highly acclaimed 2013 release called “Sly Reimagined.” To me one of the very best kind of concerts one can possibly attend is one where the artist performs an entire album. Since I knew that I would be writing this review I wanted to do a comparison between the studio and the live versions of the album.

Well in hindsight that makes absolutely no sense. That’s because as good as the album is, there is absolutely no comparison between the album “Sly Reimagined” and the concert that I saw on 3/29/2014. That’s because the concert that I saw on 3/29/2014 was one of those mind bending/mind blowing/life altering experiences that one doesn’t easily forget. It turned out to be one of the best concerts I have ever seen, In fact I have been wearing the same Sly & the Family Stone baseball cap I wore that night, everyday for the past week.

I just don’t want to lose the vibe that’s in my mind and in my heart from that night.

Viva La femme

Maya Azucena on lead vocals (in place of the ultra-sultry ) and featuring Karen Briggs on electric violin that, who along with drummer Gene Lane took this funky joint from Global Nozie’s 2012 album called; Prayer For The Planet to a whole nother level. I closed my eyes and swore that I was listening to the Mahavishnu Orchestra from 1973. It sure as hell sounded like John McLaughlin, Billy Cobham and Jerry Goodman. But of course it wasn’t. However playing some MONSTER FUNK of that ilk, as the very first song, lays down a gauntlet that sets expectations VERY high.

Fun

As soon as Viva La Femme was over, ringleader Jason Miles took the microphone and announced to the audience that; “it was now time to have a little fun.” Still on lead vocals was Maya Azucena. Mah homegirl from Brooklyn did not let us down as she sang the familiar lyrics;

“Fun.When I party, I party hearty, Fun is on my mind”
“Fun.Put a smile on your face, Leave that bummer behind”
Fun.There’s a sister and there’s a brother, Havin’ fun with each other”

It took the audience a moment to realize what was happening. We just went from Mahavishnu Orchestraesque fierceness to something that sounds like a funky nursery rhyme. And I loved it!!

The Same Thing (Makes You Laugh, Makes You Cry)

The band segued into some of the wisdom of Sylvester Stewart. What is he talking about here? We may never know. All we know is that we all wished that Brotha Sly had taken some of his own advice.

You Can Make It If You Try

This song, the old “pull your self up by your bootstraps song,” appears on the surface to be an anthem that even the Republicans might adopt? Instead it was a catch phrase that then candidate Barrack Obama used many times over during the 2008 Presidential campaign. I remember the first time I saw Obama use it in one of his speeches. I’m like
(holycrapheisquotingslystone) Up on stage Global Noize has morphed once again. Now they appear for all practical purposes like they are the “GREATEST GIRL GROUP WHO EVER EXISTED.” Standing in front of me now are Maya Azucena, Nona Hendryx of LaBelle and 2014 Grammy nominee Maysa (formerly of Incognito.) While they stand there trading Sylvester Stewart’s legendary lyrics of “self-empowerment,” the rest of Global Noize has now returned to the highest echelon of FUNK, the place where Sly & the Family Stone took an entire generation to. And they were just getting started!

Stand

Next up is the AWESOME song called STAND. You know the song that quite literally transitions from Soul to Funk three-quarters of the way thru, almost as if to trumpet the arrival of FUNK music itself to your consciousness. And as all that FUNK starts winding and twisting its way thru your body, you listen to the words. They are telling you not to be a punk. To take a STAND “for the things that you know are right.” As I am intellectualizing about all of that I look up to seen “GREATEST GIRL GROUP WHO EVER EXISTED” (Maya, Maysa & Nona) still on stage and when that “transitional part comes” (you know the part when the song flips from Soul to Funk!) Maya, Maysa & Nona start dancing like they are on Soul Train. Hell I start to jump up myself, but the seats are so close I can’t really get up. So I just dance in my chair. The audience goes nuts!!!

Family Affair

Yeah we all know that “blood is thicker than the mud.” And of course we know that The original Sly & the FAMILY Stone, was at it’s core a “family group.” And by family group I mean to say they were no different than the Jacksons, the DeBarges, Five Stairsteps, Cowsills and many others. Clearly there was much more than just music that formed a bond between Sylvester, Freddie, Rose (and sometimes Vet.) In the song “Family Affair,” Sly Stone’s genius lyrics are clearly vignettes about his own family. However the topics are so universal and so identifiable, that they resonate with us all and could easily be lyrics about our own families as well. Underneath the lyrics the monster groove makes it easy for us to roll with each individual story and such is the genius of the song. “Family Affair” is so elegant in its simplicity, that people from 6 to 60 love it. In short, “Family Affair” is just about as close to being a “perfect song.” As such you might be wondering why Global Noize would even want to touch it? Well, that’s exactly what I was thinking to myself, when I heard the first few notes. As I am looking at my notes (and my Twitter feed) it all comes back to me. I wrote both on my crumpled up piece of paper and my Twitter feed “THIS IS THE REAL SH*T/” And I wrote it for good reason. Global Noize not only completely and utterly CRUSHED the song, as I stood back for a moment and looked at Global Noize on stage, I saw Blacks & Whites & Men & Women on stage, but I also saw Hispanics, I saw Europeans and despite the fact that Falu was missing from the cast, I could feel that Middle East/Far East vibe as well. What I saw on stage was the total family of humanity. Which of course is where the Family Stone would have taken the family of mankind to, had they been able to continue to pursue the music. You see “Family Affair” was the next step after “Everyday People.” And Global Noize takes us to the next step beyond. That’s why they are badd enough to do “the perfect song” in 2014. (Shout out to Amanda Ruzza on bass)

In Time

From the 1973 album called “Fresh,” which is regarded as pretty much the last gasp for Sly & the Family Stone. However the song “In Time,” is a tasty and funky little morsel that was very clearly an influence on Shuggie Otis, Prince and others, later in the 1970’s. Although Sly & the Family Stone itself had literally run out of time, they left us this gem. And of course Global Noize TORE IT UP, and did so in the most unlikely of ways. In my notes I wrote down; “Is that Maysa or is that Ella Fitagerald?” That’s because our friend Maysa Leak reached waaaayyyyy down and did some scat singing from another universe.

Thank You For Talking To Me Africa

One of the things I always liked about Sly Stone is that he seemed to like “covering himself.” On may of his songs for example you hear echoes of the song “Dance To The Music.” However perhaps his most famous cover of himself can be heard in the song “Thank You For Talking To Me Africa,” where he “covers” “Thank you fa letting me be myself.” Of course while, Thank you fa letting me be myself,” is upbeat & positive, somehow “Thank You for Talking to Me Africa,” is deep, dark & disturbing, despite having the same exact lyrics as “Thank you fa letting me be myself.” In addition of using re-using the lyrics of “Thank you fa letting me be myself,” “Thank You For Talking To Me Africa,” also seems to borrow much of the groove from the ultra phunky song “Sex Machine,” from the Stand album. Thank You For Talking To Me Africa was perhaps the best song on the album “There’s a Riot Going On, ” and for my money is one of the greatest songs in the history of FUNK music! Global Noize wasn’t afraid to takle it. In fact Nona Hendryx absolutely destroyed it vocally and the band crushed it. I howled with delight as I listened to it.

Jam For Joe (George)

Jam For Joe is a slammin joint that appears on the very first Global Noize album from 2008. It is of course dedicated to the late/great Joe Zawinul and as you might guess, it sounds like something you might hear on a Weather Report album. Before playing the song Jason Miles announces that he is changing the name of the song to “JAM FOR GEORGE,” in honor of his friend the late/great George Duke.

As I stated earlier…
This was one of the BEST concert experiences I have ever had. In fact it was so good I didn’t want it to end. I went backstage not so much to congratulate the performers, but instead to try as I might to keep the vibe of the concert going. But even after a few minutes of that I could feel the energy starting to dissipate. I then left the venue as quickly as I could, despite the fact that there were more shows going on that night. I didn’t need or want to listen to any other music. I didn’t even want to listen to the “Sly Reimagined” album in the car. I didn’t want ANYTHING to interfere with the great show that was now on “continuous replay,” inside of my head.

In fact nearly 1 week later I still feel that way, in fact I’m still wearing that baseball cap…..

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Extending Your Music Into The Future (part 99)

I know that I sound like a broken record on this topic.

And I also realize that there are more than a few of you out there who simply don’t care. Some of yall are simply B.S. artists. (and ya know it)

Oh I see & hear the faux rantings and ravings on the internet about “the way things used to be.” About “the good old days.” And about how everything about modern society sucks. You sit at home, listening to your 30, 40, 50 year old funk/soul/rock/jazz records, searching Youtube each day finding music posting it on your favorite Social network and sitting there “fat, dumb & happy,” doing little else but complaining.

Yet many of these rantings are done by people who wouldn’t spend one stinkin dime or move one inch from their computer screen to actually support a younger person or artist who is trying in their own way to create music that “is the way it used to be.”

If you are one of those people. (and YOU know who YOU are…)
Please do yourself a favor.
DON’T READ ANYTHING BELOW THE LINE
———–

Plain and simple.
If you want the music of the past to be extended into the future, there is ONLY ONE WAY TO MAKE THAT HAPPEN…
http://www.slamjamwbc.org/other-activities.html

YOU MUST GET YOUNGER PEOPLE INVOLVED!!! (after all, you ain’t gonna live forever)

Our friend Clyde Frazier Sr. runs a number of community based sports & educational youth programs in NYC. One of them is called Harlem Got Talent. http://www.slamjamwbc.org/other-activities.html

Clyde has arranged with the promoter of a big Doo Wop show coming up on April 19th in Philly to secure tickets for a bus load of young folks from Harlem to attend the show. (very cool)

However he needs CA$H to secure bus transportation to physically get the kids from Harlem to Philly so they can attend the show.

Harlem Got Talent, April 19, Philly music show..
The show fund is now at $245 getting close to our $600 fund drive.

What can you do? Fill in some of the $355 gap by donating at:
http://www.slamjamwbc.org/other-activities.html

We hope to bring the children of Harlem Got Talent to a show in Philadelphia on April 19th. The musical director will be our own musical director Hal Keshner.
Featuring:
The Duprees
The Tokens
The Happenings
The Classics
The Flamingos
The Demensions
The Roommates
The Chimes

http://www.slamjamwbc.org/other-activities.html

They just need a few hundred bucks
My feeling is that if they can raise the money for the bus, they will create 50 – 60 brand new doo wop fans, who will likely become doo wop fans for life.

IMHO this is the very best way to extend the music into the future. (Getting younger people involved in the music!!!)

When you go to the link, it’s a very simple PayPal donation. Donate whatever you like. $10, $20, $30, or more. Whatever you can handle.
http://www.slamjamwbc.org/other-activities.html

No Kickstarter or Indie GoGo B.S. happening here.
Just a straight up ca$h donation. From your heart. Done with the objective of extending the music that everyone here claims to love, into the future. Go to the link. Make a donation. And smile when you do so….
http://www.slamjamwbc.org/other-activities.html

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Philadelphia: Barry White & Teena Marie Tribute 4/11 @ Chateau Caterers (I need a few ideas yall)

As I mentioned a few weeks ago, there is a whole series of Tribute shows coming up in Philly. The Teddy P/Etta James show I reviewed last week was just the first one.

The very next one is a tribute to Barry White and Teena Marie. April 11, 2014 – Barry White & Teena Marie Tribute @ the Chateau in Philadelphia All of the info is at the following link: http://www.remarkentertainment.net/music-tribute-tribute-shows-philadelphia-pa.html

I just so happen to LOVE the music of BOTH of these GREAT FUNK/SOUL artists!!!
Hopefully those of you who are in the area will be able to attend. If it’s as good as the last one, you will be able to talk about it as much as I have been, since the last show.

I am quite honored to have been asked to be the host of this show. And I have been asked to provide some historical context as I introduce each tribute artist. (So I have a bit of latitude)

So now I am going to turn to yall…

Is there anything or any point that you would like me to make about the artistry or the biography of either Barry White or Teena Marie, that you feel has been either overlooked or marginalized by the mainstream media?

(I’m up for your suggestions!!!)

Thanks in advance…

http://www.remarkentertainment.net/music-tribute-tribute-shows-philadelphia-pa.html

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

CONCERT REVIEW – Philadelphia: Teddy Pendergrass & Etta James Tribute 3/21 @ Chateau Caterers

I suppose that you could say that I am on a mission (of sorts.)

Earlier today I asked how many of you would attend a John Coltrane or a John Lennon Tribute show. And more than a few of you said that you would. I would as well.

I’m really having a whole lotta trouble with the current music scene. And it is quite personal.

Plain & simple, I’m having a whole lotta trouble getting excited by much of anything that I hear. I am truly in need of the equivalent of “de-fibulator treatment, into whatever the parts of my body are that are in control of my musical sensibilities.

Well this past Friday evening such a “de-fibulator treatment,” happened to me in Philadelphia at a place called the Chateau:

Teddy Pendergrass & Etta James Tribute
(Featuring George Foxx & Rhonda Denét)
This show blew me the F*CK away.
And if YOU love the songs by these two artist, I can guarantee, that you also would have been: BLOWN THE F*CK AWAY (also)

Nooooo It wasn’t the original artists (that would be quite impossible in 2014)
But much like Beatlemania (and incredible simulation)
& backed by a TWELVE PIECE BAND

Whatever you want to call it…
(I WAS BLOWN THE F*CK AWAY)

This is a part of the tribute series I told yall about happening in
Philly:
April 11, 2014 – Barry White & Teena Marie Tribute
April 25, 2014 – Jackie Wilson & Minnie Riperton Tribute
May 9, 2014 – James Brown & Johnny Mathis Tribute
May 23, 2014 – Whitney Houston & Earth, Wind & Fire Tribute

Go here for more info about the upcoming shows: http://www.remarkentertainment.net/music-tribute-tribute-shows-philadelphia-pa.html

I (@kozmicfunk)live tweeted this show to 3 brotha’s from Soul-Patrol who know a little somethin/somethin about what THE REAL DEAL IS:

– Brotha Enorman (@The1Enorman) – Out of Columbus Ohio, perhaps the finast commerical radio DJ’s I have heard in the last 15 years.

– Brotha Bowleged Lou (@TheBowleggedOne) – Out of Brooklyn NY, producer, musician & movie star, from the groundbreaking rap/funk band Full Force.

– Brotha Sinbad (@sinbadbad) – Out of Benton Harbour Mi, comedian, actor, funk artist, visonary, from the world of stage, screen & televison.

– Brotha Chuck D (@MrChuckD) – Out of Roosevelt, NY, producer, artist, activist, visonary, rock n’ roll hall of famer, from the all consuming Public Enemy.

My review is below…

ETTA JAMES TRIBUTE (Rhonda Denét)

@kozmicfunk Live tweeting from the Chateau in Philly. Teddy P & Etta James Tribute #classicsoul @The1Enorman @TheBowleggedOne @sinbadbad @MrChuckD

@kozmicfunk They just served up a #soulfood dinner w/desert. Soon the show will be starting.

@kozmicfunk Looks like they have a 12 piece house band. Its gonna be FUNKY up in here tonight!

@kozmicfunk Looks like about 300 or so folks up in here (all pimped out, fried/dyed/laid to the side)

@kozmicfunk This joint, The Chateau is kinda like a 1940’s “Boom Boom Room” (#phillystyle…LOL)

@kozmicfunk The Etta James Tribute is about to begin, w/Rhonda Denét

@kozmicfunk This sista can SANG……SOMETHIG’S GOT A HOLD ON ME….

@kozmicfunk OOOOOOOOO IT MUST BE LOVE!!!

@kozmicfunk Did I ever tell y’all about when somebody asked be who was better between Aretha & Gladys and my answer was……..ETTA!!!

@kozmicfunk THURSDAY, FRIDAY…….SEVEN DAYS A WEEK

@kozmicfunk Seven days a week I LOVE YOU

@kozmicfunk Go head witt dat funky bass & sax on this STANK AZZ cover I JUST WANNA MAKE LOVE TO YOU

@kozmicfunk STANK SAX….now here come the KEYBOARDS…”I CAN TELL BY THE WAY YOU WALK THAT WALK..”

@kozmicfunk BASSMAN IN THE HOUSE…..”YOU CAN LEAVE YOUR HAT ON” (some Joe Cocker action)

@kozmicfunk This lady is bad!! she’s kill in it up on stage here in Philly tonight

@kozmicfunk I gotta believe that Etta herself would be digging this show!

@kozmicfunk ROLL WITH ME HENRY’ is up now. Originally recorded in 1955 by ETTA (w/JOHNNY OTIS)

@kozmicfunk IN THE BASEMENT (Sugar Pie DeSanto) ETTA’S label mate at
CHESS RECORDS.

@kozmicfunk OPEN 4 BUSINESS IN YOUR NEIGHBORHOOD, BLUES IS MY BUSINESS & BASENESS & BUSINESS IS GOOD

@kozmicfunk And finally the ICONIC….”AT LAST”

@kozmicfunk Ya know, sometimes its easy to forget just how GREAT …..LIVE MUSIC can be!!.

TEDDY PENDERGRASS TRIBUTE (George Foxx)

@kozmicfunk Teddy P Tribute show is starting….

@kozmicfunk With George Foxx…first song….AINT NO STOPPIN US NOW #phillygroove

@kozmicfunk This is off the hook. There are 3 sax players, a trombone and two trumpets on stage

@kozmicfunk This is some seriously ULTRA FUNKY SH*T 3 female singers, 2 keyboards percussion & drums

@kozmicfunk WAKE UP EVERYBODY…….MAKE THE OLD PEOPLE WELL….

@kozmicfunk George Foxx came out, lookin just like Teddy wearing a MINK COAT #lifeisasongworthsinging

@kozmicfunk YOU……YOU GOT YOU GOT WHAT I WANT…..YOU ::::YOU GOT YOU GOT WHAT I NEED

@kozmicfunk George Foxx and his band is doing some SERIOUS DAMAGE..they just morphed into FLASLIGHT

@kozmicfunk NOW BACK FROM FLASHLIGHT …..TO ……YOU GOT WHAT I WANT (without missing a beat!)

@kozmicfunk Now that he has rocked this funky joint, & the ladies are all SWEATY, its time for a SLOW JAM……”YOUR MY LATEST, MY GREATEST INSPIRATION”

@kozmicfunk Needless to say, these women are going wild up in here!

@kozmicfunk This brotha sounds EXACTLY like TEDDY P. It is UNREAL

@kozmicfunk The female singers sound like #wonderlove

@kozmicfunk MISS YOU, MISS YOU, MISS YOU. I saw Harold Melvin & the Bluenotes in 74 in Brooklyn

@kozmicfunk COME ON OVER 2 MY PLACE & YOU KNOW HOW 2 MAKE ME FEEL SO GOOD (monster hits in #roosevelt)

@kozmicfunk This whole show is really taking me back, some SERIOUS nostalgia!

@kozmicfunk The iconic CLOSE THE DOOR. (man these females STILL love
this song in 2014)

@kozmicfunk TURN OFF THE LIGHTS, starts off with a mean sax solo.

@kozmicfunk A GREAT night for Black music in Philadelphia tonight

@kozmicfunk IS IT STILL GOOD TO YA…..

@kozmicfunk THE MORE I GET THE MORE I WANT…….OH HELL YEAH

@kozmicfunk One bad thing about live tweeting a concert..(battery might just die before its over)

@kozmicfunk JUST CANT GET ENOUGH OF YOUR LOVE

@kozmicfunk I see a 3 camera set up. A video being made of this show, maybe we should play it on http://www.Soul-Patrol.com

@kozmicfunk MAYBE IF I SPENT A LITTLE MORE TIME…..

@kozmicfunk Uh oh…..here comes…..LOVE TKO …..yall…..

@kozmicfunk This is sooooo damn cool……LOVE TKO ….indeed

@kozmicfunk This band is SLAMMIN…………(in a #mfsb kinda way)…..HERE COME THE HORNS…..

@kozmicfunk GET UP; GET DOWN; GET FUNKY; GET LOOSE…..

@kozmicfunk THIS IS THA SH*T (Philly style …..horns & all)

@kozmicfunk KILLER SHOW …..GEORGE FOXX…….a TRIBUTE TO TEDDY P this that sh*t

@kozmicfunk Signing off from the Chateau in Philadelphia

George Foxx Bio
When the name of Mr. George Foxx is mentioned, those of us who have witnessed his performance share thoughts of a rich baritone voice that touches balladeer, crooner and
singer, effortlessly. That’s just the beginning.

You won’t believe your eyes and ears when you witness the presentation of The Teddy Pendergrass Catalog by Mr. George Foxx. Mr. Foxx’s eerie vocal and physical resemblance to T.P. (R.I.P.) is absolutely astounding. Once you are present at a concert, you are immediately transported to the dynamic spirit and energy of the Great Immortal Musical Legend.

In addition to being highly talented in his own right, there is no doubt in anyone’s mind that Mr. Foxx was born for the mission of keeping Teddy’s legacy. His work and dedication to his craft facilitates a channeling that, at times during the performance, makes you feel the presence of the immortal and beloved T.P. In the room!

While George Foxx is a great baritone and capable of multi genre vocals, all roads lead back to “The Teddy Pendergrass Experience”. No one comes as close to looking and
sounding like T.P. as George Foxx. Witness The George Foxx Experience for yourself and become a believer.

After all, George Foxx was born for the mission. http://www.gfoxx.com

Rhonda Denét Bio
Rhonda Denét is a New York City based jazz/soul vocalist who invites her audience to surrender to the groove by blending classic and contemporary favorites with her inspiring original music. By the age of 9, the Washington, DC native knew the performing arts would be a guiding force in her life. She began to study flute and piano but by 11 studying voice became her primary focus.

She studied privately for several years, in addition to performing with several theatrical organizations and choirs. Having received tremendous encouragement from her teachers and directors, she moved to New York where she earned a Bachelor of Music in Vocal Performance from New York University.

Denét continued her education and earned a graduate degree in Arts Administration from Florida State University’s School of Music. Then she returned to New York City and quickly reacquainted herself with the diverse music landscape. She spent several years writing and producing her brand of soul-infused cabaret, forming and working with a few bands and developing original music.

Since 2007 Rhonda has been building her full-time career in music; performing regularly her band The Bad Cats, as the lead vocalist for the Kazz Music Orchestra and with several other regional projects. In addition, she manages Silver Fox Songs, a music showcase series that brings live music to appreciative, yet underserved populations throughout the New York Metro area. http://www.rhondadenet.com

Here is that upcoming lineup, if you like the music of these artists!

April 11, 2014 – Barry White & Teena Marie Tribute
April 25, 2014 – Jackie Wilson & Minnie Riperton Tribute
May 9, 2014 – James Brown & Johnny Mathis Tribute
May 23, 2014 – Whitney Houston & Earth, Wind & Fire Tribute

Go TO: http://www.remarkentertainment.net/music-tribute-tribute-shows-philadelphia-pa.html

And I will be at that Barry White & Teena Marie Tribute, to continue my mission

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Chi-Lites – How Come People Don’t Wanna Buy New Music In 2014? (it’s the replay button)

There are a whole lot of very smart people in the music industry trying to figure out the answer to this question. Well there are several….However probably the most important reason is because, the critical mass of music fans, don’t think that the songs are worth the money. (DUH)

Now we could certainly have a fierce discussion about this….In my mind there are absolutely some great songs that are being produced today.

But…Even I as a person who truly is on the hunt for great new songs each and every day, only rarely finds a new song, that I find myself literally hitting the replay button inside of my head, over and over again, for years and years after I first heard it.

-I could be at work -I could be in the car -I could be mowing the lawn -I could be at the DMV -I could be riding my bike -I could just be doing nothing -I could be 6 years old or 60 years old

If it’s a great song, and I dig it, I make a lifetime commitment to hitting that replay button inside of my head and replaying that song in my mind over and over again. To me that is the definition of a truly great song!!!

Here is one example of a song that I have made a lifetime commitment to hitting that replay button inside of my head and replaying that song in my mind over and over again. As a matter of fact, I just hit that replay button for it a few moments ago

And I made that commitment…THE VERY FIRST TIME THAT I EVER HEARD IT….LITERALLY WITHIN THE FIRST 30 SECONDS

(and no dj/tastemaker/twitter feed/magazine/tv show/website/blog/etc. had to convince me to do so)
——–

Chi-Lites – Stoned Out Of My Mind

Baby, when I found out you were lyin’
Playin’ around and connivin’
Undesired tears I was cryin’
Cause sugar coated lies I was buyin’

I was just a backseat driver in a car of love
Goin’ wherever you take me
Don’t know why I put up with the pain
Cause nobody else could make me

You got me goin’ [Stoned out of my mind]
You got me goin’ [Stoned] Hey, hey [Out of my mind]
You got me goin’ [Stoned out of my mind]
You got me goin’ [Stoned] Hey, hey [Out of my mind]

When you led me to the water I drank it
Man, I drank more than I could hold
When you took my mind and body
You know you wanna take my soul

Where can I run
Where can I hide
Who can I talk to
Tell me what, what can I do

When you got me goin’ [Stoned out of my mind]
You got me goin’ [Stoned] Hey, hey [Out of my mind]
You got me goin’ [Stoned out of my mind]
You got me goin’ [Stoned] Hey, hey [Out of my mind]

Hee…you got me goin’ [Stoned out of my mind]
You got me goin’ [Stoned] Hey, hey [Out of my mind]
Been around with every guy in town [Stoned out of my mind] Funny but I just can’t put you down [Stoned out of my mind]

You got me goin’ [Stoned out of my mind]
You got me goin’ [Stoned out of my mind]

NOTE: When I first heard this song I was broke, I loved it so much, found it so utterly compelling, that I taped it off of AM radio. I listened to that scratchy & distorted “illegal” tape to it that way till I could afford the 59 cents to buy the 45. (old school version of “ripping tracks”)

For me there are hundreds of such songs, that i’ve made a lifetime commitment to hitting that reply button inside of my mind. Here are a few more…

Booker T And The MG’s – Green Onions
Laura Nyro – Wind
Dee Dee Warwick – Do It With All Your Heart
Etta James – Something’s Got a Hold On Me
Chante Moore – Do For You
Little Sister – Your The One
Fuzz – I Love You For All Seasons
Chantels – The Plea
Alicia Keys – Teenage Love Affair
Five Stairsteps – Don’t Waste Your Time
Jimmy Castor Bunch – Supersound
Black Joe Lewis and the Honeybears – Sugarfoot
Tony Williams Lifetime – Million Dollar Legs
Earth Wind & Fire – The World’s A Masquerade
Sun Ra – Disco 2100
The Rebirth – Walk Talkin’ Mizell (Until We Meet Again)
Little Richard – Rip It Up
Dells – Oh What a Night (1969 version)
Les McCann & Eddie Harris – Compared To What
Prince – One Of Your Tears
Billy Stewart – I Do Love You
Chakachas – Jungle Fever
Marlon Saunders – Afro Blew My Mind
Shuggie Otis – XL-30
Miracles – Baby Baby Don’t Cry
Brandy – I Wanna Be Down
Wilson Pickett – Ninety-Nine And One-Half (Won’t Do)
Joe Tex – Aint Gonna Bump No More With No Big Fat Woman
Edgar Winter Group – Frankenstein
Funkadelic – Music For My Mother
Dramatics – Fell For You
Tower Of Power – Oakland Stroke
Color Me Badd – I Wanna Sex You Up
Brenda and The Tabulations – Right On The Tip Of My Tongue
Ad Libs – The Boy From New York City
DJ Jazzy Jeff & the Fresh Prince – Summer Time
Donny Hathaway – The Ghetto
Harptones – Life Is But A Dream
Bobbi Humphrey – Chicago Damn
Impressions – Gypsy Woman
Rio Soul – The Cure
Graham Central Station – The Jam
Chambers Brothers – Time Has Come Today
Billy Ward & the Dominoes – Sixty-Minute Man
Sly & the Family Stone – Sex Machine
Archie Bell And The Drells – I Can’t Stop Dancing
Jr. Walker & The All Stars – Shotgun
Joseph Wooten – Revolution of the Mind
Brighter Shade of Darkness – Love Jones
MFSB – Love Is The Message
Eddie kendricks – Girl You Need A Change Of Mind
Chairmen of the Board – Chairmen of the Board
Blackbyrds – Do It Fluid
Miracles – I Love You Secretly
Gabriela Anders – Wanting
Mary Wells – The One Who Really Loves You
Rickie Lee Jones – Chuck E’s in Love
Cornelius Brothers & Sister Rose – Too Late To Turn Back Now
Prince – Let’s Go Crazy
Sylvia – Next time that I see you
Sylvia – Sweet stuff
Gil Scott-heron – Lady Day and John Coltrane
JB’s – Same Beat
Jimi Hendrix – Pali Gap
Isaac Hayes – Don’t Let Go
Al Green – Backup Train
Stylistics – Payback Is A Dog
Brides of Funkenstein – Disco To Go
Ike & Tina Turner – Sexy Ida
Al Green – Can’t Get Next To You
War – Sun Oh Son
Crusaders – Double Bubble
Swinging Medallions – Double Shot Of My Babys Love
Sam Cooke – Little Red Rooster
Capitols – Cool Jerk
Brother Jack McDuff – Soulful Drums
Ray Parker Jr – Jamie
Johnnie Taylor – Who’s making love
Friends of Distinction – I Really Hope You Do
Chuck Berry – Reelin’ & Rockin
Archie Bell And The Drells – Tighten Up
Enchantment – It’s You That I Need
Dusty Springfield – Wishin’ And Hopin’
Sharon Jones & the Dap-Kings – Better Things
The Supremes – Automatically Sunshine
Santana – Jungle Strut
Bohannon – Run It On Down Mr. D.J
Soul Survivors – Expressway To Your Heart
Mandrill – Hang Loose
Flamingos – I Only Have Eyes For You
Donna Summer – Spring Affair
Fabulous Thunderbirds – Gotta Have Some Just Got Some
Spinners – It’s A Shame
Rascals – I Ain’t Gonna Eat Out My Heart Anymore
Honeycone – Want Ads
Beatles – I Saw Her Standing There
Cymande – Bra
Jackie Wilson – Doggin’ Around
Eric B & Rakim – I Know You Got Soul
Moonglows – We Go Together
Kool & The Gang – Kool & The Gang
Fatback Band – I Like Girls
Slave/Steve Arrington – Just A Touch of Love
Temprees – Love’s Maze
Billie Holiday – Strange Fruit
Pat Cooley – Hold Still
The Shirelles – Foolish Little Girl
Barry White – Satin Soul
First Choice – Let No Man Put Asunder
Dramatics – Whatcha See Is Whatcha Get
Manhattans – Follow Your Heart
Quincy Jones – Killer Joe
Ocapellos – The Stars
Foxy – Get Off
Bo Diddley – I’m A Man
Chip Shelton – Quiet Storm
Moments – Girls
Roy Ayers – Everybody Loves The Sunshine
Kid Creole and the Coconuts – Stool Pigeon
Fred Wesley & the JB’s _ You Can Have Watergate But Gimme Some Bucks And I’ll Be Straight
Billy Preston – My Sweet Lord
Delfonics – Break Your Promise
Marvin Gaye – You’re the Man
Elenor Grant – Come Back
Funkadelic – Cosmic Slop
Grover Washington Jr – Passion Flower
Mary Jane Girls – All Night Long
Stevie Ray Vaughan & Double Trouble – I’m Leaving You (Commit a Crime)
Temptations – I Want a Love I Can See
James Brown – Escapism (album version)
Queen Latifah – Hello Stranger
The Miracles – Do It Baby
Bobby Lewis – Tossin’ And Turnin
Prince – Calhoun Square
Dr. John – Right Place Wrong Time
April Hill – Manipulation
Buddy Miles – Down By The River (live version)
Little Walter – My Babe
Sonnyboy – Like Collard Greens
Mable John _ Your Good Thing (Is About To End)
Manu Dubango – Soul Makossa
Emotions – So I Can Love You
Rufus Thomas – The Breakdown
Nina Simone – Mississippi Goddam
Solange Knowles – 6 O’Clock Blues
Dells – Walk on By
Chic – Le Freak
Rose Royce – Wishing On A Star
Jimi Hendrix – South Saturn delta
Young-Holt Unlimited – Soulful Strut
Rotary Connection – I Am the Black Gold of the Sun
Gerald Alston – A Change is Gonna Come
Five Stairsteps – Danger She’s a Stranger
Teeny Tucker – Hound Dog
Ohio Players – Walt’s First Trip
The Revalations (Featuring Tre Williams) – Everybody Knows
Brenda Holloway – You’ve changed me
Johnny Guitar Watson – Ain’t That a Bitch
Miles Davis – Black Satin
Stylistics – Peek-A-Boo
Global Noize – Spin Cycle
Timmy Thomas – Why Can’t We Live Together
Public Enemy – 911 Is a Joke
Shirley Marshall – How Could This Be
Spaniels – Goodnite Sweetheart Goodnite
Donald Byrd – Lanasana’s Priestess
Sly & The Family Stone – Thank You For Talkin’ To Me Africa
Nightliters – Afro-Strut
Shelley Nicholes Blakbushe – Blak Girls
New Birth – Until It’s Time For You To Go
Tommy James & The Shondells – Crystal Blue Persuasion
Bootsy Collins – Stretchin’ Out (In a Rubber Band)
Marvelettes – The Hunter Gets Captured By The Game
Return To Forever – Earthjuice

That’s enough for now….LOL

Bottom line is that I would suggest to you that if you took the sum total of whatever all of these songs + the hundreds of others that I have all set to hit the replay button inside of my mind, you would know a heck of a lot about the nature of an individual called Bob Davis.

What songs do you press the replay button inside of your mind for?

“Bob, you can always tell a hit record. It’s a song that you start singing the lyrics to, before the song is over, the very first time that you hear it…”
–Marshall Thompson (Chi-Lites)

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Kristy Love Brooks – Gonna Love You (A Barry White Remake)

I just wanted to introduce yall to a fantatstic tribute to the musical legacy of Mr. Barry White and not only is it just in time for Black History Month, but it’s appropriate anytime you are in need of that “wine & candlelight 3am groove” that Barry White made so popular. It’s by MS. KRISTY LOVE BROOKS and you can check out the video on her site http://kristylovebrooks.com (Bob Davis)

KRISTY LOVE BROOKS releases a classic Barry White song from her album ” Songs of Love and Peace. This contemporary version of “GONNA LOVE YOU MORE’ (I’m Gonna Love You Just A Little More, Baby) reached the TOP 10 on the Smooth Soul chart in just 3 days. Predictions are that it is destined to be a huge hit and record sales are in order for this song to be the “love song of the holiday season”. Kristy Love’s version of this Barry White song embodies the essence of love and sensuality. It creates a wholesome mood and has deservingly earned her the title of “The female Barry White”.

This is not the first time Kristy Love has topped the charts. “ALL OVER THE WORLD”, her first release from “Songs of Love and Peace” has been on the charts for more than sixteen weeks. It reached #4 on the Indies Chart and #8 on the Urban Hip Hop Chart on the Starfleet International DJ Pool. It also reached Top 40 on the Reverbnation Chart. The Remix by Julian Marsh is currently on the Breakout Chart for Dance Music. The ALL OVER THE WORLD video, with Film Director/Music Producer Dave Future, will be released soon.

Also released with this song is Kristy’s original song, “I’M YOUR DJ”, an up tempo dance/club number herald as “the DJ’s anthem”. It is quickly becoming a DJ/Club favorite thru pre-release. “Songs of Love and Peace”, with 15 songs, including GONNA LOVE YOU MORE and I’M YOUR DJ can be found on iTunes, Amazon, and CD Baby as well as other sites.

Kathleen “Kristy Love” Brooks heals the body, mind and soul with her music. Known as an entertainer extraordinaire, she has performed as a solo vocal artist, actress, and dancer; and with a group. Her special gifts and talents are displayed through her vocal and acting performances in which she brings the gift of love and touches the souls of her audience. She has graced the stages worldwide across the United States to Hong Kong, Singapore, Haiti, Bahamas, Hawaii and more. Her latest album “Songs for Love and Peace” including the single “All Over The World” displays her unique sound and will create a new excitement in the mainstream dance music industry.

Kristy Love has established herself as one of the worlds true “Divas”. She is a former RCA recording artist, and she has released several groundbreaking independent albums including: For Lovers Only, Kristy’s Classics Vol. 1, and a children’s album titled With a Child’s Heart. Her CD “Giving You Love” received rave reviews overseas in Britain and the United Kingdom. She performs her solo act with tributes to the original “Divas” including: Roberta Flack, the Motown Divas, Aretha Franklin, Gladys Knight, Whitney Houston, Yolanda Adams and more. She creates a variety of moods and tempos from mainstream dance, standards, and jazz to contemporary R&B and music from the 50’s.

During her career on stage she has starred in the “Jimi Hendrix Story” on Broadway and has been casted in several major motion pictures including: Lean On Me, Cotton Club, Malcolm X, Crooklyn, Fly By Night, Coming To America, Nightfall in Manhattan, and Ransom.

From 1998 – 2006, Kristy Love performed as a member of “The Platters” at the Sahara Hotel in Las Vegas. She first joined the original company under manager Buck Ram, who was responsible for casting the group’s members.

In addition to her extensive performance history, Kristy Love has a Doctorate in Music and Theatre and three Masters Degrees. As a producer she has successfully written, and directed three musicals and starred in her own cable TV show “Kristy’s Positive Images”; broadcasted in New York and Las Vegas. As an educator, she shares her heart and knowledge by being a part-time instructor at the Art Institute of Las Vegas and the College of Southern Nevada (CSN).

Using her extensive background in drama, music, and humor to inspire, entertain, and educate. Kristy Love travels internationally as a performer and motivational speaker inspiring positive mental attitudes, leadership skills, better relationships through communication, and a strong passion for the arts.

Kristy Love is now available for solo performances with her band for special occasions, conventions, corporate dates and major venues

Promotion Contact: Dean Jackson of Jackson Promotions (718) 776-9820
Press Release: Love Star Enterprises Inc. (702) 612-7022`

Check out more at: http://kristylovebrooks.com

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

BLACK HISTORY MONTH – IT AINT YOUR PARTY/SH*T OR GET OFF THE POT

I have been reading a lot of commentary criticizing the recent Grammy Awards TV show. Everyone from India Arie to Hip Hop fans, to fans of the Spinners, to fans of the Isley Brothers, etc just-a-complaining about this TV show.

I just don’t get it.

IT AINT YOUR PARTY.
YOU DON’T GET TO COMPLAIN ABOUT THE MENU.

You don’t like the way the Grammy’s operate?
(don’t participate)

Have your own party. Then you get to decide what’s on the menu!

When you have your own party…. Then YOU get to laugh at the people who don’t like what YOU decide to put on your menu!

(and yes I got a couple of ideas)

“I wouldn’t want to be a member of any club that would have me as a member…” –Groucho Marx

Back in 2010 I made the following posting below regarding Tribute Shows. If it was a trend them, it is an avalanche in 2014.

One of the things that some folks have been whining about this past week were the “tributes” that were done on the 2014 Grammy’s TV show.

I say, instead of whining about what others are doing (or not doing) why not do your own? (then you won’t have anything to complain about?)

Would that be such a terrible thing?
To actually step forward and accept accountability?
Or is it better to sit back and blame others?

Tough to look in the mirror and accept responsibility for your own lack of involvement isn’t it? However that is my challenge to everyone reading this today.

SH*T OR GET OFF THE POT.

HELL IT’S BLACK HISTORY MONTH 2014.
LETS GET STARTED.

Cuz that is exactly what Soul-Patrol is going to do.

Many of the original artists have passed on.
We however aren’t going to just let their music die.
We are going to look to become involved proactively with some of the good folks around the country and around the globe who have also made up their minds to not simply whine about the current state of affairs and to organize tribute shows, seminars, movies, plays and other events on the local level that seek to give props to our legacy/culture with an eye towards insuring it’s future.

There are people I know who are already doing this.
I plan to get more involved with more of them.

There are lots that I don’t currently know about.
My plan is to reach out and develop some working relationships with them.

Doesn’t matter to me if they are dong, Jazz, Blues, Pop, Soul, Funk, Rock n’ Roll, Rap or whatever.

What’s your plan?
You don’t have one?

Well if you are interested in this.
Let me know and maybe I can help you to put something together?

Or maybe you can connect me with someone in your local area who is doing “tributes” that I don’t know about?

Either way, my feeling is that the time is long past to become proactive. So I am not going to sit on the sidelines anymore. And I am certainly not going to criticize the way that someone else chose to organize their TV show. (To me that is just plain stupid!)

LET ME KNOW IF SOME INDIVIDUAL OR ORGANIZATION IS DOING TRIBUTES IN YOUR AREA. HOOK ME UP WITH THEM. HOOK THEM UP WITH ME.

IF YOU HAVE SOME IDEAS, LET ME KNOW.

And I think that Black History Month is the absolute perfect time for me to start down this road!

Thanks in advance…
—————————

Sent: Tuesday, September 21, 2010 9:14 AM
Subject: Re: Soul-Patrol: A Trend To Watch – Tribute Shows????

I fully realize that many of you hate the notion of “tribute show” in a similar manner that you hate the notion of “compilation albums.” That is because you may feel that anything less than the original configuration of the music/artist is less than satisfying.

Nevertheless the much maligned “tribute show” seem to be one of the hottest trends emerging in the “new paradigm,” and it seems to be generating big business for promoters at live venues all over the country. I see it happening at venues all over the country and seems to be getting bigger and bigger with each passing year. As I mentioned last week, I have recently been to quite a few “tribute shows” myself. Over the past year I have seen excellent tributes to specific artists like Michael Jackson, Barry White, Sly & the Family Stone, Teddy P, Curtis Mayfield, Jerry Butler, Jimi Hendrix, P-Funk, etc. I have also seen excellent genre specific types of tributes to things like Doo Wop, Woodstock, 70’s Slow jams, 50’s/60’s Rock n’ Roll, Motown, 70’s Funk, and more…

Here are a few questions…

–Why do you suppose that this trend seems to be growing more and more?

–What is the likelihood that you would attend a show like this?

–What is the likelihood that you would purchase a recording or video performance of an event like this?

–Do you feel that this trend helps or hurts the continuing efforts of the original artists who are still alive & available to perform?

–Do you feel that this trend is “creepy” and you are satisfied with listening/watching the original recordings/videos of this music and moving on?

SUPER BOWL NOTES:
1. Great Mash up at halftime w/Bruno Mars & RHCP.
2. Great Tributes to Jackie Wilson, James Brown, Isley Bros, New Edition, Jackson Five & others by Bruno Mars and his group.
2. I loved the Cheerios commercial.
3. Congrads to homeboy Russell Wilson!
Nice way for the NFL to help kick off Black History Month!!!

Bob Davis – CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048
609-351-0154

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review – THE WOOTEN BROTHERS At the Keswick Theatre – Glenside, PA (12-12-2013)

Review of THE WOOTEN BROTHERS
At the Keswick Theatre – Glenside, PA (12-12-2013)
*********************************************************************

At 9:00pm, it was time for some W-FUNK (Wooten Funk). “Mr. Hands of Soul” himself Joseph Wooten started the show with Sly & the Family Stone “Dance to the Music”, by first bringing out the drummer Roy “Futureman” Wooten (with a drum solo), the guitarist Regi “The Teacher” Wooten (with a guitar solo), the bassist Victor Wooten (with a bass solo), and Joseph himself on organ (with an organ solo)…talk about some funky organ riffing & some nasty lead guitarisms! “If You Want Me to Stay” was nice and featured a little vocal snippet (by Joseph) of P-Funk’s “Flashlight” and Third World’s “Now That We Found Love”. The band even threw down a little bit of “Everyday People” and “Stand”.

After the Sly segment, Victor began to talk to the audience and remarked that this is REAL MUSIC — this is NOT a MP3, this is NOT a sample.

The next song was a Victor original, named “Two Timers” (from the album PALMYSTERY), a song featuring a lot of tempo changes, Joseph’s flute synth riffs and Victor’s magnificent bass work.

“The Carol of the Bells” (a Christmas song) was actually one of the best performance that I ever witnessed — this was a FUNKY INSTRUMENTAL JAM with spaced-out synthesizer riffing by Joseph (some INTERGALACTIC shiznit, fo real)! Victor added to the funk stew by playing some LOUD SLAP-BASS, BASS THUMPIN, BASS SPANKING…VERY FAST & FEROCIOUS BASS POPPING, SWINGING THE BASS AROUND & CATCHING IT IN MID-AIR……………………….(silence)…………..uh, sorry ’bout that (I just blacked out for a minute…it happens almost everytime I see the man with 8 hands…NO, make that 12)!!! DAY-UM!!!!! Regi was next with some wicked super-fast, smoldering rhythm guitar riffing (I was watching his hands the whole time and)……………………(silence)………………..WOW, I knew Regi was talented, but DAY-UM!!!! Regi finished with some wailing guitarisms! Roy followed with the drums of fire. I was actually very impressed by Roy’s skills.

Victor took time out to talk about the history of The Wooten Brothers….there were five of them (the four on stage plus saxophonist Rudy Wooten, who passed away 3 years ago). I didn’t know it but these guys released an album in 1985 on Arista Records. Producer Kashif worked with them, along with projects for Whitney Houston (her first LP) and Kenny G. Unfortunately, The Wooten Brothers album never took off. It was nice to know that Roy played on Whitney’s “You Give Good Love” and that Joseph sang background on “Thinking About You”. The band performed a few songs from that album. “Hey Girl” (written by Joseph) was a good R&B cut. The next song was funkier tune with some good stinkin’ bass…..WOOO!!! “Baby Doll” (sung by Joseph) was a R&B ballad.

Joseph went into an impression of James Brown…”Keswick, can I count it off? Keswick, can I count it off? One, two, three, four….” It was time for “Sex Machine/Super Bad”, some good ole funk with a little medley of “Soul Power”, “Get Up, Get Into It, Get Involved”, “I Don’t Want Nobody to Give Me Nothing (Open Up The Door, I’ll Get it Myself)”, “I’m a Greedy Man”, and “The Little Groove Maker Me”.
Joseph had the time hit ONE time on “45”……a LONG wait before the band hit it!

The guys sung a little bit of Philly soul — “For the Love of Money” (O’Jays), “We Are Family” (Sister Sledge), “If You Don’t Know Me By Now (Harold Melvin & The Blue Notes), and “Turn Off The Lights” (Teddy Pendergrass).

The guys went into country territory, playing some fast-tempo country funk, with Regi playing bango guitar…make you wanna say “YEEEEEEEEEEEEE-HAHHHHHHHH!!!” A couple of funky songs later, they performed “John Coltrane”, with Victor playing the upright bass (incidentally, the upright bass he had was one of Stanley Clarke’s bases)…this was some good jazz with great vocal harmonies by the four brothers! Afterwards, Regi had a solo where he was playing some FAST lead guitar riffs (playing a little bit of Ohio Player’s “Love Rollercoaster”)–Regi later sung a little bit of “Come on and Go With Me” and “Close The Door” (both by Teddy Pendergrass). They covered Led Zeppelin’s “Kashmir” very well, with metal guitar shredding by Regi!

The ending to this madness of a W-FUNK concert was Victor’s own “Me and My Bass Guitar/Pretty Little Lady”….nasty bass thumpin’ by Victor for sure. The guys threw in a little of “Ladies Night” (Kool & the Gang) and “Thank You (Fallentime Be Mice Elf Agin)”. The show was over at 11:00pm.

Now, I know what I want for Christmas — I want this show on MP3 or CD (better yet, on DVD)!!!! I DON’T WANT NOTHING ELSE BUT THIS SHOW!! DAY-UM!!!!

-Dr. Brookenstein

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

BIG UP’s To Maysa & Ryan Shaw (2014 Grammy Nominiee’s)

I think that everyone here knows that I have probably close to zero interest in the Grammy Awards. IMHO the Grammys are simply just another one of the failed & corrupt institutions that is preventing this country from moving forward in the future.

However….

Simply as a matter of personal accomplishment, I need to take a pause for the cause and recognize the accomplishments of two artists who are near & dear to Soul-Patrol.com. In fact they are nominated for recordings that we have featured right here on Soul-Patrol.com

Quite simply these two artists are KEEPING OUR MUSIC ALIVE. And they continue to do so often at great personal sacrifice.

I mean, they could just simply “SELL OUT & DO THE KNEE-GRO RADIO THANG.” Hell in Ryan Shaw’s case he “does the 45 thang.”)

But they dont and yet they still managed to get nominated.

As I have maintained since I started this website, our music clearly has NO FUTURE without EMBRACING ITS PAST.

THATS WHAT MAYSA & RYAN SHAW DO. THEY DO IT AND THEY DO IT GOOD!

(ok…..I’ll be quiet now, but please do scroll down and read just a few of the comments we made about the recordings that MAYSA & RYAN SHAW are nominated for, at the time of their respective releases.)

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

ALBUM REVIEW: MAYSA – BLUE VELVET SOUL

“Blue Velvet Soul” the new release by Maysa Leak is exhilarating! It is soulfully jazzy, smooth, and exciting! Invoking and igniting all kinds of emotions, thrilling, wistfulness, deep into the gut, melodically seducing into a state of musical delightfulness!

Finger poppin, head bobbin, foot stomping!

This is a CD with no bad tracks, each song is its own, skillfully written and delivered with a soul-satisfied punch! Maysa outdid herself, proving that there is still great music being done by great singers who gives their all, to all, a must have CD! It is hard to give top picks, I am smitten, and haunted by the first track “Beautiful Dreamer” it makes me think of special people, my grands, lovers, and close friends. Track 4: “Good Morning Sunrise” is just, so smooth, very jazzy. Track 5: “What Can I Do” has to be the funkiest track on the CD, It starts out a little EWF’ish, then breaks down into a very funky, bluesy, jazzy groove, , two thumbs up for “Blue Velvet Soul! ”

Blue Velvet Soul” can be purchased at Amazon, ITunes.

Track Listing:

1. Beautiful Dreamer
2. Sophisticated Lover
3. Be There
4. Good Morning Sunrise
5. What Can I do
6. Pouring Rain
7. When Your Soul Answers
8. Put It On Me
9. Inside My Dream
10. When You Touch
11. Quiet Fire
12. I Care
13. This Much
14. Nothing But You
15. Love Me Good

iTunes: http://bit.ly/18JfOL2

Amazon: http://amzn.to/14w6f4n

–Iris Smith

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Album Review: Ryan Shaw – Real Love

(Classic Soul)

Twitter Review: @kozmicfunk If your looking for the REAL THANG in music 2012, look no further than: Ryan Shaw – Real Love

There…now go & buy it. You can thank me later. Oh you say that isn’t enough of a review? Too short? Need more perspective, than 140 characters can give you?

Well below is the Soul-Patrol.com review, if you need to understand the larger context, past/present/future of where this great new release fits into the paradigm of Black music.
——

I don’t mind telling you that I am doing some serious mult-tasking at the moment:

— I am watching the movie “JFK” on Cable TV (for about the 20th time)
— I am in the middle of writing a piece on legendary NYC communicator, Hal Jackson
— I am listening to the new Ryan Shaw album “Real Love” (for about the 10th time, since November 2011)
— I am also preparing a new playlist for Nu Soul @ RadioIO.com

By now I am certain that you have heard about Ryan Shaw’s latest release: Real Love? It has certainly generated a whole lot of publicity and is being featured all over the place these days. In fact Real Love is already in the top 10 on the iTunes Soul/R&B chart and it’s just been released. I’ve been listening to the album for a good 6 months or so now, and if you are reading this, I strongly suspect that you will like Real Love as much as I do.

I get to review all kinds of albums, from all kinds of musical genres. Everything from doo wop to hip hop to bebop and everything in between. However in 2012 oddly enough I don’t get to review very many “Classic Soul” albums, despite the fact that there are lots of them around. Sound like a contradiction? Well maybe…

The contradiction in my mind is that the use of the term “Classic Soul” as a marketing term, is poison. However the use of the names of “Classic Soul Artists” as a descriptor in order to “hype” something is perfectly acceptable. How many artists today do you see labeled as “Sounds like WilsonPickettMarvinGayeAlGreenOtisReddingSamCooke.” That apparently is acceptable. Even more acceptable is to evoke the “vibe” of Classic Soul. That’s because the “vibe’ of Classic Soul is such a powerful undercurrent in our society, that even in 2012 all a President has to do is sing a few words from an Al Green song in order to put an entire nation into a “Classic Soul Groove.” Hell in 2009 all a white girl from the UK (Amy Winehouse) had to do was a whole album of “Classic Soul,” to win 5 Grammy Awards.

The movie “JFK” of course takes place mostly in the 1960’s and the 1960’s is when “Classic Soul” ruled. As I am watching the movie many of the events that inspired “Classic Soul” music during the 1960’s are depicted. Of course our friend, the late Hal Jackson was the first to play the music of “WilsonPickettMarvinGayeAlGreenOtisReddingSamCooke”
etc. on the radio in NYC during the 1960’s.

My personal belief is that Classic Soul is the greatest music ever produced by the United States, despite the fact that it’s “chart lifespan” according to Billboard was probably less than 2 decades. Obviously it is the music of James Brown, Aretha Franklin, Prince, Temptations, Isaac Hayes, Whitney Houston, R. Kelly, Barry White, Dells, Smokey Robinson, Michael Jackson, Donna Summer, and more. Not quite so obviously it is also the music of Bruce Springsteen, Madonna, Peter Gabriel, Mick Jagger, the Beatles and more. Our society is so impacted by Classic Soul, that whenever one of the Classic Soul artists passes away (ex: Michael Jackson, Whitney Houston, Amy Winehouse, James Brown, Donna Summer, etc.) we go into a “national state of mourning,” for at least 2 weeks. In some cases, their funerals are even nationally televised, similar to that of a head of state.

I realize that “Classic Soul” has an image that is frozen in time. It makes us think of segregated lunch counters, or perhaps of images of people from the past wearing afos/processes, flashy clothes or those very same people now 40 years older. However the reality of Classic Soul” in 2012 is far more complex than those images. It is actually all of that and more. Hell, just go to any college campus in the United States, poke around for a few hours and you will quickly discover that the most popular nightclub in the campus area is one where students dressed in 60’s/70’s vintage clothing dance till the wee hours to 1960’s & 1970’s Classic Soul 45’s and that the most popular campus radio show is the one where a hip young DJ with a peach fuzz beard spins a combination of old 45’s + brand new “classic soul music” created by garage bands with equally peach fuzz bearded members.

“Classic Soul” is also is one of this country’s greatest exports. Music fans all over the world enjoy the timeless quality of it’s sound/vibe, a fact that I have documented as a result of doing worldwide internet radio broadcasts and running one of the most popular worldwide music sites for well over a decade.

So why then is the term “Classic Soul” itself so damn “toxic” from a marketing perspective in 2012? I don’t know the answer to that question, but I can tell you what at least a part of the solution is pretty obvious to my ears/eyes…

Which brings me to Ryan Shaw & Real Love…

First off, I have to applaud Ryan Shaw and his team (people like Jimmy Bralower, Johnny Gale, Al Kooper, Karen Manno, Robert Randolph, The Soul Survivors & more) for having the guts to produce a true fully formed and fully realized “Classic Soul” album in the year 2012. This my friends isn’t anything “neo” or “retro,” it is instead the REAL THING. By that I mean, the album has an “analog” (warm) feeling to it, as opposed to a “digital” (cold) feeling to it. In other word, it could be dropped into a 1973 “R&B Radio playlist” (or for that matter a 1973 “Top 40 Radio playlist.”)

The album Real Love is a true “Classic Soul,” album. It isn’t “retro.” Not one bit. There is only one “cover” (Beatles – “Yesterday”) This album is so good that when I heard a rough cut of the songs back in November of 2010 I immediately said that I would add Evermore, Gone, Gone, Gone, That is Why, Yesterday, and Morning Noon and Night to my playlist.

Listening to the album you can hear clear influences. I can hear influences of the great Classic Soul record labels of the past. I hear Stax, I hear Motown, I hear Chess, I hear Atlantic. I hear the regional styles of Detroit, New York, Memphis, Chicago, East LA, The Carolinas, and more. I hear doo wop, I hear funk, I hear music to drive to the mountains with, I hear music you hear walking down the boardwalk to, I hear music to dance to, I hear music to make love to and I hear the sound of America (in all of its red/blue state permutations.) And yes I do hear the echoes of “WilsonPickettMarvinGayeAlGreenOtisReddingSamCooke.”

Clearly the music of Ryan Shaw and Real Love stands on the shoulders of all of this and does so with an un-yielding passion. It doesn’t purport to be anything “new” at all. When you listen to it for the first time, it will make you smile in the same way that “comfort food” does when you take that first bite. It is poised to be at the forefront of something huge that is taking place.

The good news here is that this all feels to me like the beginning of something as opposed to the culmination of something. Ryan Shaw is hardly the only artist in 2012 that is looking to the past in order to provide our musical answers for the future. However because you and I are likely to be hearing tracks from this album all summer long in a variety of situations is going to be seen as the leader of this movement. My best advice to you is to pick up on this album in whatever your preferred format is, sit back and enjoy the ride. This is gonna be a whole lotta fun…

GET RYAN SHAW – “REAL LOVE”

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

PRESS RELEASE: Check Cashing Day – Bobby Watson & The I Have a Dream Project

A few weeks ago, a few of you might recall that I wrote a piece about the 50th Anniversary of the March on Washington. As I was writing that piece, I was listening to this then un-released digital album. It was absolutely an inspiration to me.

A fantastic suite of jazz.
More later, but if you want to have a familiar artist in mind that you could make a comparison with, that artist would be Gil Scott-Heron.

Check it out online at:
http://amzn.to/14KHbUZ

Listening to it may just inspire you as well….
——-

Check Cashing Day

Bobby Watson/alto sax, Glen North/poet, Hermon Mehari/trumpet, Curtis Lundy/bass, Richard Johnson/piano, Eric Kennedy/drums, Pamela Baskin-Watson/vocals, Horace Washington/flute, Karita Carter, trombone

“Check Cashing Day” is the second self- produced recording on my (Bobby Watson) label, Lafiya Music. The project is a commentary on where we’ve been, where we are, and where we need to go as a people, as a country, and as a global community. The project is in honor of the 50th anniversary of the March on Washington and Dr. Martin Luther King’s iconic ‘I Have a Dream’ speech. However, instead of focusing on the ‘I have a dream’ part of his speech, which is all too familiar, I chose to concentrate on another very significant part of his speech, the part that symbolizes the reason why over 300,000 people, black and white, were in Washington, D.C. on April 28th, 1963. Dr. King spoke of coming to Washington to cash a 100 year old check, a moral check that the founding fathers wrote into the Declaration of Independence but, to this day, the check keeps coming back marked ‘insufficient funds. This, being the year of my 60th birthday, I sadly understand that Martins’ dream has not been fully realized and the struggle continues.

“Check Cashing Day” is a concept recording, a play in 15 acts,. musical theatre, if you will. This project introduces a wonderful poet and spoken word artist from Kansas City by the name of Glenn North. I asked Glenn to put some poetry, from his perspective, to several of my compositions, as well as one written by Pamela Baskin-Watson and two written by Curtis Lundy. The result is something more powerful and thought provoking than I could have imagined. It is my hope that this recording provokes positive conversation and continued movement towards Dr. King’s Dream so that the ‘dream’ becomes a reality that we all live everyday.

http://amzn.to/14KHbUZ

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Review/Commentary: Sandra St. Victor – Oya’s Daughter (SSV’s Got a Hold on Me)

Over the course of about the past 10 years I have been asked the following question many times in interviews, panels, and in general conversation.

“Bob, who is your favorite female vocalist?” My answer is always the same:

“All-time; Etta James, Right Now; Sandra St Victor…”

And the response is usually; “Who is Sandra St Victor?”

And I say…“She’s the MACK DIVA OF BLACK MUSIC.”

And usually that is where the conversation will end. It is almost as if people might regard such a title as something to be afraid of….LOL

And that’s who “SSV” is!

And if you know her name at all it is likely because you remember that she was the lead female voice of the hit making group called “Family Stand” back in the early 1990’s.

But the “MACK DIVA OF BLACK MUSIC” is not anything to be afraid of. Far from it in fact. It is something that will nurture your soul, make your spirit soar and cause you to rethink your own potential of what you can do to not only improve your individual lot in life, but those around you as well.

I first met Sandra St Victor in the late 1990’s and have been captivated by her music and her person ever since. At that time she was the “Queen Bee of the NYC Neo Soul Scene”

As a result, we have developed quite a friendship over the years. Long distance for the most part. Nonetheless just as intense as if she & I lived right next door to each other.

It is never a surprise when she writes an intense commentary on something I have written. Sometimes in agreement. Sometimes not.

She will take me to task one moment. And in the next moment seemingly compare me to Langston Hughes. It’s that kind of honest relationship that makes you think “round the way girl.”

More importantly, Sandra St Victor(SSV) has been continuously releasing music over the course of the past 15 years. And I have listened to all of it. And I have loved most of it. And I have shared most of it. On Soul-Patrol, On the radio, In my car (where I have forced passengers to listen to the music of Sandra St Victor for the past 15 years……LOL

First time I saw her perform live I compared her to Bessie Smith. However in hindsight, I now know just how limiting that description is…

If you listen to her music, you will hear echoes of other artists for sure (Chaka Khan, Betty Davis, Nina Simone, Tina Turner, etc) If you try to classify her music after listening, you walk away thinking; “Funk, Blues, R&B, Hip Hop, Jazz, Gospel, Rock, etc.”

(However even those labels do her a dis-service)

Some of Sandra St Victor’s songs might be classified as “message songs” and evoke the memory of artists such as Curtis Mayfield, Marvin Gaye, James Brown, Bob Dylan, etc. Clearly Sandra St Victor (SSV) reads the newspapers on a daily basis

However that isn’t enough either. That’s because she’s also got some of the most powerful/compelling songs about human relationships laid down over the past 15 years or so. And if you pay attention, you just might find some solace in your own human relationships.

So much like Billy Eckstein’s famous quote “If I were white I would have Frank Sinatra’s career…”

I will paraphrase Billy Eckstein and update his quote for Sandra St Victor (SSV)… “If she was white yall would think of the MACK DIVA OF BLACK MUSIC, the same way that you think of Carole King, Laura Nyro, Carly Simon, Bonnie Raitt, etc….”

However even that wouldn’t be enough. It does Sandra St Victor(SSV) a dis-service.

I say all of this to say that…
Sandra St Victor(SSV) has a new album coming out soon.
I’m listening to it right now!
And yall would do yourselves a dis-service if you didn’t take a serious listen to it.

A few months ago Sandra St Victor (SSV) wrote to me and asked me what I thought of her new single “I Prefer?”

I wrote back to her and told her that the song sounded like “tater tots vs. the hash browns w/onions & green peppers that I knew that she could make…”

She fired right back to me and said…

“I’m ready for you Bob Davis, you need to know that I have been in my kitchen cookin and I got some serious hash browns for you…But listen, in my head, I mixed my onions and greens up in there! But I knew you’d think it was too commercial. I’m ready for you! So…Here are a few of thangs NOT MIXED OR MASTERED that I hope you feel me on.”

Attached to that email were several hellified songs. I had no response. That’s cuz she “did tha do.”

As I am listening to my preview of the album, I am pleased to hear those songs that Sandra St Victor (SSV) told me that she had “mixed my onions and greens up in there!”

I’m sitting here smiling. And so will you when you listen

Sometimes “mah people” do extraordinary things…

And despite reports to the contrary, In fact they do them often. They do them every day. You see, we have no choice but to do extraordinary things, in order to survive. Sometimes when they do them, the general public gets to hear about them and they come to light. The whole world knows about the accomplishments & innovations of Barrack Obama, Muhammad Ali, Magic Johnson, Fredrick Douglass, Ralph Bunche, Jackie Robinson, Michael Jackson, James Brown, Lena Horne, etc.

However most often, those accomplishments of “mah people” never ever come to light. But they impact the people that they are supposed to impact. Usually that is good enough. But every so often, a “window of opportunity” will open up and it stays open for just a short period of time, for someone who could make a difference far beyond their normal reach. One such “window of opportunity” has opened up for my friend Sandra St Victor (SSV) with her soon to be released new album.

My hope is that when that happens, you will take a moment from your busy schedules to stop for a moment to do yourselves a favor, by taking a peek thru that window for yourself.

And when that moment occurs, I want you to do that for the most selfish of all reasons. Doing so will do YOU a heck of a lot of good.

(I’ll write later about the songs themselves)
–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

PRESS RELEASE: Drew Schultz Detroit Benefit Project Continues w/ Eddie Willis of Motown’s Funk Brothers

EDITOR’S NOTE: Our friend Drew Schultz is back again.
And he is doing something so against the grain, I gotta give him mad props. He is actually trying to help to fix a real problem. A whole lotta people talk a whole lotta junk about these kind of problems and what should be done, Few if any are willing to put any “skin in the game.”

Go ahead and click on these links and tell be this isn’t something worth supporting?
—–

Drew Schultz Detroit Benefit Project Continues w/ Eddie Willis of Motown’s Funk Brothers

“Kid Motown” Drew Schultz continues Back To Class, Detroit Public School benefit project, with “Take It Slow,” a new single featuring Eddie Willis, guitarist from Motown’s legendary studio recording band The Funk Brothers

NOW AVAILABLE ON iTunes, Amazon mp3, Spotify, and more

Drew Schultz entered the music industry at the age of 19 performing with legendary Motown group the Four Tops, and appearing on stage with countless iconic soul artists including The Temptations, Aretha Franklin, Martha Reeves, The Dramatics, The Miracles, The Contours, Harold Melvin’s Blue Notes, and more. In 2012 he released his debut album, “Back To Class.” The record consists of 16 songs written by Schultz, featuring performances by the Four Tops, Dennis Coffey, James Jamerson Jr, Melvin Davis, Spyder Turner, Pat Lewis, Lenny Pickett, and many more. 50% of the profits go towards the music programs of the Detroit Public School System. Schultz now continues the project with the release of “Take It Slow,” a follow up single featuring Eddie Willis of Motown’s studio band, The Funk Brothers.

MUSIC VIDEO:
http://www.youtube.com/watch?v=26Qeykfbe3Q

The Funk Brothers, with Eddie Willis as one of multiple guitarists, played the instruments on almost every song of Motown’s Detroit era, including iconic hits by Diana Ross & The Supremes, Smokey Robinson & The Miracles, Marvin Gaye, Stevie Wonder, The Temptations, and the Four Tops. “I met The Funk Brothers when I was still in high school,” Schultz recalls. “Uriel Jones, one of their drummers, was a mentor to me. He really helped me through some times when I felt like giving up on playing, and the music that Uriel and Eddie made was always there. The Funk Brothers are literally responsible for the soundtrack of my life.” Schultz’ band, The Funk Machine, is the backing group on both the original “Back To Class” album and the upcoming single. Drew and The Funk Machine performed in Detroit in July to showcase the project at Don Was’ All Star Review for the Concert of Colors, and last December saw the first donation to the Detroit Public Schools Foundation of $1,000. The project was featured in international press including Modern Drummer Magazine, SoulTracks.com, and Big City Rhythm & Blues Magazine, and prompted Susan Whitall of the Detroit News to dub Schultz “Kid Motown.”

DETROIT PUBLIC SCHOOLS DONATION VIDEO:

http://www.youtube.com/watch?v=AuQuYUjFlQU

Schultz is the proud product of a public school music program in Shaker Heights, Ohio, which groomed him for all of his following success in the industry. “Shaker’s music program was incredible,” he says. “The public schools there had it all – concert wind ensembles, jazz bands, small combos, orchestra, musical theater, and a several-hundred member strong marching band. Studying music growing up taught me how to be diligent in practicing. It taught me how to succeed at something I cared about, and it taught me how to handle failures. It taught me how to work in a team, and how to be comfortable out on my own in front of others.”

After three years studying jazz performance in Manhattan at New York University, Drew was called to move to Detroit and join the Four Tops as their full time drummer. “It was a dream come true,” he says. “I grew up idolizing all of these classic soul artists, and to perform with them was my dream job.” However, Schultz still needed to complete his college degree, and in the fall of 2012 he left the road to finish his education. The “Back To Class” idea came about through his love for classic soul music, combined with the need to return to NYU. “I had such a positive experience with the Shaker Music Programs,” he says, “I felt like this was a way to produce a passion project with some of my favorite artists while helping to ensure that other kids can have the same experiences I did. I couldn’t be prouder to continue the project with Eddie Willis. It means the world to be able to collaborate with someone who has influenced me so deeply, and to do my best to capture the spirit of the music that Eddie, Uriel, and The Funk Brothers gave us.”

The single also features Schultz’ New York band, The Funk Machine, who played the instruments on the original “Back To Class” CD. The band consists of Jent LaPalm on bass, Emilio Tostado on guitar, John Guari on keys, and Chris Ams on vocals. Delbert Nelson and Brian Asselin are also guests on the song, having toured with The Funk Brothers following the “Standing In The Shadows Of Motown” movie, and working together currently in Delbert & The Commotions.

Drew Schultz can be found at www.DSdrums.com and “Take It Slow” is now available digitally through iTunes, Amazon, Spotify, and more. The original “Back To Class” album is still available both digitally and on CD.

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Quickie Album Review: Theodis Ealey – You and I, Together

When I was a teenager growing up in New York, most of the time I listened to the same radio station. I was a loyal WBLS-107.5 listener. Although I would also listen to WWRL-1600 AM, WLIB-1190 AM, WRVR-FM 107.1 and even sometimes WBAI, WNJR outta Newark, occasionally WMCA-570 AM & WABC-770 AM, mostly after around 1971 or so I pretty much tuned in to WBLS-107.5 all of the time.

That’s because my very favorite DJ, Frankie “Hollywood” Crocker was on each & every day from 4pm – 8pm. In NYC back in those days, Frankie “Hollywood” Crocker wasn’t just the most popular DJ on the radio. He was an institution and kids like me all over the New York area paid very close attention to every word that Frankie Crocker said. We knew that he was also the Program Director for the station and that whenever he said also went for WBLS-107.5 FM as a whole.

At first he said that WBLS stood for “Black Liberation Station.” Later he said that WBLS stood for “The Total Black Experience in Sound.” Frankie Crocker explained his concept of “The Total Black Experience in Sound,” by suggesting that the station was about a whole lot more than “just soul music.” Frankie said that as WBLS Program Director it was his responsibility to bring to us the listener, “The Total Black Experience in Sound.” That meant that we would hear:

-Both Little Richard & Richard Pryor.
-Both James Brown & James Baldwin.
-Both Jackie Wilson & Jackie Robinson.
-Both Miles Davis & Buddy Miles.
-Both John Lee Hooker and Dr John “The Night Tripper.”
-We would hear Dukes, & Counts, Kings (BB) and Queens (Aretha) -We would hear Doo Wop & Funk & Rock & Blues & Soul & Jazz.

And we would hear it “all mixed up,” just the way “we” invented it!

So how influential was Frankie Crocker?
We may never know the answer to that question.
However if you have been paying attention to Soul-Patrol for any amount of time, clearly Frankie Crocker’s whole “Total Black Experience in Sound,” has had a pretty big impact on a certain teenager named Bob Davis.

And that is my long winded way of bringing you back to the subject of this review…

MR. THEODIS EALEY

Yes my friends. Theodis is a Frankie Crocker kinda artist!

I think that if Frankie were still around he would add every song on the album, Theodis Ealey – You and I, Together to the WBLS-107.5 FM playlist. Below is my track-By-Track review of the album…

Theodis Ealey – You and I, Together
http://www.theodisealey.com

1. Theodis, What’s Up aka Shut The Puck Up Theodis Ealey
[Stevie Ray Vaughn Style Blues Rock + Richard Pryor Style Comedy]

2. You and I, Together Theodis Ealey & Lacee
[Moments/Sylvia Style East Coast Slow Jam]

3. 634-5789 Theodis Ealey
[Very tasty Southern Fried Wilson Pickett Cover]

4. Love’s Guarantee Theodis Ealey
[Moments/Sylvia Style East Coast Slow Jam]

5. Number One Baby Theodis Ealey & Lacee
[Otis Redding/Carla Thomas type duet, with just a taste of Johnnie “Guitar” Watson style guitar playing]

6. Think It Over Theodis Ealey & Lacee
[Jerry Butler/Brenda Lee Edgar type duet, Tyrone Davis style relationship advice, Curtis Mayfield style guitar playing]

7. Slow Grindin’ Theodis Ealey
8. The Old Man’s Story Theodis Ealey
[These two songs sound like what Black folks would call “country,” kinda “Clarence Carterish,” featuring blusey harps, twangy guitar playing, spoken word monologues, these are really an artistic multi-genre songs that could easily be played on both Blues or Country radio stations. Or better yet a Blues or Country music jukebox, just to keep em guessin. Let me put it this way, if he were still alive, Elvis might want to cover these two songs. Then what “genre” would you call it?]

9. The Last Time Theodis Ealey
10. Sweet Curvaceous Love Theodis Ealey
[These two songs are the kind of songs that would be “jukebox hits.” BTW jukeboxes still exist in the “deepest/darkest” parts of the Black community. Just go to the ghetto at 2pm in the afternoon on a hot summer day, and look for a bar that’s open. Usually the door is wide open to create a nice cross-breeze with the open back door, just walk right in and order a drink. Observe the scene closely and you might just see 7-10 older males & females. They are doing some heavy drinking, mostly talking a whole bunch of crap about their jobs, their family & neighborhood gossip. However there is always one couple in the bar that aren’t participating in the general conversation. They are having their own private conversation. Eventually one of the two will walk over to the jukebox and play a song. These are the type of song that will be selected and the two (illicit?) lovers will find a dark corner of the bar to do a wild/erotic x-rated grid….]

11. Baby’s Got Them Blue Jeans On
[More Curtis Mayfield style guitar, this time combined with Stax style horns]

So when you take it as a whole, this album is a pretty good example of “Total Black Experience in Sound.” If you have any interest whatsoever in incorporating what Frankie Crocker would call “Total Black Experience in Sound,” or perhaps you are a person who doesn’t think that such a concept even exists in 2013, I think that you will be pleasantly surprised if you take a moment, to check out Theodis’s website (http://www.theodisealey.com ) ignore the Twitter/Facebook/TMZ world that we are living in for just a few moments.

You will find that despite the recent passing from the scene of some great artists, that…

BLACK
CULTURE
ISN’T
DEAD
(yet)

Theodis Ealey – You and I, Together
http://www.theodisealey.com

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review – Billy Cox: The Last Gypsy

Saturday night at The Hamilton Live in DC the last gypsy from the Band of Gypsy’s put on a hell of a show. On the night after the great Bobby Bland passed away, Billy and the band dedicated the Jimi Hendrix blues classic Red House to the blues legend. Billy talked about how he was about to retire when he heard 2 guitarists that helped delay his retirement. One was Dani Robinson. The other was Byron Bordeaux. I had heard about these guitarists but I didn’t know that they were both black. Byron looked just like a “freezed dried” Jimi Hendrix. If you were to freeze Jimi when he died and thawed him today you have Byron. He looked just like Jimi would today. Same outfit, similar face. His guitarisms, however, were not quite there. He was excellent between the frets, but there was only one Jimi Hendrix. Still the greatest guitarist to ever pick up a guitar. Cox told several Woodstock stories between songs and talked about that second guitarist who played along side Jimi at Woodstock, Larry Lee. “Jimi always wanted to have a second guitarist to play songs like Dolly Dagger and Freedom” according to Cox. That’s how he justified carrying 2 guitarists on this tour. However, we all know that it takes a village to teach our children and it takes at least 2 guitarists to take on Jimi’s heroics. Byron played behind his back and with his teeth but Dani was the true guitar hero last night. He was super fast and had a tone that reminded me of Robin Trower meets Albert Collins. The funky drummer was also kicking! Especially on Machine Gun.

The show started off with a roaring interpretation of Jimi’s Freedom. The crowd got into it immediately and sang along to it’s catchy lyrics. The guitars were , at first, deep in the mix to show off the deep thundering bass of the star of the show Billy Cox. Billy showed why Jimi chose him to play in his Band of Gypsy’s after he disbanded the Jimi Hendrix Experience. And it wasn’t just because they were friends at the army base in Ft Campbell Ky. Billy can stank up a place. I saw him last year at the Experience Hendrix show in Rockville and he was aiight, had about a three on it. But last night, up close and personal at the intimate Hamilton Live (great acoustics) he showed up and showed out! Even when he released his guitar army later on in the show he was still the star of the show. I was proud of a brotha.

They also performed Dolly Dagger, All Along The Watchtower and (dedicated to Band of Gypsy drummer Buddy Miles) Them Changes. I thought it was interesting that they also played Wilson Pickett’s Have Mercy and waxed about how a young Jimi played on the Don Covay original version. Again it was Billy who cranked on this one. That bass was thumping! On Voodoo Chile it was Dani who was the star attraction! He made love to his ax like Jimi would have done. And on Foxey Lady he (Dani) didicated it to his facebook girlfriend who was in the audience of around 200 (very diverse) Band of Gypsy fans.

My favorite of the night was Machine Gun. Although Dani sounded more like Ernie Isley (who used to perform it at live shows) he at times channeled Jimi also. He really showed what he was made of and turned it up to about an 11. He sounded like these guitar heroes but he also started to define what Dani was all about. And your boy Byron was right there also. Stroking like a Garry Shider spanking War Babies. Great performance.

After the show JJ, John and I had a chance to talk to our hero. We took several,pictures and bought Last Gypsy Tee shirts. I asked Billy why Bootsy didn’t show up last year at Experience Hendrix. But like when I asked Bootsy himself, I got no answer. I guess I will see Billy again later this year at Experience Hendrix 2013!! Maybe Bootsy will show up???

–Dr G

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

NEW RELEASE/REVIEW – SLY REIMAGINED-GLOBAL NOISE (BY EARL GREGORY)

EDITOR’S NOTE: If you are in the NYC area, I can’t urge you enough to go and check out Global Noize @ Joe’s Pub. I have seen them live many times and they always deliver. I am a big fan of their music and I am quite pleased to say that for the second time I am quite honored to have participated in writing liner notes for a Global Noize album.

Of course that puts be in the position of not being able to write a review of the album, so I asked our friend Earl Gregory to take a listen and give us his thoughts. Below is Earl’s review:

I was supposed to do this review last week, but it was just too difficult. With Clarence Burke Jr. and Marvin Junior joining the ‘Ancestors’, I just couldn’t wrap my head around much else. The Lead and Signature voices of two groups that had influence and impact on me and my career and the legacy they both left behind, put me in a reflective mode too distracted to offer an honest impression on what is a wonderful project.

“SLY REIMAGINED”-GLOBAL NOIZE

TRACK LIST—–
-In Time
-Family Affair (Groove Vibe Version)
-Fun
-The Sane Thing
-You Can Make It If You Try
-Stand
-Thank You For Talkin’ To Me Africa
-Family Affair (Falu Mix)
-The Same Thing (Muhuland Drive Mix)
-Dreams

Recently, someone posed the question, “Are Cover songs: Homage or irksome marketing ploy?” My answer is, it depends on the artists and their intentions. Lord KNOWS there have been ‘covers’ and ‘covers of covers’ throughout the history of recorded music. Some just ‘like’ a song and want to do ‘too’.

Some like an artist and want to ‘follow in their footsteps’. And there are some that want to ‘make that money’ copying a popular song or recording. In the end, the ‘proof’ is in the ‘hearing’ and after having heard other projects by Jason Miles and DJ Logic, and I dare presume what their intent was, they took another look at some of the music of Sly & The Family Stone, and as the title says,” Re-Imagined” them.

As usual, Global Noize defies ‘labels’. I think it is their idea to ‘create’ and let ‘us’ call it what we want to. For sure, there is ‘The Funk’. “Rubber Neckin’/Chicken Neckin” Funk. If it don’t make you move your head, check your pulse, because in the overall listening you get caught up and stay caught up to the end.

The Track List shows songs we all pretty much know, but they have been ‘Re-Imagined’. No real ‘surprises’. They didn’t try and put ‘Whistler’s Mother’ in a ‘Lazy Boy’ or ‘Mona Lisa’ with ‘teeth’. They took what was ‘there’ and enhanced it with excellent musicianship and vocals sitting on top of a ‘Funky Foundation’.

I’m looking at this ‘Press Release’ and there are some notables they called in for various tracks. Should anyone from this project read this and I didn’t give you mention ‘PLEASE’ forgive me!

‘In Time’ has this beginning with Malika Zarra doing this ‘crazy chromatic thing’. Then Nona Hendryx (my ‘Bluebell’) on the lead. Right from the start, you’re ‘in’.

There are ‘TWO’ versions of ‘Family Affair’. Both have Ms. Roberta Flack on the lead along with James D Train Williams and is ‘Groove Vibe Version). The second is the Falu Mix without ‘D Train’. Falu joins Ms. Flack on the vocals of this one. Both seem similar, but minus ‘D Train’ more attention goes to the ‘groove’ as Falu does her ‘improve’ along with it.

There are also TWO versions of ‘The Same Thing’; the second being the ‘Muhuland Drive Mix’. Both just ‘lay there’ in ‘deep Funk’. You might want to bring in your ‘shoulders’ on these.

Another familiar voice is Maya Azucena on ‘Fun’. She also lends herself to ”You Can Make It If You Try” and “Stand”. She is strong but not overpowering to all else that is going on musically.

This aspect seems to be a ‘theme’ in all these tracks. The lead further enhances the instrumentation and the instrumentation sits nicely under the lead vocals. I guess you can call it ‘balance’. You get just enough of everything and not too much of anything. Guess you can call that ‘blend’. Then again it is the signature and distinction of Funk. But I digress.

“Thank You For Talkin’ To Me Africa”, with Global Noize ‘regular’ Falu brings her world sultry style into this one along with Amy Hanaiali. Don’t know who the guys are, but I’m likin’ the harmony here that…yet again…sits on an ‘easy Funk’ groove with some poppin’ horns.

“Dreams” is the only tune I wasn’t familiar with as Sly’s work. Falu is here again. ‘This’ track, to ‘me’ is reflective of the kind of music and style I have grown to appreciate with Global Noize; pulsating and airy. It is that ‘sound’ that defies ‘labels’ and you are free to ‘call it’ whatever you ‘interpret’ it to be.

Another signature of Global Noize is ‘the company they keep’. They bring in musicians and vocalists that further enhance the ‘images’ of music creation they set down as foundation. On this one, to ‘me’, I think they just raised the bar. Outstanding arrangements, comping with each other within every track giving ‘color’ to all the songs. Props to the DJs adding appropriate scratches’ and ‘effects’ moving the tracks. In fact, props all the way around for “Sly Reimagined”. Just in time for summer. Gotta have this one if you don’t get anything else!

‘Covers’? Not this one! “Re-‘Imagined’ “.
–Earl Gregory

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

R.I.P. Marvin Junior – The Multi-Generational “Voice” of Black Culture

My very first encounter with the Dells was in 1969. I had just heard the song “Oh What a Night” on the radio in NYC. I was listening to the radio in my bedroom and of course I thought the song was off the hook. As the song was just about to end, my father walked in to the room and said:

Mr. Davis: What’s That you are listening to?
Young Earthjuice: It’s a brand new song.
Mr. Davis: That song isn’t new.
Young Earthjuice: Frankie Crocker just said that; “it’s the brand new release from the Dells.”
Mr. Davis: It may be a new release, but that song is old as dirt. It first came out when I was a teenager and the guy singing it has to be at least my age, if not older.

Sure enough, as I would later learn, via continuous listening to Frankie Crocker, the Dells had indeed originally released the song “Oh What a Night,” back in 1955. Frankie said that it had been a hit song and that the Dells were one of the few “doo wop” groups that were still around & kickin. He also said that the Dells lead singer Marvin Junior had co-written and sang on the original 1955 version of the song.

Years later when I met Marvin Junior, I told him that story. He told me that he has heard a variation of that same story many times from many different people. He said that every time he hears it that it made him smile because it means that the Dells are truly “multi-generational.”

And that they are. Marvin Junior might just be the single most influential “voice” in the history of Black music. His influence on male singers like Teddy Pendergrass, David Ruffin, Cee Lo Green and others are quite obvious. Other influences are just as powerful, but perhaps not quite so obvious. Take for example of friend Chuck D, front man of the legendary rap group Public Enemy. A few years ago, Chuck D. told me that when he first started, he intentionally set out to sound as much like Marvin Junior as possible. I didn’t quite believe him, so I decided to spend an afternoon listening to Public Enemy songs & Dells songs, back to back to back. The vocal similarities are astounding. Chuck really does sound like Marvin. Not exactly, but “almost,” in the same kind of way that Teddy P. & David Ruffin did.

So one way we can think about Marvin Junior is that his influence runs from “doo wop to hip hop.”

But more important would be to think about and consider, exactly why Marvin would have such a multi-generational influence?

Well I think that is also painfully obvious. Marvin’s voice is that of a proud and virile Black man. It is of someone who recognizes the struggle that he faces and faces it head on. It is a voice of teachers & preachers. It is a voice that all men who want to influence others would want to emulate. It is in fact the voice of leadership. Listen carefully to speeches of people like MLK, Jessie Jackson, Louis Farakkahan & others. Listen to the voices of some of your favorite Black politicians, DJ’s, actors, etc. Don’t many of them sound like they are emulating the voice of Marvin Junior?

All of this may just be too much to think about or to consider, after all wasn’t this man just a singer? Or even just a great singer?

Well perhaps you are correct?
Perhaps it is all too complex to think about?
Maybe I should just let it go?

After all, the whole topic of Rhythm & Blues itself is a pretty complex topic, and perhaps it’s complexity is best left alone and we should simply focus on the songs?

Marvin Junior wasn’t really what you would consider “computer literate.”

However he was quite interested in Soul-Patrol.com. He told me that he would have someone print out many of the things I had written, and whenever I would see him, we would have conversations about some of the topics I had written about.

Once backstage Marvin said to me; “Bob one of the reasons that I like you so much is because you understand that Rhythm & Blues is a complex thing.”

Of course I knew just where he was going, but I could tell that he wanted to let it all out, so I said to him…
How so Marvin?

Marvin said;“One of the reasons why some Americans prefer Blues over Rhythm and Blues, is because Blues is pretty simple. Blues is easy to play and it’s easy to relate to. Blues is straightforward, simple, and reflects a back to a time that is simple and uncomplicated. Rhythm and Blues on the other hand was born first of the complexities of the great migration of Blacks from the south, then the complexities of WW II and the integration movement of the 1950’s/1960’s. Rhythm and Blues is complex, it’s harder to play, harder to interpret, it’s complicated and carries with it implications for America that some Americans don’t want to deal with.”

Of course I smiled and when I did, I thought about all of the people from the major music publications who questioned why the Dells belonged in the Rock n’ Roll Hall of Fame. They told me that they thought the Dells weren’t significant enough, that they hadn’t accomplished enough, etc. I could look into their eyes and know what they were really thinking.

They were thinking; “the Dells are nothing but a broken down, bunch of dumb doo wop singers, who in no way shape or form belong in the Rock n Roll Hall of Fame.”

They never bothered to get to know Marvin Junior.
And that was their loss.
They just might have missed out on their opportunity to learn something about Rhythm and Blues, but also about the true origins of Rock n Roll, from one of it’s masters!
But then again, maybe that is what they were afraid of?

Back to that “leadership thing” for just a moment….

Whenever I was around Marvin and started talking about artists like Smokey Robinson or Lionel Ritchie, Marvin would always say the same thing…

“Bob, what I don’t understand is why when these guys decide to go solo, they don’t take the rest of the group with them? Seems to me that even as a solo artist, you still need background singers, why not keep the same background singers who made you successful in the first place? After all, these are the people who best know how to maximize your strengths & minimize your weaknesses…”

Now to be perfectly clear, speaking as someone who knows the Dells very well, I can tell you that the Dells don’t have a “leader.”

They are the shining example of “harmony” on multiple levels, which each member making a valuable contribution to the whole, if often unseen by the general public. Notice I didn’t say that they always agree on everything. But they always found a way to make “harmony” out of a disagreement. That’s the reason why the Dells have been together for so long, unlike many of their contemporaries.

But Marvin was their lead singer, on most of their songs. And he certainly could have become a “solo artist” had he wanted to. But instead he stands as a shining example of “leadership among equals.” And that my friend is something that we can all take inspiration from.

RIP – Marvin Junior

NOTE: Marvin Junior will have private services.

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Paula Deen/Culture Bandity/Sonny Corleone/A Teachable Moment?

No doubt you all have seen the furor that has erupted over Paula Deen & her recent testimony in a lawsuit that has been published all over the internet?

My initial reaction when hearing about is was something along the lines of; “Well it doesn’t exactly surprise me, she’s no different than a whole lot of people in the United States…”

Then I thought about the different ways that Lil Wayne and Emmett Till might react to Paula Deen and her commentary?

Then I saw Black American CBS News commentator Nancy Giles on TV making the following statement: “…and on top of everything else she STOLE all of OUR recipes anyhow”

That’s when the light bulb went off over my head.

I thought back to the very first time that I had seen Paula Deen’s cooking show on TV. And I remember thinking to myself: “She is making Soul Food acceptable to the mainstream and I’ll bet that she is going to make a boatload of money doing so. How come someone Black can’t do the same thing?”

Obviously the whole topic of Culture Banditry has been one of the key topics discussed here on Soul-Patrol since it’s inception. We have mostly discussed it in relation to the historical exploitation of Black American musical artists. It is a tough issue to discuss in a public forum, simply because it is really easy for it to quickly degenerate into a hurtful & finger pointing discussion regardless of what your take may be on the topic.

Is it about money or is it about race?

Culture Banditry is about economic exploitation.
And much of American History (musical & otherwise) is built upon the reality of that economic exploitation. Culture Banditry is so much a part of the fabric of what some people refer to as “American Exceptionalism,” sometimes we don’t even think about it when the exploitation is staring us right in front of our faces.

Do you think I am exaggerating?

Ask a Latino how they feel when they drive down the road and pass a “Chi-Chi’s” restaurant? I think that you might find that they feel the same way that Black Americans felt when they drove past a “Sambos” restaurant or how a Native American feels when they see the Washington Redskins playing on TV.

You see it is really easy to look at Culture Banditry and think that it is the same thing as racism. But it isn’t. It’s mostly about money. Culture Banditry doesn’t care who gets exploited. It only cares about the money that can be generated. And it cares that the people being exploited don’t have the resources to prevent the exploitation from happening.

Oh folks may complain about the exploitation in private.
But they can’t stop the exploitation from happening.

For example, just a few weeks ago I was in a restaurant with my family. And I ordered chicken wings.

Of course as I placed my order, I asked the young white waitress; if their chicken wings were one piece or 3 pieces…” She didn’t quite understand me. Then I had to explain in more detail. I said your menu says 5 chicken wings. I just want to know if that means 5 pieces of chicken wings or does that mean 5 whole chicken wings. Because 5 pieces of chicken wings really just means something less than 2 whole chicken wings…” She still didn’t understand, so she got another waitress who happened to be Black to come over. The Black waitress replied; “sir each one of our chicken wings has 3 pieces, don’t worry we serve REAL CHICKEN WINGS HERE…” And we all laughed.

When the waitresses left; I said to my daughter; “when I was a kid you couldn’t give chicken wings away to white folks for free, however in today’s worlds white people love chicken wings so much that they sometimes they consider a single chicken wing to be 3 pieces of meat. And when they started doing that they made chicken wings too expensive for Black folks to eat anymore….”

My daughter laughed.
My wife laughed.
I laughed.

Clearly we recognized the Culture Banditry at work.
However I am not in a position to stop it or prevent the economic exploitation from flourishing into the future.

Of course Paula Deen is one of the reasons why in 2013 White Americans love chicken wings so much. She and other Culture Bandits have gotten rich popularizing food recipes that were once the staples of the decendants of Black American slaves.

Is that racist?
Or is that just good business?

Perhaps the great NYC philosopher Sonny Corleone said it best in this speech to Michael Corleone and Tom Hagen?

Sonny: [laughing] What are you gonna do? Nice college boy, didn’t want to get mixed up in the family business. Now you want to gun down a police captain. Why? Because he slapped you in the face a little? What do you think this like the Army where you can shoot ’em from a mile away? No you gotta get up like this and, badda-bing, you blow their brains all over your nice Ivy League suit. C’mere. You’re taking this very personal. Tom, this is business and this man is taking it very, very personal.

In other words,…..Black folks shouldn’t get upset with Paula Deen for using bad language, if you want to be upset with her at all, it should be because she stole your culture, made millions and is laughing at you, ALL THE WAY TO THE BANK because you were stupid enough to let her do it…

(Please see the Col. Tom Parker file re: Elvis for the musical analogy)

A Teachable Moment?

The topic of Culture Banditry continues to play a large role in the daily lives of most Americans, simply because if we are to have a future, we as Americans need to be able to have an honest conversation about exactly how the events of the past have brought us to where we are in the present. This will give us the information that we need to have in order to plot out exactly what kind of a future we want to have as Americans. My hope is that this whole Paula Deen story will be helpful in creating an environment where Americans can start having honest discussions about this topic. I agree with “Sonny.” This is about business, it’s not personal…”

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

GOD DON’T LIKE UGLY (EXAMPLE #666: LIL WAYNE/EMMETT TILL)

Sometimes things happen and we don’t understand why.
But in reality we do understand why, don’t we?

Today I offer an example, ripped from today’s headlines of two news stories (just like “Law & Order,”) that to some would appear to be un-related. However it doesn’t take much to see very clearly that these two news stories are in fact related…
—–

EMMETT TILL’S FAMILY REACTS TO LIL WAYNE LYRIC

NASHVILLE, Tenn. (AP) — A cousin of the late Emmett Till wonders if Lil Wayne understands just how damaging it was when he rapped a vulgar reference to the black U.S. teen whose death in 1955 became a significant moment in the civil rights movement.

Airickca Gordon-Taylor says Till’s family would like an apology from Lil Wayne for the brief but disturbing lyric on Future’s “Karate Chop” remix. But more than that, she’d like the platinum-selling New Orleans rapper to understand how his comparison of a sex act to the 14-year-old Chicago native’s torture death in Mississippi is hurtful to the black community.

“It was a heinous murder,” Gordon-Taylor said in a phone interview Thursday from Chicago. “He was brutally beaten and tortured, and he was shot, wrapped in barbed wire and tossed in the Tallahatchie River. The images that we’re fortunate to have (of his open casket) that ‘Jet’ published, they demonstrate the ugliness of racism. So to compare a woman’s anatomy – the gateway of life – to the ugly face of death, it just destroyed me. And then I had to call the elders in my family and explain to them before they heard it from some another source.”

LIL WAYNE HAS BEEN HOSPITALIZED, BUT ACCORDING TO HIS CAMP AND HIS OFFICIAL TWITTER ACCOUNT – HE’S OK.

The multiplatinum rapper was hospitalized in Los Angeles on Friday and reps confirmed he was “recovering.” He apparently tweeted to his fans from his official account on Friday night: “I’m good everybody. Thx for the prayers and love.”

A person close to the superstar’s camp who asked for anonymity because of the sensitivity of the matter confirmed to The Associated Press that Lil Wayne had a seizure. He has a history of seizures in recent years that have led to previous hospital visits.
While there were some reports that Lil Wayne was fighting for his life, members of his Young Money camp denied it on Twitter.

Before the tweet from Lil Wayne’s account, rapper Mack Maine tweeted: “Wayne is alive and well! We watching the Syracuse game…thanks for the prayers and concern. he will update you all soon.”

Rapper Birdman, Lil Wayne’s mentor, also downplayed reports that Lil Wayne was in grave condition, tweeting: My son is in good spirit..feelin much betta…be home soon.”

The 30-year-old New Orleans native, whose given name is Dwayne Michael Carter Jr., is one of the biggest stars of not only his genre but in all music. He’s due to release his 10th album, “I Am Not a Human Being,” on March 26.
—–

Please take note of the name of this upcoming album.
(I’d change that real quick if I were him, no matter what it costs…..LOL)

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Album Review – Angel Rissoff – Nu Soul Stories (Life, Love and Tall Tales)

First & Foremost, this is a great album:
Angel Rissoff – Nu Soul Stories (Life, Love and Tall Tales)
Featuring three Rock & Roll Hall-of-Famers
http://bit.ly/XmpOGV

Angel Rissoff is quite possibly the most important artist that I have covered here on Soul-Patrol over the course of the past 10 years.

His music is great, no doubt about that. But of course there is much more to the story. And this weekend it seems most appropriate to tell you all why. http://bit.ly/XmpOGV

This is a very special weekend. First of all it is my birthday. I was born on January 19th 1957.

And no different than any other kid who has a birthday, right around Christmastime, I grew up feeling slightly “gypped,” when it came to getting presents. My family was always quite broke after Christmas, and although they always tried their best, my birthday always felt like it was something of an afterthought. Really and truly, just another cold day in January.

Of course this all changed quite dramatically in 1983, when Dr. King’s birthday was made a national holiday. Well for me, strictly as a “side effect” it also meant that my birthday suddenly became celebrated during a “three day weekend” most years.

And this year it takes on additional significance, because it is also the weekend celebrating the second inauguration of President Barrack Obama. For many Black Americans, even those who disagree with many of his policies this is a big moment in history. And not just because it is taking place on Dr. King’s birthday. It is because this second election means that perhaps that which not so long ago seemed not just impossible or even unthinkable, might actually be a normal or a regular thing. And if what was previously impossible or even unthinkable, could be normal or regular, that means there is hope for a whole lot of other things to be normal/regular as well.

And this brings me back to Angel…. http://bit.ly/XmpOGV

Angel is a dude from the Bronx. Just a regular dude. Happens to be a white dude.
http://bit.ly/XmpOGV

Musically he comes out of the same musical tradition that gave us artists like Dion, Laura Nyro, the Rascals and others. A few of you out there might call it a tradition of “blue eyed soul.” Personally I can’t stand that term. It is so shallow and in some ways is offensive. It implies somehow that the artist and their artistry is just “impossible or even unthinkable” as opposed to being “normal/regular.” One of the problems in attempting to describe music using shorthand terminology like “blue eyed soul,” simply because we are too lazy to consider what it actually is and what it might actually represent. Therefore we don’t allow ourselves the pleasure of being able to accept the “impossible or even unthinkable” as being “normal/regular.” http://bit.ly/XmpOGV

And I am here to tell you that very clearly the days of being unable to “impossible or even unthinkable” as being “normal/regular,” are over. http://bit.ly/XmpOGV

Dion, Laura Nyro, the Rascals and others from NYC who happened to be white were bonafide R&B artists. They could and should be considered to be GREAT R&B artists, simply because not only did they perform it, but they lived it. And nothing should be considered to be unusual about that. Nor should we have to insult, and marginalize their artistry by using terminology like “Blue Eyed Soul.”

And so should the music of Angel. It is quite simply a great album of what some might call R&B music. Some might call some of the songs “Classic Soul.” Some might call it “Nu Soul.” Some might call it “Blues.” Some might call it “Funk.” Some might call it “Jazz.” http://bit.ly/XmpOGV

But again, these are all shorthand names that each sorta miss the point. It’s all great Black music.

— It’s “normal/regular” because it is created by a talented cat from the Bronx. This is Big City music for Big City folks who walk down their streets with a “glide in their stride & a dip in their hips.”

–It’s “impossible or even unthinkable” because it dares/challenges the listener to consider the fact that maybe, just maybe the era of GREAT BLACK MUSIC hasn’t come to an end, simply because this kind of artistry still exists in 2013.

No surprise to me whatsoever. That’s because these two things ALWAYS holds true for all of the music that comes from Angel. And that is why I feel he may be the most important artist that I have covered over the course of the past 10 years. His music represents both the past and the future at the same time. http://bit.ly/XmpOGV

Here is the track listing:

1. 29 Ways
2. Baseball Junkie
3. Sugar Bowl
4. You’ve Lost That Lovin’ Feeling
5. Back From The Dead
6. Thought I Knew Her
7. Thought I Knew Her pt 2
8. Every Man
9. You Better Run
10. On The Other Hand
11. Fine Wine
12. Open the Door To Your Heart
13. Shag Time

Note: some of these songs are covers and some are originals. This album is far more than the sum of its parts. Although some of you may not have the “attention span,” you really should try to “swallow it whole.”

Try it, you can sample all of the tracks at his website: http://bit.ly/XmpOGV

And if you do, you might just find that what you thought was previously “impossible or even unthinkable” as being “normal/regular.”

And just like everyone finally coming to understand that the existence of something like “President Obama,” is actually quite “normal,” the existence of a work of Black Music Artistry coming from “a talented cat from the Bronx,” is quite “normal” as well.
After all, he’s only been doing it for the past few decades.

Now back to my birthday celebration….

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Echoes of an Era (Trayvon Martin & Sgt Robert Bales outrage)

I give you the following two “echoes.”
The general public seems to be outraged by these two cases, as well they should be. Both cases seem to be the very definition of what the “flip side” of the American Dream is supposed to be. Of course the media is simultaneously fueling that outrage, yet at the same time is warning us that those who appear to be the guilty parties, still must be presumed innocent.

Yet even if they are innocent, there still feels like something is terribly wrong.

1. The case of Trayvon Martin in Sanford Florida (Echoes of Emmett Till)

2. The case of Sgt Robert Bales in Afghanistan (Echoes of Lt. William Calley/Mi Lie Massacre)

A few weeks ago, I wrote about my personal disdain for the “values” of the hip hop generation. Well these two artists (Jasiri X and Sgt Dunson….along with Rebel Diaz) are the exceptions that prove the rule.

Please feel free to forward these videos to your frineds online and make them as popular as they can be. Perhaps it will encourage the mainstream music industry to start speaking out on these critical issues?

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review: Lee Fields + Sugar Pie DeSanto @ The Bell House New Years Eve Brooklyn, NY (12/31)

This long overdue review from New Year’s Eve December 31, 2011 /January 1, 2012, is going to end up being more of a “stream of consciousness,” than a typical concert review. As many of you already know, 2011 was just about the worst year of my life, with the passing of my mother on Thanksgiving day, among other things that you don’t know. So as you might well imagine, I was quite happy to see the year end and for a new one to begin.

As a general rule, I don’t go out at all on New Year’s Eve at all. I stopped doing that many years ago, for all of the obvious reasons why the best place to be on New Years Eve is right at home, in front of the TV set watching the ball drop along with Dick Clark.

However the idea of bringing in the New Year with our good friends, Lee Fields and Sugar Pie DeSanto, was inspirational for me. I knew that not only would the show be ultra phunky, but I also knew that it would be just the type of “attitude adjustment,” for me on a personal level that would enable me to start of 2012 on a positive tip.

Both are longtime members of Soul-Patrol, over 10 years in fact.
–In fact Lee Fields had attended the 2011 Soul-Patrol Convention this past summer in Philadelphia.
–And back in 2008 we were quite honored to have been in attendance when Sugar Pie DeSanto was presented with her R&B Foundation Pioneer Award.

And of course, this was Sugar Pie’s first NYC appearance in many, many years.
(Later we were to learn that she had just recently discovered that she had been born in Brooklyn.)

As “mrs. earthjuce’ and I were preparing to make the journey from New Jersey to Brooklyn for the show, something occurred that perfectly set the tone for the evening. My daughter, home from college for the Holiday break, who had previously told us that she would ge going to Philly to hang out with her friends, informs me that those plans had fallen through and wants to know if she can hang out with mom & dad for New Years Eve? Although I would never have suggested it, nothing could have made me smile more

Anyhow, the rest of this is the “stream of consciousness” that I tweeted that evening from the Bell House nightclub in Brooklyn on New Year’s Eve December 31, 2011 /January 1, 2012…

@kozmicfunk: Im sitting here in the super hip/super slick Bell House nightclub in Brooklyn with my two best girls (mrs earthjuice & rachel).
@kozmicfunk: We are waiting for the supa phunky Mr. Lee Fields and the legendary Ms. Sugar Pie DeSanto (the inspiration for Amy Winehouse) to to hit the stage.
@kozmicfunk: The instruments are on the stage, there is a huge dance floor and I am ready to throw down
@kozmicfunk: I sure as hell will be quite happy to see 2011 come to an end. Stay tuned. I’ve got some big plans for 2012.
@kozmicfunk: Be safe and just be sure to keep it FUNKY, wherever you are tonight…a seven piece band including a horn section.
@kozmicfunk: Here comes Ms. Sugar Pie…
@kozmicfunk: She has already lept off of the stage several time to dance with the audience
@kozmicfunk: She brought someone up on stage to do a real nasty slow drag with her…….LOL
@kozmicfunk: This place is SOLD OUT PACKED (and she is driving them nuts)
@kozmicfunk: In The Basement (Sugar Pie Live)……Like being in a discotheque (circa 1965)

Sugar Pie DeSanto (http://www.jasmanrecords.com

–Life Goes On
–Soulful Days
–Use Whatcha Got
–Slip In Mules
–Go Go Power
–Hello San Francisco
–In the Basement
–Let’s tear it Up
@kozmicfunk: Ball just dropped and now waiting on Lee Fields…
@kozmicfunk: while we are waiting, the DJ has been rockin some Betty Davis.
@kozmicfunk: Sugar Pie was awesome….
@kozmicfunk: We hooked up with our boy Lee (http://whoislee.com) and his lady earlier. Lee always comes out to support
@kozmicfunk: Lee Fields and the expresions just took the stage….
@kozmicfunk: If y’all miss James Brown….(“there it is”)….then ya need ta check out brotha Lee Fields
@kozmicfunk: …they are starting off with some mellow and phunky Hugh Masakela type stuff
@kozmicfunk: Horn driven and very cool.
@kozmicfunk: I think that the “Expressions” are actually the “Dap Kings?”)
@kozmicfunk: Crowd is goin wild…
@kozmicfunk: The promoter tells me there are about 600 people here in this room tonite.
@kozmicfunk: Bro Lee is doin his thang…..
@kozmicfunk: Remember the song…..”SUNNY?”
@kozmicfunk: Lee Fields just did a MONSTER cover version…..
@kozmicfunk: Brotha Lee is done….but back for an encore………..and soundin like Bobby Womack
@kozmicfunk: ….but he’s dancin like…..JB…….
@kozmicfunk: (splits n twists and everythang to some badd azz sh*t that is some kinda bizarre cross between James Brown and Bobby Womack
@kozmicfunk: …..(totally ….”wild and peaceful”)

Lee Fields & the Expressions (http://www.leefieldsmusic.com

–Expressions Theme
–Two Timer
–Here Today, Gone Tomorrow
–Money is King
–J.B.
–Love Comes and Goes
–Ladies
–Could Have Been
–Sunny
–What Can a Man Do
–You’re The Kind of Girl
–All Your Goodies are Gone
–Bewildered
–Riot
–My World

So we left the club, located in a kind of no man’s land warehouse district between Red Hook, Park Slope, Gowanus and the BQE, currently undergoing gentrification, I was told. As we drove back to NJ, thru Manhattan (to avoid the unbelievable $18.00 toll on the Verazzano Bridge,) my family was quite happy that we had gone to see Lee Fields and Sugar Pie DeSanto and that we had all gone together.

We danced
We screamed
We had a couple of drinks
I got to introduce my family to the artists.

But more importantly I got to expose my daughter to some fantastic live music. It was the cold blooded Black Music of the 1960’s (Sugar Pie DeSanto) and 1970’s (Lee Fields.) It was the REAL THING, as performed by REAL ARTISTS.

It was music whose best days some will claim, is best viewed thru the “rear view mirror of time.”
But try telling that to the 600 or so folks between the ages of 20 – 35, at the ‘sweatbox” called “Bell House” (http://www.thebellhouseny.com) who were there dancing their azzes off from start to finish, that this kind of cold blooded soul/funk is best viewed thru the “rear view mirror of time?”

Something tells me that my music does indeed have a future.
And it is a future that I am even able to share with my daughter.

How’s that for a cool way to start off the year?

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

PRESS RELEASE: “Blood Is Thicker Than The Mud; Little Sister From The Inside Out” (www.vetstone.com)

Editor’s Note: I am very pleased to send out this press release.

It’s a sneak preview of a new book that has been a long time in coming. It’s called “Blood Is Thicker Than The Mud; Little Sister From The Inside Out.” And it’s by our friend Vet Stone, the “Little Sister.” www.vetstone.com

I have been privileged enough to have been an observer over the course of the past 10 years of much of this story, and I will tell you right up front that this book is NOT for everyone:

–It is NOT for people who are interested in gossip about Sly & the Family Stone.

–It is NOT for people who “think” that they know the history of Sly & the Family Stone and who don’t want their opinions to be confronted by the truth, about that history.

–It is for people who are interested in actually understanding what the cultural & human dynamics are behind what was (and in some ways still is) one of the most compelling musical phenomena’s of the second half of the 20th Century.

The press release is from our friend Tee Watts, who many of you here know. Go to the site, check out the sample chapter and contact the author directly with your thoughts & questions, directly from the site: www.vetstone.com

(we will have more lata….Bob Davis)
——-

November 12, 2011
FOR IMMEDIDATE RELEASE

Blood Is Thicker Than The Mud;
Little Sister From The Inside Out

www.vetstone.com – Let’s see. I believe it was Sly’s running buddy, George Clinton who gave us the Pinocchio theory which stated, Fake the funk and your nose will grow. The point is, many author’s have tried to chronicle the annals of Funk from the perspective of Sly & The Family Stone. There was Joel Selvin’s Sly & The Family Stone-An Oral History, There’s A Riot Goin’ On by Miles Marshall Lewis, Sly-The Lives Of Sylvester Stewart and Sly Stone by Danny Santiago and I Want To Take You Higher-The Life and Times of Sly & The Family Stone by Jeff Kaliss. Yet to be seen is the much hyped and over-heralded, Thank You-The Story Of Sly & The Family Stone by the Nether-Twins, Edwin & Arno Konings.

Much of the afore mentioned titles are simply, to quote George Clinton, one mo gin’, Biological Speculation, i.e., on the part of the collective authors. Shoot, one of them interviewed no one connected to the band or the family to write his book. Like uh, suspend that creative license, will ya?

Vet Stone, Commandress of the Sly produced group, Little Sister and Co-Engineer with Skyler Jett of Sly’s 13 gig, 2007 European tour, has authored a very credible work, which allows the reader a glimpse into not only her life, but also into the inner workings of the Stewart family, specifically their spiritual and musical evolution. Blood Is Thicker Than The Mud takes you back to the childhood of the Stewart siblings and brings the reader to the present, inclusive of Sly Stone’s reentry into rehab in October of 2011. Heavy emphasis is placed on what really went down in 2007.

This is the Stone family from the inside out. It is not a nasty, dirty Sly Stone tell all. This the story of a proud woman who loves her family and perceives her direction from on High. A must read for any historical funkster. The book will be released on 1/1/12. Advance orders are being taken at www.vetstone.com starting 11/12/11

T. Watts
www.soul-patrol.com
West Coast Correspondent

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Album Review – Charles Wright “That Funky Thang” (“Old Soul and New Soul”)

I just did something that I haven’t done in a while. I just posted the following two reviews of Charles Wright “That Funky Thang” on my Twitter feed (@kozmicfunk) at about 9:30 am est.

REVIEW 1 – @kozmicfunk ChasWright “That Funky Thang” FUNKBANGER http://www.expressyourself.net #houseparty #invitefriends #BrownLiquor #JAM #4am #BlackPeople #RNB #FUNK RT

REVIEW 2 – @kozmicfunk ChasWright “That Funky Thang” GROOVE http://www.expressyourself.net #bestthingtoday #RachelMaddow #retrosoul #DapKings #bqemusic #fitz&tantrums RT

If you go visit my page on Twitter @kozmicunk you can view these two reviews if you like. According to Twitter I have 769 “followers.” Despite that I doubt if many of those followers will “retweet,” either of the two reviews for two reasons.

1. It’s been 3-4 months since I posted anything on Twitter, so I doubt if any of those 769 “followers” are paying attention to anything that I have to say.

2. Very few of those 769 “followers” are even awake at 9:30 am est on a Sunday morning.

Of course I knew all of this in advance, but I still wanted to post these two very different reviews, targeted at two completely different demographic groups that I feel strongly would fall in love with the album Charles Wright “That Funky Thang”, for a reason.

If you look closely at the #hashtags” contained in the two reviews, the two different demographic groups are easily apparent, given the 140 character limitations of Twitter…..(review continued here

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Garland Jeffreys – The King of In Between

As a former Fortune 500 Strategic Planner, one of the key items that I was trained to look for is something called “convergence.” That is to say, analyzing a whole series of internal/external business, technology and operational factors and looking for natural patterns of “convergence” between those factors. Doing this type of analysis on the natural patterns of convergence, would lead me to draw certain conclusions about the potential “future state” of these factors, leading me to begin to structure a strategy that would enhance/create business opportunities around certain ‘converged factors.” The implementation of that strategy is left to others to figure out.

The title of Garland Jeffreys new album is “The King Of In Between” and that title suggests a kind of “convergence.” And that convergence is a reflection of the various ‘factors’ that seemingly make up the sum total of what I will refer to here as the “Garland Jeffreys Experience.”

In the case of the album, some of these factors are obvious and we have certainly seen them displayed in the past both from Garland as well as by other artists. For example, there are songs on this album that are about existing in a world that never quite accepts the fact that you are a person of “bi-racial origins.” There are songs that celebrate the uniqness of being from NYC, and take that even one step further by celebrating being from Brooklyn……(continued here

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

2011 Soul-Patrol Convention Rewind

Right now I am sitting here eating a bagel w/cream cheese & lox. There are relatively few things that I enjoy more in life than doing that. It is probably on my top ten list of things to do.

This past weekend at the 2011 Soul-Patrol Convention, in Philadelphia at a German-American multi-purpose facility called Cannstaters, originally built as a haven for a group of people who were outcast from “normal society,” I got a chance to do most of the other 9 things in life that I enjoy doing all squeezed into a relatively compressed 24 hour time period, I wanted to throw a birthday party for an entity called Soul-Patrol that I created 15 years ago by doing much the same thing that I am doing right now. I created it by sitting in this chair, in the middle of the night, just writing down my thoughts about music/culture. I wrote what I wrote without caring if anyone else would ever read what i wrote or if they were to read it, if they would care about anything that I would have to say.

Nevertheless I was compelled to put my thoughts down on paper about a subject matter that I have been obsessed with, since I was about 10 years old. I have been obsessed with the topics of music/culture since I was a child. However as an adult I have gone beyond a simplistic obsession with the collection of factual information. I have moved to the larger obsession of just how all of that factual information just might be connected to each other and what conclusions that having an understanding of those connections will lead me to.

…..(continued here: http://www.soul-patrol.com/convention

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

2010 Best Black Music Albums, Tracks & Live Shows
(Classic Soul, Jazz, Southern Soul & Blues, Funk, Neo Soul, Rap & Rock n’ Roll)

At the outset I need to explain the purpose of these various lists. We have been producing them since the inception of Soul-Patrol.com in 1996, using various formats. The original name of Soul-Patrol.com was something called “The P*Funk Review.” It was a kind of play on the idea that we were primarily a Funk music site combined with our roots on the now defunct Prodigy Online Service (abbreviation = “P*”) where I was the music director. Of course we ceased covering just “funk music,” long ago and expanded to covering Classic Soul, Jazz, Southern Soul & Blues, Funk, Neo Soul, Rap & Rock n’ Roll.

However the “Review” portion of the original name remains true to this day. Here at Soul-Patrol.com we consider it our obligation to identify excellence in Black music, and that is the reason why we create these lists (which you are free to disagree with if you like.)

The other purpose that these lists serve is that to a large extent we use them to define what the content of the Soul-Patrol Convention will be. In 2011 we will in fact have a Soul-Patrol Convention at a time and location yet to be determined and as has always been our custom all of the folks that appear on these lists are automaticly invited to participate in the 2011 Soul-Patrol Convention

However since this year we are going to utilizing the 2011 Soul-Patrol Convention to highlight what is the 15th Anniversary of Soul-Patrol.com itself, all previous Soul-Patrol.com “Best of” awardees from all 15 previous years are also invited to participate in this year’s Soul-Patrol Convention.

Stay tuned for more information about the date and location of the 2011 Soul-Patrol Convention…

I really do hate making lists. Which means that something is going to get left off, and no doubt I have left something out? The other thing about making lists is that they are “vertical” in nature as opposed to being “horizontal.” This means that by definition a list will only tell you “half of the story.” To get the entire story, you must also do the horizontal piece, by connecting the dots together. And of course that is what we do during the course of the year in all of the music/concert reviews that we do on the www.soul-patrol.com website and in all of the hand selected playlists on www.radioio.com.

And for Black music, an entity that seems so intent on destroying itself, knowing the entire story is absolutely critical. And telling that entire story is something that I feel quite strongly about. Fortunately I am in a position to do so, simply because I get to actually hear everything from the mainstream crap to the under the radar gems that the mainstream media is trying to keep hidden from us.

View the the Soul-Patrol.com Best of 2010 2010 Best Black Music Albums, Tracks & Live Shows
(Classic Soul, Jazz, Southern Soul & Blues, Funk, Neo Soul, Rap & Rock n’ Roll) lists at this link…

Bob Davis – Soul-Patrol.com/RadioIO.com
798 Woodlane Rd
Suite 10264
Mount Holly, NJ 08060
earthjuice@prodigy.net

PRESS RELEASE: Jacques Schwarz-Bart – “RISE ABOVE” (featuring Stephanie McKay)

EDITORS NOTE: I wanted to make you all aware of the following press release, but before I do I would like to add a few items…

1. The new album from Jacques Schwarz-Bart called “RISE ABOVE” (featuring Stephanie McKay) was released yesterday. Check it out at the following link: www.brotherjacques.com

2. Of course many of you will recall Stephanie McKay and her fantastic song “RAINBOW” from the Soul-Patrol Digital/Virtual Album back in 2007. You will also recall that song was named by VIBE Magazine (Mark Anthony Neal) as one of the top 10 releases of 2007. (http://www.soul-patrol.com/newsletter/in/view1.php?id=202) and of course has been featured on the Nu Soul @ RadioIO channel

3. Well the song RAINBOW – STEPHANIE MCKAY gets it’s official/official release on the album “RISE ABOVE” by Jacques Schwarz-Bart (and we are extremely happy about that!!!) In fact Stephanie can be heard singing on most of the songs on the album. www.brotherjacques.com

4. As a part of the celebration of the release of “RISE ABOVE” Jacques Schwarz-Bart & Stephanie McKay will be doing a residency during the month of September @ the NuBlu club in NYC at 62 Avenue C, New York, NY 10009-6916.

5. And to top it all off, tomorrow (9/2) is my brother Mike’s birthday. We will be at the NuBlu club tomorrow night to check out Jacques Schwarz-Bart & Stephanie McKay LIVE. Come on out and join us if you are in the NYC area & if you can’t, check out some of the other September dates in NYC.

5. I have listened to the album “RISE ABOVE” and I like it quite a bit. If you loved the song “RAINBOW” then you are going to dig this album as well. It’s just about as perfect a blend of Jazz/Soul/Funk as we can possibly ask for in 2010. www.brotherjacques.com

Anyhow, enough of my ramblings.
Here is the press release…
(Bob Davis)

Jacques Schwarz-Bart
“RISE ABOVE”
www.brotherjacques.com

Soulful sax man Jacques Schwarz-Bart makes his Dreyfus Jazz recording debut with Rise Above, an eclectic blend of jazz and neo-soul with the earthy rhythms of the Gwoka music from his native Guadeloupe. featuring the stirring vocal stylings of former Brooklyn Funk Essentials singer Stephanie McKay. Rise Above is an epic culmination of this son of a Black Guadeloupean mother and a French Jewish father’s diverse experiences. “The great common denominator between all the styles I love, being Gwoka, Jazz, or Soul, is that the music starts with the drums. It is all about the feel,” he says. “Each of these musical forms offers me an opportunity to express my personal feelings and unique story. I always felt that they needed to come together”.

Following his arrival in New York a decade ago, Schwarz-Bart first received widespread exposure as a member of Roy Hargrove’s AfroCuban big band Crisol. He was later an important part of the trumpeter’s groundbreaking RH Factorband – one of the first and most successful jazz/urban crossovers. Schwarz-Bart’s tune “Forget Regret,” featuring McKay’s vocal, became a hit single from the band’s much acclaimed Hard Groove album. Succeeding Hargrove as leader of the horn section for neo-soul god D’angelo, the saxist began writing tunes based on a mixture of soul and jazz with gwoka flavors. After connecting with soulmate Stephanie McKay, he started writing the songs with lyrics that would come together on Rise Above: “Adding her vocal presence completed the concept, allowing me to embrace a wide range of emotions, and find an artistic balance between simplicity and abstraction,” says Jacques.

The sound of Rise Above reflects Schwarz-Bart’s impressive resume which includes work with such popular music luminaries as Erykah Badu, Meshell Ndegeocello, Eric Benet, and Soulive, as well as jazz barrier breakers James Hurt, Danilo Perez and David Gilmore, but it’s concept is distinctively the leader’s own, reflect his unique background and heritage. “This is my oldest project, and yet the one that took the longest to achieve, he says. “I was waiting to have enough experience before taking on this complex musical chemistry.” Rise Above is a concept album where each tune is whole and complete while at the same time taking a crucial part in the overall balance, like a planet in a galaxy. First and foremost it is a melodic album where every theme can be sung, which is done beautifully by both McKay vocally and Schwarz-Bart instrumentally.

Each of the ten tracks on Rise Above blend the different earthy rhythms of gwoka with jazzy harmonies and chosen nuggets of soul and funk that “thicken the sauce,” giving a modern dimension to the sound that is sure to appeal to hip audiences. In addition to the proven hit “Forget Regret,” other notable tracks include lead single “Feel So Free” (see video at http://vimeo.com/11641706), “Rainbow” and the closing “Home,” co-written with Meshell Ndegeocello.

Jacques Schwarz-Bart
“RISE ABOVE”
www.brotherjacques.com

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

Concert Review: BB King @ Keswick in Philly (July 5th, 2010)

A day late and a dollar short I’m here to review the B.B. King concert of July 5th, 2010 @ The Keswick Theatre in Glenside, Pa.. The Keswick is fast becoming the venue for seeing a concert featuring a wide, almost Ed Sullivanian array of artists.

The crowd, their antics and opinions often equal the main attraction for provocative ness and entertainment value. More about that later.

The opening act for Mr. King was a band named for it’s leader: Lukas Nelson. The irony is not lost on me that as Willie Nelson’s cousin, Lukas and band represent a new generation of blues. As representative of his family we all know how famously Willie loves to straddle that thinnest of lines that exists between bluegrass/C&W/Country-Rock and the blues and rhythm and blues.

Willie Nelson’s recordings with Ray Charles are legendary and Ray himself made a short but prosperous living dabbling in C&W. Lukas Nelson did not disappoint as he and his four band mates (drums, percussion, bass and keys) tore through a set that was reminiscent of the Big Brother and the Holding Company/Elvin Bishop/Hot Tuna sort of sound as well as the percussive Latin tinged rhythms of Carlos Santana.

You see if you don’t know now you know. ALL IS THE BLUES! Everything or mostly everything you hear and dig has some sort of connection no matter how oblique to the blues. The fact that Lukas Nelson learned his lessons well and applied his teachings appropriately with such a young group of cats indicates that there IS hope!

Now if some of my more melanin enhanced brethren could turn away from the pro-tools, vocoders, autotunes and other various ‘perfect-beat providers’ and pick up and instrument we might really see some hell raised but for now we have Lukas Nelson and band to provide for us the very best in diverse blues.

The main act Mr. B.B. King himself came on after a brief intermission. At 84 years old Mr. King eased onto the stage after the band- review-style- tore up a couple of unidentifiable but really funky tunes. At this point folk like B.B King, Herbie Hancock, Willie Nelson, Madonna, Stevie Wonder and Aretha Franklin are slices of what is called Americana. They are icons and it really doesn’t matter what they do…(review continued).

Concert Review: Sugarfoot’s Ohio Players, (Masters Of Funk) @ Dell Music Center in Philly (July 5th, 2010)

I now will get into a masterful yet truncated Sugarfoot’s Ohio Players set. First of all let it be said here that Leroy ‘Sugarfoot’ Bonner is easily one of the great soul/funk icons of all time and as it turns out a wonderfully honest and loving human being. His awareness of all around him and his need to include that into the context of his compositions both musically and spiritually make him one of my funk heroes. We interviewed Mr.Bonner and it should be up on the Soul Patrol site by week’s end. I wont say anything else personally about the man because I don’t want to take away from this beautifully conducted interview involving myself, Bob Davis and Mr. Bonner.

There’s always a headliner of the actual Masters themselves. This band is the only band that shows up in complete and they take the stage as a band unto themselves. Other Masters Of Funk may perform with them but mostly it’s just that band’s set. This occurred before with The SOS Band and tonight this role was reserved for Sugarfoot’s Ohio Players.

Weaving in and out of the Master’s set smoothly, this version of the Ohio Players is soooooo good that it makes one wonder if we can get a Night with Sugarfoot’s Ohio Players-all to themselves playing ALL of the hits.

As George Clinton, Stanley Clarke and Charlie (Uncle Charlie) Wilson have done previously Mr. Bonner has assembled some fine YOUNG (clearly no one over thirty) musicians. He’s trained em, taken all of their chops and finely honed them to fit laser-like through the eye of a needle and in so doing has created a musical entity that comes as close to any of their recordings LIVE as any of the older Ohio Players groups have EVER done…..(review continued

INTERVIEW: Larry Graham
(BY: “Dr G”: Darden and DJ Mike Hall)

“Dr G”: The best known up and coming rapper known as Drake says you are his uncle. Are you Drake’s uncle?

Larry Graham: I have not met him yet to verify this. I have read it but I don’t know. My daughter responded to his MySpace so we have reached out to him but they have not yet responded. We could be related but I don’t know yet.

“Dr G”: The first time I saw GCS was at a small club in Atlanta in 1973. I was a poor Morehouse student and you walked me into the club with your arm around me. I had no money but you and Hershall Happiness made sure I saw the show. This was your first show in Atlanta as GCS. How are Hershall and Chocolate doing and how is her funk box?

Larry Graham: Chocolate is living in LA. She toured with us a little while back and she is on the “Live in London” video soon to be available for you to see. Hershall is also on that video. I heard from him in the last 2 weeks. David Dynamite is no longer with us and Willie Wild came to a show recently. I talked to Butch a couple weeks ago.

DJ Mike Hall: The group we saw at The Birchmere the other night was very tight. When I imagine Larry Graham today, I envision a musician living his dream. You work at your own pace, enjoying family & friends, enjoying the benefits of your successes. You are not a slave to the music. You seem to be on top of things. How do you achieve that and what would you say to the young musicians about how to achieve that?

Larry Graham: Put spiritual things first and like Jesus said, you can’t serve two masters. If spirituality is first and you love the music it’s much more enjoyable and you are not so concerned about material things. You don’t want to be a slave to the music and strive after those things like King Soloman did in the Bible. They don’t know who their real friend is. We put spiritual things first and music is always a joy. I don’t have a bunch of bills so it becomes a joy and I can work when I want to.

“Dr G”: You want to speak on your spirituality and how it affects Brother Nelson (Prince) and your beautiful wife Tina.

Larry Graham: I had heard about Tina braiding hair. On the first GCS album cover you see everybody’s hair braided except David Dynamite. She breaded everybody’s hair.
“Dr G”: People ask you everywhere?
Larry Graham: It took her 8 hours to braid my hair. The whole time we talked about the Bible and God. Then Tina’s mom was baptized as a Jehovah Witness in 1974. Tina attended and contacted me and we both started studying. I was baptized a year later. I met Prince 12 years ago. GCS played the amphi-theater in Nashville while Prince was at the arena. He asked me to jam with him at a small club in Nashville. I didn’t know he was raised on my music from Sly to GCS. He had tons of questions about the Bible and eventually asked me to move to Minnesota to teach him the Bible. We were going to move from Jamaica anyway, so we moved to Minnesota to help Prince study the Bible.

DJ Mike Hall: I just want to say that the tour with you and Prince was the last time I remember you being in the DC area and that conversation on stage between you and Prince was one of the most amazing moments that I have seen on stage. That just lives with me. What’s coming up next?

Go here for the rest of the review: http://www.soul-patrol.com/funk/graham.htm

“Dr G”: Darden and DJ Mike Hall
Soul-Patrol.com
June 21, 2010

Commentary – Memo From The Grave of Lee Atwater: “When In Doubt Always Employ Race Baiting, It’s a Winning Strategy”

Who in the hell is Lee Atwater?

(and why am I wasting time writing about him, instead of an album review?)

Well Lee Atwater is an “old family friend” of the Soul-Patrol.com website. In fact the very first award that we ever got was because of Lee Atwater.

Back in 1997 I wrote an essay entitled:
“Lee Atwater and the Destruction of Black Music”
http://www.soul-patrol.com/funk/lee_at.htm

In 1998 Yahoo Internet Magazine (at that time a print publication) named Soul-Patrol.com as the Best Soul/R&B website on the entire internet. As a part of doing so, they also wrote a detailed review of the website where they sited Soul-Patrol.com as being a place that explored music on a much deeper level than just track listings, discographies, artist biographies, etc. And they said that essays like “Lee Atwater and the Destruction of Black Music,” were a big part of the reason why it was a required destination for music fans who wanted to know more than simply chart information or record industry propaganda. And of course, today we still continue along that same path (much to the displeasure of some of you)

Lee Atwater was a young political consultant from South Carolina who was the protégé of Mr. Harry S. Dent. In 1968 Harry Dent devised something called the “southern strategy” for the Presidential campaign of Richard Nixon. Of course the ‘southern strategy” was indeed a winning strategy for Nixon. While Harry Dent created the “southern strategy,” it was Lee Atwater who perfected it.

Lee Atwater was a person who was extremely knowledgeable about Black culture, in fact he was not only a big fan of Black culture, he was even a Blues musician. Some of you may even remember Lee Atwater playing the guitar alongside BB King, back in 1980’s. He was able to use his knowledge of Black culture to refine the “southern strategy” into the science that propelled the winning elections of Ronald Reagan and George HW Bush in 1980, 1984 & 1988. Using his knowledge of Black culture, Lee Atwater developed the brilliant “Welfare Queen,” “Willie Horton,” and other ad’s that scared the hell out of white voters. Lee Atwater passed away in the early 1990’s. On his deathbed he is said to have asked Black Americans for their forgiveness in using them as a “pawn” to attract white voters to the candidates that had hired him.

As you might well imagine, that essay I wrote about Lee Atwater over a decade ago has generated a whole lot of feedback over the years. I have gotten email from the KKK to Lee Atwater’s children about that essay. Of course if you read the essay (it’s still in it’s raw form, written in a burst of energy at 3am with lots of typos & mis-spellings,) you will see that I am in firm agreement with Nelson George and his book; In the book, Nelson George says, that “R&B ended around 1980.” I go one step further and suggest that the fact that R&B ended was no accident and for that we have Lee Atwater to thank….(Continued here

–Bob Davis
609-351-0154
earthjuice@prodigy.net
Co-Founder www.soul-patrol.com

PRESS RELEASE: Bob Davis Presents American Popular Music Evolution @ Keswick Theatre in Glenside, PA (12/1/2009)

PRESS RELEASE: Bob Davis Presents American Popular Music Evolution @ Keswick Theatre in Glenside, PA (12/1/2009)
http://www.keswicktheatre.com

“A most unique, constructive and instructive approach to hold a class on American Popular Music, its history, its innovators and its social/political impact over the past 100 years”

I want to let all of you know about this upcoming seminar/presentation that I will be giving in Philadelphia on 12/1/2009. If you are an educational institution in the area, I would strongly advise you to contact the Keswick for information on how your students can participate. If you are outside of the Philadelphia area or can’t make the date, and are interested in this seminar contact me directly at 609-351-0854 for information on how to bring this educational program to your area. I have delivered this program to elementry schools thru universitys and to community organizations. This interactive session highlights the most influential artists, producers, record labels, entrepreneurs across American Popular Music Styles (Blues, Country, R&B, Rock, Jazz, and Hip Hop) and cross references the two way impact across American History. It combines historical data with analysis/commentary, and multimedia capabilities, this fast paced overview a leaves the student with a clear understanding of the tapestry of the American Music Art Form and it’s intersection with American Cultural/Social/Political History.

The session is easily adapted/targeted for diverse audiences and has been presented to both small and large groups from the elementary school level to high schools, universities, community organization and seniors.

Brooklyn native Bob Davis, the creator/instructor of this class, holds degrees in Political Science and Economics from the University of Pittsburgh. After a successful career on Wall Street, he co-founded Soul-Patrol.com as a “hub” for gathering music and information. This site, one of the largest and oldest of it’s type offers many different music industry types, across multiple genres including, performers, executives and owners, writers, producers, radio and club DJs, historians and of course music fans. Mr. Davis is also a Music Director at RadioIO.com on of the Internet’s largest radio networks, where he is responsible for programming 8 different types of R&B, Rock, Hip Hop and Blues stations for a worldwide audience.

Bob Davis has consulted with entities such as Rock n’ Roll Hall of Fame, R&B Foundation, Future of Music Coalition, STAX Museum, Black Rock Coalition, Universal Music, Concord Music, Chiltin Circuit Magazine, Rhino Music, Philadelphia Black Heritage Festival, Purpose Records, Shanachie Records, Wake Forest University, and others. Bob consults with artists/labels and small businesses on Internet strategy and technology deployment. Soul-Patrol is also engaged in software development and innovative content distribution projects (ex: Soul-Patrol Virtual Album) focused on improving the deployment of music/culture on the internet.

With all of this information archived, Bob has “connected the dots” to establish not only a time line, but the connection between the various “styles” of music. The obvious and not so obvious interrelationships between Blues, Country, Rock n’ Roll, Jazz, Blues, R&B. and Hip Hop, showing a virtual “tree” and the branches of that same “tree” and the interconnection of the styles that have been the uniqueness of American Music.

The student gets an elaborate account of the evolution of these musical styles and the corresponding impact of American history. The course will compel the participants to dig even deeper.

CONTACT: Bob Davis, 609-351-0154 earthjuice@prodigy.net

–Bob Davis
609-351-0154
earthjuice@prodigy.net

ALBUM REVIEW: Mighty Sam McClain – Betcha Didn’t Know

I was introduced to Mighty Sam’s music on Soul Patrol many years ago. I had the pleasure of meeting Mighty Sam and his wife a few years ago, along with a few of my SP friends from Chicago. (and he’s a very nice person)

He has a new CD out entitled “Betcha Didn’t Know”. 13 tracks that I’m sure you will enjoy.

What I like about Mighty Sam’s music is that it’s real, and he uses a real band. (no keyboards, drum machines, etc; REAL MUSICIANS and a kick ass horn section!) Plus, Mighty Sam sounds like he’s having a great time in the studio.

From the opening track “I Can’t Stop The Funk”, is exactly what the title of the song says. A nice funky groove that will get you on your feet dancin’….(review continued here

–Gary Tyson

Radio Daze (online, offline & otherwise)

Clearly internet radio represents the future of radio. And one of the reasons for this is because of the phenomenal amount of choice and diversity that is available.

For example, in preparation for my interview a few weeks ago w/Chuck D’s AirAmerica Radio show I did a little bit of research (cuz I always like to have a few stats…..lol) over on Shoutcast, which is a server that aggregates some internet radio traffic.

On a Sunday afternoon at about 3pm Shoutcast showed that there were 500,000 + listeners streaming about 29,000 different radio stations. In my opinion these numbers are phenomenal. It’s a clear demonstration that internet radio fills the listening needs of a large segment & ever increasing segment of the population and it shows that there is a wealth of diversity in listening choices. This past week I discussed this same topic among others on the Our Common Ground with Janice Graham show on the USA Talk Network as well.

Of course I am extremely biased and I think that the internet radio that I am personally involved in both here at Soul-Patrol.Net (podcasting) and at RadioIO.com (continuous stream) represents just that type of diversity & relevancy as well.

The listenrship numbers continue to grow. For example the podcast that we did the other day on Soul-Patrol.Net radio for the artist Donnie C’s new album, had 4,000 listeners on a single day (pretty good exposure in one day for an “unknown artist”). At the same time the RnB Mix Channel (continuous stream) over on RadioIO.com gets hundreds of thousands of tune ins per month.

— Soul-Patrol’s audio outlet at www.Soul-Patrol.Net averages 70,000 + listeners each month.

— The 8 stations I run on www.RadioIO.com (Classic RnB, Nu Soul, Classic Hip Hop, RnB Mix, Blues, Today’s RnB, Top 20 HipHop & Top 20 RnB) total millions of tune ins each month. And these people don’t just tune in. They stay and leave the station on all day long at work or at home, regardless of what “segment” of the Black music marketplace each one of those stations represent. I know this because they email me all day long with running commentaries on what they are hearing.

These numbers continue to grow month after month, especially with the increasing adoption of mobile devices that are capable to tuning in these stations. Much of my email & feedback related to internet radio is coming from folks listening on Blackberry’s, iPhones & other mobile devices. And the good news is that many of these mobile users are plugging their devices into their car stereo systems and listening in their vehicles, as Chuck D told us that he does during the interview.

So clearly lots of folks are listening and more importantly, finding what they are looking for and listening from whatever devices suits their lifestyle. And that is really the whole point, being able to find what you are looking for and consuming the content in the manner that you want to consume it.

And truth be told, this is what the terrestrial broadcasters (Clear Channel, Cathy Hughes, etc.) fear even more than the passage of a bill that required them to pay the very same performance royalties to artists that internet radio has been paying for years.

As far as Black Radio is concerned, that ended in the 1980’s, when Black radio stations abandoned the communities that had made them successful and decided to go “corporate.” When you stopped hearing commercials for “Pookie’s Funeral Parlor on 119th & Malcolm X Blvd.” and started hearing commercials instead for “Enormous Corporate Scottish Brand Name Generic/Unhealthy Hamburgers”, that was the end of Black radio. These stations lost their “community focus”, because the person paying the bills (the advertisers), were no longer a part of nor did they care about the community. As a result the stations became just as bland & predictable as the “generic hamburgers” they advertised.

PREDICTION: Old skool Black radio oddly enough in the technologically advanced age we are in now has a chance to return. Black owned businesses (large & small) will now be in a position to sponsor both internet radio/tv programming. As the sponsor, they will be instrumental in insuring the voice of the community is heard.

(stay toooned….)

NP: “Give The People What They Want”
–O’Jays

–Bob Davis
609-351-0154
earthjuice@prodigy.net

2008 Best Black Music Albums, Tracks & Live Shows (Classic Soul, Jazz, Southern Soul & Blues, Funk, Neo Soul, Rap & Rock n’ Roll)

Also posted at:
http://www.soul-patrol.com/newsletter/2008/news7/bestof2008.html

These rankings are also posted on www.soul-patrol.com and www.radioio.com as well as other places around the internet. Feel free to repost them wherever you hang out at online.

I really do hate making lists. That’s because they have a beginning, a middle and an end. Which means that something is going to get left off, and no doubt I have left something out.

At any rate I have compiled a list of what I think are the very best ALBUMS (listed in rank order) and SONGS (listed in rank order/Black music style) released in 2008.

In addition to the rankings, clicking on the links below will enable you to listen to sound bytes from the associated albums and songs. If you are thinking about buying any of these, rest assured that you can buy them “sight unheard”, they are ALL wicked, jazzy, funky, soulful, rockin joints that it is my extreme pleasure to turn you on to.This is a great year for Black music (Classic Soul, Jazz, Southern Soul & Blues, Funk, Neo Soul, Rap & Rock n’ Roll), probably the best this decade! So we as music lovers had quite a bit to smile about in 2008.

Thanks in advance for your consideration…

Bob Davis – Soul-Patrol
798 Woodlane Rd
Suite 10264
Mount Holly, NJ 08060
earthjuice@prodigy.net

Also posted at:
http://www.soul-patrol.com/newsletter/2008/news7/bestof2008.html

Best of All Time in Funk/Jazz/Soul/Rock/Blues & Culture

Quite a few people have been writing in to me complaining about various lists that have been published by Rolling Stone Magazine over the years. The complaints have ranged from a lack of knowlege to outright rascim with respect to these lists. In my opinion it makes little sense in 2008 to complain about lists produced by Rolling Stone or any other entity. We are on the internet, we have mailing lists, we have message boards, we have blogs, we have the capability to create and publish our own list of who we think are the best artists, songs, etc.

THEREFORE I SAY F#@#&@#*K ROLLING STONE MAGAZINE, WE CAN CREATE OUR OWN

And over the years we have done exactly that here at Soul-Patrol.com. Not only do we announce our listing of best releases each year (and we will do so again for 2008 later this week), we also conducted a little survey of our readership back in the year 2000 of the BEST OF ALL TIME.

As selected by the “Soul-Patrol Board of Directors”, back in the year 2000, we think these are the tops in Funk, Jazz, Soul, Rock, Blues and Culture, thru the year 2000. We published these results at the following link: http://www.soul-patrol.com/2000

These results are also published in this newsletter. Scroll down and see if you concur. Share it with your friends, argue about it create your own if you like. And if you disagree, why not consider creating your own list on your MySpace page, your website, etc. In 2008 you all have the ways and means to do so, and I would encourage you to follow suit. But whatever you do, don’t complain to me about Rolling Stone, who really gives a crap about what they have to say about this topic. This is OUR music and if we actually care about it, lets start with ourselves and give it the props that it deserves.

Photos by James VandeZee

Check it out at the following link: http://www.soul-patrol.com/2000

Thanks in advance for your consideration…and next week look for Soul-Patrol’s Best of 2008 In Black Music.

Bob Davis – Soul-Patrol
798 Woodlane Rd
Suite 10264
Mount Holly, NJ 08060
earthjuice@prodigy.net

http://www.soul-patrol.com/album

http://www.soul-patrol.com/album

If you would like to ask a question about Soul-Patrol feel free to contact the ownerBob Davis

If you would like to ask a question about Soul-Patrol feel free to contact the owner Bob Davis

]]> http://soul-patrol.com/soul-patrol-black-music-black-history-classic-soul-music-rb-jazz-blues-funk-music-southern-soul-music-neo-soul-motown-stax-black-rock-black-radio-rrhof-music-doo-wop-disco-classic-h/feed/ 0 Soul http://soul-patrol.com/soul/?utm_source=rss&utm_medium=rss&utm_campaign=soul Sun, 31 May 2020 18:10:17 +0000 http://soul-patrol.com/?page_id=15

So Just What is SOUL Music Anyway?…

This web site will explore the past, present and future of the music that was the “soul” of the greatest freedom movement in the history of the United States.

Click on any of the Soul music regions to learn more..about the music/culture of SOUL

East Coast Soul Music Artists/Culture
Southern Soul Music Artists/Culture
Chicago-Detroit Soul Music Artists/Culture
Memphis Soul Music Artists/Culture
West Coast Soul Music Artists/Culture
RIP – Pate Seeger (from Martha Redbone)

Martha Redbone is one of my favorite artists today, for exactly that reason. Below is a piece that she wrote about Pete Seeger.

———–

Martha Redbone

http://www.martharedbone.com

–Bob Davis

609-351-0154

RIP – Anna Ruby Gordy Gaye

EDITOR’S NOTE: I have never met this lady.

However she has always totally fascinated me.

Someone should do a movie about her.

IMHO her story is an important component in understanding the reality of Motown and hence that story of Black music in Amerika.

Rest in peace Anna Gaye!

–Bob Davis

—-

Taken from Wikipedia

http://en.wikipedia.org/wiki/Anna_Gordy_Gaye

Life and career

Personal life

Gordy made her last public appearance with her brother Berry at a red carpet event where he was honored, in 2008. She died on January 31, 2014 at the age of 92.

–Bob Davis

609-351-0154

The Mighty Hannibal, Funk-Soul Iconoclast, Dead at 74

I know that a few of you got to see The Mighty Hannibal a few years ago in Brooklyn.

A great Funk artist! RIP

From Spin Magazine..

——

The Mighty Hannibal, Funk-Soul Iconoclast, Dead at 74

Outspoken Atlanta artist born James Shaw was a mentor to many, including Black Lips

http://www.spin.com/#articles/the-mighty-hannibal-dead-74-funk-soul-james-shaw

January 30 2014, 9:09 PM ET

His passing seems to have been quite sudden.

–Bob Davis

609-351-0154

GET Bobby Womack – “Bravest Man in the Universe”

Album Review: Bobby Womack – Bravest Man in the Universe

Track Listings:

1. The Bravest Man In The Universe

2. Please Forgive My Heart

3. Deep River

4. Dayglo Reflection

5. Sweet Baby Mine

6. Stupid

7. If There Wasn’t Something There

8. Love Is Gonna Lift You Up

9. Nothin’ Can Save Ya

10. Jubilee (Don’t Let Nobody Turn You Around)

~Andrea S. Wooten~

–Bob Davis

609-351-0154

Notes on a Dying Culture #666 (The Whitney Houston Funeral Telecast)

As I watched the Whitney Houston funeral services, as broadcast on American cable TV yesterday, several things struck me.

Here was the root of the mid 20th century Black American culture on full display for the American public to see

Of course this should come as no surprise, because this was indeed the culture that had produced Whitney Houston.

It is also the very same culture that had produced Michael Jackson, Julian Bond, Magic Johnson, Jimi Hendrix, Miles Davis, Julius Erving, Jessie Jackson, Richard Pryor, Berry Gordy and many others.

1. Black Americans who are old enough to have first hand knowledge of the American Civil Rights Movement, who are committed to those inherent set of values

I have wondered that very same thing myself…

Time will tell…

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

Concert Review: Loves Magic & Phillies Intruders @ Exton PA (Tribute Groups) Rant (FREEDOM AINT FREE) + NEW BLACK MUSIC RECCOMENDATIONS for Black History Month (pt 2)

FAIR WARNING…If you are one of these “nostalgia purists,” do yourself a favor…

DO NOT READ ANY FURTHER.

SIMPLY HIT THE DELETE KEY RIGHT NOW

SAVE YOURSELF

CUZ YOU AREN’T GOING TO LIKE WHAT FOLLOWS

However if you are a MUSIC FAN, then keep reading cuz I’m gonna inspire you….

But first you must take the following steps….

1. Close your eyes and imagine that you are in a sweaty/crowded Philadelphia inner city ballroom, with about 200 – 300 local teenagers circa 1969.

Last night I imagined all of the above…

However…

THE MUSIC WAS EXACTLY THE SAME AS WHAT ONE WOULD HAVE HEARD IN THAT INNER CITY BALLROOM IN 1969.

There are three reasons why that was the case….

2. The lead singer for the group “LOVE’S MAGIC” (Wilson Lambert – Blue Magic Tribute Group) sounded EXACTLY (and I do mean EXACTLY) like Ted Mills.

3. The lead singer for the group “PHYLIES INTRUDERS” (Tony Strong – Intruders Tribute Group) sounded EXACTLY (and I do mean EXACTLY) like Little Sonny.

4. I have seen and reviewed BOTH of these groups in the past on the Soul-Patrol.com website….

–Some of you will remember my review of the SPECTACULAR “Love’s Magic” at this same venue last year

— Some of you will remember my review of the Phillies Intruders from a couple of years ago in Baltimore

So what I had in front of me was something not a whole lot different than “Beatlemania”….

Remember the commercials for “Beatlemania???”

“NOT THE ORIGINAL ARTISTS, BUT INSTEAD AN INCREDIBLE SIMULATION….”

That is EXACTLY what occurred and transformed the 3 star Wyndam Springs Hotel in Exton PA last night, into THE EPICENTER OF CLASSIC SOUL MUSIC for at least one evening.

And guess what…

THE AUDIENCE DIDN’T CARE

THEY ONLY CARED ABOUT THE MUSIC

& THE MUSIC WAS OFF THE HOOK!!!!

Of course we love the “original artists.”

But…we also realize that a little thing called TIME, is NOT on the side of the “original artists.”

BAD NEWS: 10 years from now, there will be very few of the “original artists” still performing.

GOOD NEWS: 10 years from now TRIBUTE ARTISTS like “LOVES MAGIC,” “PHILLIES INTRUDERS,” and the INCREDIBLE SIMULATION OF MFSB,” will still be around.

(and God willing, so will I…)

As I have said in the past…

“GOD DIDN’T STOP HANDING OUT TALENT IN 1979”

(Black music really does have a future!!!!)

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

RIP – Johnny Otis, Etta James, Jimmy Castor, Bobby Purify, John Levy

yeah….we have a LOT of artists passing away. This is a trend that ncan only accelerate, and there isn’t verymuch that we can do about itb ut be sad, right?

Well, maybe not, here is an idea, that I would like you to try out…

(& IF YOU DON’T HAVE A FAVORITE ARTIST, CONTACT ME VIA EMAIL AND i WILL SUGGEST ONE THAT YOU CAN ADOPT…)

Now take a look at this excellent essay by our friend ELP about the passing of these artists…(Bob Davis)

Hire A Band

Peace

http://www.radioio.com/channels/classic-hip-hop/?rp=genre/hip-hop-soul

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

Etta James, is terminally ill

Sorry to have to report this news.

Many times I have been asked the question; “Who do you think is better, Aretha Franklin or Gladys Knight?” My answer to that question has always been:

ETTA JAMES

1. I don’t believe in lists.

2. I don’t collect music, so I have no idea what to tell you that you should collect.

However I will break my rule today, just for Etta James

Etta James (I Don’t Need Nobody To Tell Me) How To Treat My Baby

Etta James A Sunday Kind of Love

Etta James All I Could Do Is Cry

Etta James All the Way Down

Etta James Almost Persuaded

Etta James At Last

Etta James At Last (Live)

Etta James Baby What You Want Me To Do (Live)

Etta James Born On The Bayou

Etta James Born Under a Bad Sign

Etta James Cheatin’ in the Next Room

Etta James Come Back Baby

Etta James Damn Your Eyes

Etta James Do Right Woman, Do Right Man

Etta James Don’t Cry Baby

Etta James Don’t Get Around Much Anymore

Etta James Don’t Let My Baby Ride

Etta James Don’t Lose Your Good Thing

Etta James Fire

Etta James Good Rockin’ Daddy

Etta James Gotta Serve Somebody

Etta James Hawg For Ya

Etta James Here I Am (Come and Take Me)

Etta James Hoochie Coochie Gal

Etta James Hound Dog

Etta James I Don’t Want It

Etta James I Got You Babe

Etta James I Just Want to Make Love To You

Etta James I Want to Be Loved (But Only By You)

Etta James I Want to Ta-Ta You Baby

Etta James I Worship The Ground You Walk On

Etta James I’d Rather Go Blind

Etta James If I Can’t Have You

Etta James If You Want Me to Stay

Etta James I’ll Take Care of You

Etta James I’m Gonna Take What He’s Got

Etta James Inner City Blues (Make Me Wanna Holler)

Etta James It Hurts Me So Much

Etta James I’ve Been Loving You Too Long

Etta James I’ve Gone Too Far

Etta James Just A Little Bit

Etta James Let’s Straighten It Out

Etta James Life, Love & the Blues

Etta James Lover Man (Oh, Where Can He Be?)

Etta James Miss You

Etta James Misty

Etta James My Dearest Darling

Etta James My Mother in Law

Etta James Prisoner of Love

Etta James Pushover

Etta James Rhymes

Etta James Running Out of Lies

Etta James Security

Etta James Slow and Easy

Etta James Something’s Got a Hold On Me

Etta James Sookie Sookie

Etta James Spoonful

Etta James Steal Away

Etta James Stop The Wedding

Etta James Stormy Weather

Etta James Take It To The Limit

Etta James Tell Mama

Etta James The Love Of My Man

Etta James The Love You Save (May Be Your Own)

Etta James The Man I Love

Etta James The Same Rope

Etta James The Sky Is Crying

Etta James The Wallflower (Dance With Me Henry)

Etta James Trust In Me

Etta James Try A Little Tenderness

Etta James Walking The Back Streets

Etta James Watch Dog

Etta James Whatever Gets You Through The Night

Etta James W-O-M-A-N

Etta James You Got It

Etta James You Took It

Etta James You’re Gonna Make Me C

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

RIP – Vesta, Sylvia Robinson and now Marv Tarplin! Wow!

Vesta, Sylvia Robinson and now Marv Tarplin! Wow!

–ELP56

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

RIP – Smokin Joe Frazier & Heavy D (Death & Taxes)

You’ll git yo brain shook

to money took

an yo name in the undertaka’s book.

-Joe Frasier.

Peaces go with you brothers.

–ELP56

One more note on the brotha from “Money Earnin Mt. Vernon”

I dug his music.

On Classic Hip Hop @ RadioIO.com we have 17 songs by Heavy D & the Boyz in the rotation…

http://www.radioio.com/channels/classic-hip-hop/?rp=genre/hip-hop-soul

Heavy D & the Boyz – The Overweight Lovers in the House

Heavy D & the Boyz – Mr. Big Stuff

Heavy D & the Boyz – Don’t you Know

Heavy D & the Boyz – We Got Our Own Thang

Heavy D & the Boyz – Somebody For Me

Heavy D & the Boyz – Truthful (Untouchable Mix)

Heavy D & the Boyz – Gyrlz, They Love Me

Heavy D & the Boyz – Who’s the Man? [Jeep Bass]

Heavy D & the Boyz – Is it Good to you

Heavy D & the Boyz – You Can’t See What I Can See

Heavy D & the Boyz – Got Me Waiting

Heavy D & the Boyz – Now That We Found Love

Heavy D & the Boyz – Nuttin’ But Love

Heavy D & the Boyz – Black Coffee

Heavy D & the Boyz – Big Daddy

Heavy D & the Boyz – On Point

Heavy D & the Boyz – Just Coolin’ (With Levert)

RIP

Check it out…

http://www.radioio.com/channels/classic-hip-hop/?rp=genre/hip-hop-soul

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

Event Review: Gamble and Huff 40th Anniversary @ The Dell East

WDAS’ own Patti Jackson served as mistress of ceremonies for both the reception and concert.

On this night (which incidentally proved to be a precursor of sorts to The Soul Patrol Convention) the stars shone brightly in the city of brotherly love.

Hire A Band

Peace

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

NYC: Review: Park Central Hotel 11/13/2010 – Steve Arrington + Jocelyn Brown + Skyy + Double Exposure + Bow Legged Lou + Persuaders (the music, the people and the one)

First off let me start off with a few statements…

1. BLACK CULTURE IS NOT FOR SALE

Here is a summary, I will write more later…(maybe….lol)

THE MUSIC:

THE PEOPLE:

THE ONE:

I don’t buy that baloney for one second, however…

That is EXACTLY the same purpose that was served by last night’s event @ thee Park Central Hotel in NYC on a mild November Saturday night.

It was the NYC version of “congo square,” that I have been a participant in for damn dear 40 years….LOL

And I was happy to be there with “mah girl” to catch some of that vibe…

–Bob Davis

609-351-0154

Looking For The Golden Days of AM Radio? (you are just one click away from it!!!!)

Anyone here remember listening to music on AM Radio????

–Classic RnB @ RadioIO.com: It is specifically modeled on both WWRL & WNJR of the 1950’s – 1980 (http://bit.ly/1fn5cW

This channel has a “deep & wide” playlist that reflects the diversity in Black music that was a key feature of the classic AM stations located “on the far right hand side of the dial.”

Here is a List of Recent Updates To Classic RnB @ RadioIO.com:

Chee-Chee & Peppy – I Know I’m In Love

Clarence Carter – Slip Away

Earth Wind and Fire – Serpentine Fire-Saturday Nite-Can’t Hide Love-Reasons (live)

Exciters – Tell Him

Five Stairsteps – From Us To You

Five Stairsteps – Pasado

Flamingos – Boogaloo Party

Grover Washington Jr – Soulful Strut (live)

Ike and Tina Turner – Proud Mary

Ike Turner & His Delta Cats – Rocket 88

Jay & the Techniques – Keep The Ball Rollin’

Jessie Hill – Ooh Poo Pah Doo

Little Richard – Ain’t That a Shame-I Got a Woman-Tutti Frutti (live)

Little Willie John – Fever

Marvelettes – Beechwood45789 (live)

Marvelettes – Playboy (live)

Marvelettes – Someday, Someway (live)

Marvelettes – Strange I Know (live)

Marvelettes – Tossin’ and Turnin (live)

Ohio Players – O-H-I-O (Live)

Ohio Players – Fire (Live)

Ohio Players – Love Rollercoaster (Live)

Ohio Players – Skin Tight (Live)

Otis Redding – (I Can’t Get No) Satisfaction (live)

Otis Redding – I’ve Been Loving You Too Long (live)

Otis Redding – My Girl (live)

Otis Redding – Respect (live)

Otis Redding – Shake (live)

Screamin Jay Hawkins – I Put A Spell On You

Shorty Long – Devil with the Blue Dress

Sly and the Family Stone – Everyday People + Dance To The Music + Sing a Simple Song + Hey Music Lover + Higher (Live on Ed Sullivan)

Thurston Harris – Little Bitty Pretty One

Check it out and let me know what cha think: http://bit.ly/1fn5cW

–1950’s/1960’s Rock @ RadioIO.com: It is specificly modeled on WINS & WMCA of the 1950’s – 1970 (http://bit.ly/7fdjeh

Here is What A Typical Hour of 1950’s/1960’s Rock @ RadioIO.com Sounds Like:

Creedence Clearwater Revival – Susie Q

The Ventures – Walk Don’t Run

Elvis Presley – All Shook Up

Harold Dorman – Mountain Of Love

Bob Dylan – Like A Rolling Stone

The Flamingos – Boogaloo Party

Bobby Fuller Four – I Fought The Law

James Brown – Prisoner Of Love

Chuck Berry – Rock & Roll Music

Danny & The Juniors – At The Hop

Little Richard – Tutti Frutti

The Fiestas – So Fine

Bobby Lewis – Tossin’ And Turnin’

Big Maybelle – 96 Tears

Booker T And The MG’s Green Onions

The Olympics – (Baby) Hully Gully

Box Tops – The Letter

Ike & Tina Turner – Proud Mary

Beach Boys – Help Me, Rhonda

Thurston Harris – Little Bitty Pretty One

Byrds – Mr. Tambourine Man

Big Joe Turner – Corrine Corrina

Stevie Wonder – Uptight

Gladys Knight & The Pips – Letter Full Of Tears

Cannibal And The Headhunters – Land Of 1000 Dances

Betty Everett – You’re No Good

Capitols – Cool Jerk

Sonny & Cher – Baby Don’t Go

Beatles – Can’t Buy Me Love

Edwin Starr – Stop Her On Sight (S.O.S)

Elvis Presley – Hound Dog

Denise LaSalle – Trapped By A Thing Called Love

Fats Domino – Walking to New Orleans

The Flamingos – Nobody Loves Me Like You

Ray Charles – What’d I Say

Bobby Darin – Queen Of The Hop

Sam and Dave – Soul Man

The Olympics – Big Boy Pete

Booker T And The MG’s – Time Is Tight

Little Walter – Last Night

Check it out and let me know what cha think: http://bit.ly/7fdjeh

Personality on AM Radio:

In many ways this was the most important aspect to listening to the great AM radio stations of the past like WWRL, WNJR, WINS, WMCA, etc.

What I do try and do is to inject my own personality into the programming and I think that it makes a big difference to the listeners, based on what they tell me.

–Classic RnB @ RadioIO.com – http://bit.ly/1fn5cW

–1950’s/1960’s Rock @ RadioIO.com – http://bit.ly/7fdjeh

–Bob Davis

609-351-0154

Blues, Hip Hop and Soul Music Director www.radioio.com

PRESS RELEASE: Mighty Sam McClain & “Love Duets” on YouTube

Please visit these sites on YouTube to listen to Mighty Sam’s newest project recorded at Cedar House Sound and Mastering in Sutton, NH.

http://www.youtube.com/watch?v=8HMA97Bnf6Q

and

http://www.nme.com/awards/video/id/lbvlx-5eLoc/search/vahdat

Here is a link to a thorough, in-depth and insightful interview / review of this outstanding CD:

http://thebluegrassspecial.com/archive/2009/october2009/bordercrossingoct09.php

Let us know what you think and remember that his newly released “Betcha Didn’t Know” is available nation-wide and at http://www.mightysam.com

–Bob Davis

609-351-0154

LOW KEY: Low Key, Still In My Head, Hold On To Your Dreams, Sly, Slick and Wicked

PHILLY: CAMEO-PARKWAY RECORDS REUNION SHOW, feat: Charlie Gracie, Dee Dee Sharp, the Orlons and Tymes @ Cannstatter’s Crystal Ballroom. Sat. February 13th 8:00pm – 11:30pm

The Orlons and Stephen Caldwell carved up the Top 10 as well with The Wah Wahtusi, South Street, and Don’t Hang Up. Other Top 20 hits followed: Crossfire and Not Me.

The Tymes reached # 1 with So Much In Love and followed with Wonderful Wonderful (#7) , Somewhere (# 19), You Little Trust Maker (#12) and the British #1, Miss Grace

JOIN US FOR THIS HISTORIC SHOW!

Saturday Feb 13 th 8pm to 11:30pm

Cannstatter ‘s – 9130 Academy Road – Philadelphia, PA 19114

Tickets $35.00 Each, All seats reserved, Meet & Greet 7:00pm to 7:45pm

Tables can be reserved for 10 people

Full Dinner is available from 5:30pm in the main dining room, Price is $15.00

(pay when you get there)

For Tickets please send a check and a self addressed stamped envelope to:

Digi – 3580 Progress Drive,Unit J -1 – Bensalem,PA 19020

DigiConcerts.Biz or 215-983-5200

Statement from Marshall Thompson of the Chi-Lites on the passing of Robert “Squirrel” Lester

Funeral arrangements for Squirrel are the following:

His body will lie-in-state all day Wednesday, February 3, 2010 from 12:00 noon at the Harold Washington Cultural Center, 47th and King Drive, Chicago, IL.

Please keep his family members and The Chi-Lites in prayer. Squirrel is survived by his wife, Louise; 9 children, his mother and 3 sisters. .

–Marshall Thompson, leader of The Chi-Lites.

R.I.P – “Teddy Bear” March 26, 1950-January 13, 2010

The family is asking that in lieu of flowers, donations be sent to The Joan & Teddy Pendergrass Memorial, P.O. Box 382, Gladwyne, PA 19035..

(bio from Wiki)

Early life

Career

Accident

Later career

Death

In 2009, Pendergrass entered Bryn Mawr Hospital for treatment from a rare illness related to his paralysis condition. He died there on January 13, 2010, at age 59.

Revisionist History – Rod Stewart – Soulbook, (The Greatest Soul Singer of All Time)

(Soul)

WHO OWNS HISTORY?

THOSE WHO TAKE THE TIME TO DOCUMENT IT

Concert Review- Eccentric Soul Review Starring Syl Johnson- Music Hall of Williamsburg Brooklyn, New York Friday Nov. 13

Do anything you can to support this company and their live events. You certainly wont regret it.

Go here for more info: http://bit.ly/KZnpj

–Evan Ginzburg

–Bob Davis

609-351-0154

LISTEN TO: SOUL-PATROL’S TRIBUTE TO 2004 ROCK N’ ROLL HALL OF FAME INDUCTEES – THE MIGHTY DELLS

RIP JOHNNIE CARTER

World Famous Nightrain Radio Program, featuring Soul-Patrols Tribute to the Mighty Dells. Introduced by Soul-Patroller and Rock n Roll Hall of Famer, Terry Johnson of the Flamingos.

Be sure that when you listen, that you share it with your children I have

CLICK HERE TO LISTEN!

The Mighty Dells in the Soul-Patrol.com Data Base

My reflections on Micheal Jackson (RIP 1958 – 2009)

I was just interviewed and asked to give my reflections on Michael Jackson.

Here is what I said, I dunno if this is how they will run it…

–Bob Davis

For more on Michael Jackson and the Jackson Five check out the following link:

http://www.soul-patrol.com/funk/jackson5.htm

RIP – Randy Cain of The Delfonics

PHILADELPHIA (AP) Randy Cain, a founding member of the soul group the Delfonics, which had such hits as “La La Means I Love You,” has died. He was 63.

Here is a tribute to Randy Cain/Delfonics By our friend ELP…

–ELP

–Bob Davis

609-351-0154

While you are pondering this, watch & listen to Gerald Alston’s great new video of the classic “A Change Is Gonna Come”, dedicated to Senator Obama!

Will a (cultural) Change Actually Come???

(Check Out Gerald Alston’s New Music Video “A Change Is Gonna Come”)

If we accept those three things as a fact for just a moment…Lets play pretend…and ask ourselves the question, once the “newness” wears off…

What cultural changes would you predict are actually going to occur, if we were to look back at the past, 4 years from now?

–Music –Film –TV –Internet –Youth Culture –General Behavior & Attitudes

–Or will there really be little “cultural change” at all, and we will look back 4 years from now and things will be relatively the “same” as they are today?

WHAT ARE YOUR THOUGHTS???

(send me an email and let me know what’s on your mind)

–Bob Davis

609-351-0154

Click here to check out more of Soul-Patrol’s coverage of R&B Foundation Pioneer Awards

PHILLY: R&B FOUNDATION 20th ANNIVERSARY PIONEER AWARDS (9/9/2008)

The 2008 Pioneer Awards Honorees are:

Lifetime Achievement – CHAKA KHAN

Individual Artist Awards – TEENA MARIE, BILL WITHERS and SUGAR PIE DESANTO

Group Awards – KOOL & THE GANG and THE WHISPERS

Sidemen Award – THE FUNK BROTHERS

Legacy Award – DONNY HATHAWAY

Leadership Award – AL BELL of STAX RECORDS

The evening’s hosts include:

DIONNE WARWICK

BONNIE RAITT

JERRY BUTLER

WAYNE BRADY

In addtion to performances by this year’s honorees and hosts, the 2008 Pioneer Awards will feature appearances by:

WILLIAM BELL, JERRY BLAVAT, GARY US BONDS, G C CAMERON, STEVE CROPPER, VIVIAN GREEN, ANTHONY HAMILTON, MABEL JOHN, KINDRED THE FAMILY SOUL, KENNY LATTIMORE, JOHN OATES, JAGUAR WRIGHT

BETTY WRIGHT

Report From The Blues and Spirit Symposium at Domenican University

L-R: Bob Davis, Bob Jones (Legendary Chicago Blues Songwriter, Bruce Iglar of Alligator Records)

–Janice Monti, the organizer of the Blues and Spirit Symposium at Domenican University in Chicago, was given the Sister Mary Clemente Davlin Diversity Leadership Award

–I attended the Keb Mo/Robert Cray show last week @ the Keswick Theatre in Philadelphia.

It’s all posted on the web at the following link as well:

http://www.soul-patrol.com/dominican_blues_spirit_2008.htm

Check it all out and let us know what cha think?

Thanks in advance…

–Bob Davis

609-351-0154

Soulsville Sings Hitsville

It’s a Shame… (Pervis Jackson of the Spinners Passes

…That Pervis Jackson the bass singer of the Spinners passed away this week.

Later I think that I will play both versions for my daughter. I wonder if she will like either one?

After listening to Monie Love’s version, I then put on the Spinners version…

It was a pleasure to listen to the Spinners version as well. I hadn’t listened in a while and I listened to it about 10 times straight (hitting the repeat button on the CD player).

Album Review: Otis Blue: Otis Redding Sings Soul

(Classic Soul)

–Earl Gregory

Album Review: The Sound of Philadelphia – Gamble and Huffs Greatest Hits

(Classic Soul/Funk)

Here is my track by track review…(continued here….

–Bob Davis

Look for these all of these songs playing on Classic RnB @ RadioIO.com

Album Review: Cracked Ice – Soul Noir

(Classic Soul)

Find out more about this album at:

Cracked Ice – Soul Noir

Look for these songs to appear “heavy rotation” on Nu Soul @ RadioIO.com

–Bob Davis

Album Review: Teeny Tucker – Two Big M’s

(Blues/Soul/Rock n’ Roll)

“You were pioneers with a crossover style

Your presence and power would make folks bow

“Hound Dog”, “Rockhouse” and all the great tunes were cool

They only became hits when someone stole them from you”

–Bob Davis

Album Review: Ashford & Simpson- The Warner Bros. Years. Hits, Remixes and Rarities

(Warner Bros/RHINO R2 347964)

WELL NOW~~!!!

This is SPECIAL. This is a 2-CD Dance themed overview of the CLASSIC Warner Bros output of NICHOLAS ASHFORD and VALERIE SIMPSON.

And then, they brought some of the best of the new guys: Joe Claussell. Joey Negro. Dimitri From Paris. And they turned them loose on some of the same tracks on disc one to redo them on Disc Two.

STOP…..STOP right there.

Ike Turner – R.I.P. – by Phil Arnold – artist administrator, manager, agent for Ike Turner 1999 – 2007

(Southern Soul/Blues)

Most of yall don’t know the name of Phil Arnold.

He is a good friend of Soul-Patrol.

The fact that you don’t know his name isn’t really important. What is important is that he is also a good friend to all of you, even if you never realized it till just this moment.

————-

California – April 4, 2008

Ike Turner – R.I.P.

by Phil Arnold – artist administrator, manager, agent for Ike Turner 1999 – 2007

Album Review: The Dells Sing Dionne Warwicke’s Greatest Hits

(Revolutionary Pop)

1. I’ll Never Fall In Love Again

2. Walk On By

3. This Guy’s In Love With You

4. Raindrops Keep Fallin On My Head

5. I Just Don’t Know What To Do With Myself

6. Close To You

7. Trains & Boats & Planes

8. A House Is Not a Home

9. I Say a Little Prayer

10. Alfie

11. Wives & Lovers

However if you are a little older than an 11th grader, you will find quite a bit here to enjoy and savor with your significant other, who should also be a bit beyond the 11th grade as well.

Look for these songs to appear as “buzz cuts” on Nu Soul @ RadioIO.com

–Bob Davis

Album Review: Various Artists – Soulsville Sings Hitsville

(Classic Soul)

Find out more about this album at:

Look for these songs to appear “in rotation” on CLASSIC RnB @ RadioIo.com

–Bob Davis

ALBUM REVIEW – Will Downing: “After Tonight”

Click hear to read more on Will Downing and his new album….

NEW RELEASE: Angie Stone – The Art of Love and War

This of course can be a good or a bad thing.

1. If I am listening to an album during the first part of the trip, it can be better for the artist, simply because I am in a better mood.

–Bob Davis

Album Liner Notes: Billy Jones – “My Hometown”

(Blues/Soul/Funk/Southern Soul/Urban)

“Sometimes It Takes The Rest of the World a While To Catch Up To That Which We Already Know”

I am an unabashed and unapologetic fan of Billy Jones Bluz. And I have been for quite a long time.

IMHO his music along with just a handful of others represents the future of the entire genre.

I am personally conflicted in providing commentary on an album in which I am an “official” part of. And that keeps me from providing commentary on the album itself.

“Bluez From The Ancient To The Future” Click here to read the liner notes…. http://www.soul-patrol.com/soul/south.htm

–Bob Davis

Album Review: Ledisi – Lost & Found

(Nu Soul)

Check out Lost and Found

Commentary – A Real Blues Artist and Innovator (by Chick Willis)

“Blacks & Blues”

Intro: I find this letter to be both disheartening and yet inspirational to me on a personal level at the same time.

–Bob Davis

….(click here to read the rest of the Chick Willis’s commentary

–Bob Davis

MR. ARCHIE BELL (from Houston Texas)

Concert Review: The Blues Is Alright Tour 2007 – Marvin Candy Licker Sease, Mel Waiters, Shirley Brown, Bobby Blue Bland, Floyd Taylor, Johnnie Taylor Revue (March 2, 2007 ~ Columbus, Ohio)

Whatever Happened To Archie Bell (Music, Interviews, Concert Reviews and more)

at an “undisclosed location” in NYC earlier today.

Actually it’s less of an “interview” and more of a “conversation” that also included Mrs. Juanita Bell (Archie’s wife)and Soul-Patrol’s NYC Coordinator Cheryl Russell.

Our “conversation” lasted about 1.5 hours and included the following topics…

– The TRUE story of “Tighten Up”.

– Former NFL great Ricky Bell (Archie’s Brother)

– Archie’s Years @ Atlantic Records

– Archie’s Years @ Philadelphia International Records

– Archie’s Years @ TK Records

– Legendary Houston DJ/Manager Skipper Lee Frazier

– Artist Rip-offs (then and now)

– The effects of Hurricane Katrina on Houston Texas

– MFSB

– What’s a “Drell”?

– Texas FUNK

– FAKE versions of Archie Bell and the Drells

– The book “House on Fire” (the story of Philadelphia Soul)

– The past, present and future legacy of Black Music

– and more

Bob Davis:

As you read, please take a moment to click on the links about the book and check out the online chapter that Erik has provided for us.

–Bob Davis