Concert Review: NYC Nicole Henry Live @ Dizzy’s Coca Cola
So why should you check out a concert with Nicole Henry?
Well I have FIRST HAND EXPRIENCE…..
As you can see from the picture, I got to spend the evening with Nicole Henry 🙂
Her music is AWESOME, just go to her website and take a listen!
This was a night of nostalgia for me, but not quite the kind of nostalgia you might expect…
When I was a kid, circa late 60’s/early 70’s one of my favorite things to on a Friday night was to stay up late and watch the Tonight show. Of course the reason my mother would let me stay up late to watch it was because I had no school the next day. Anyhow…..the Tonight Show was a whole lot different back then than it is in 2013 or even than it was in the later years of Johnnie Carson hosting.
Back in the late 60’s/early 70’s the show was 90 minutes and it was broadcast live from NYC. And one of the things they used to have were a whole lot more live musical performances than they have today. One of the things that was a highlight for me of watching the Tonight Show back then were the appearances of any Black artists of any kind. And of course all of the major Black artists of a certain level were on. Bill Cosby, Richard Pryor, Aretha Franklin, Sammy Davis Jr., Motown artists, Jimi Hendrix, Duke Ellington, Pearl Bailey, Cab Calloway, Ella Fitzgerald, and more.
However there was this one other category of Black artists that would be on. A category that is not quite so obvious. And it is the artists of this category that watching Nicole Henry perform live brought to mind.
Who does she remind me of? Dianne Carroll, Barbara McNair, etc. 1960’s
Back at that time there were a slew of gorgeous Black females who were primarily known for their acting, but they could also sing. These were women who spoke with perfect diction, the diction of an English teacher. But most importantly they were capable of taking any material whatsoever, from any musical genre, from rock n’ roll to Broadway show and convert that tune into the kind of white hot jazz/pop performance that can simply be described as out of this world.
Sitting at the bar of Dizzy’s Jazz Coca Cola last night, watching the beautiful NYC skyline out of one eye and watching the gorgeous Ms. Nicole Henry (check that picture of her & I) do her thing was to me like watching an uninterrupted stream of those kind of late 60’s/early 70’s Tonight Show performances.
The other thing I thought about as I watched Nichole Henry was the following quote I remembered from Jessie Jackson’s 1984 Presidential Campaign; “We are Going From the outhouse to the White House…”
My thought was, ‘”we are now at the white house, so what’s next?”
Well honestly, from a musical perspective that question can and no doubt will be answered in many ways. However I think that we would be doing ourselves a serious injustice, if Nichole Henry’s way, wasn’t one of those ways.
All of the songs could have been taken from the playlist of WABC – 770 AM circa mid 1970’s.
Nostalgic show, but not one based on an oldies radio or soundtrack of your life formula. If there is a “formula” at all at work here, it is the classic formula of the smoky jazz club with a beautiful singer, in magnificent voice, backed by some crack jazz musicians.
Here was the set list….
-Stuck in the Middle With You
-So Good, So Right
-Neither One Of Us
-Big Yellow Taxi
-Waiting in Vain
-Fire and Rain
-Spirit in the Dark
- (encore) Fleetwood Mac’s ‘Landslide
Kevin Hays- piano, Rob Jost- bass, Dave Chiverton – drums, Dave Stryker- guitar
So what’s the big surprise?
In an era where we have people called “great singers” (who actually can’t sing), we have “superstars’ who lyp synch at Super Bowls & Inaugurations. We have artists who sell millions of recordings, who are unable to put together two coherent words of thanks to their audiences; we are actually quite blessed to have an artist like Nicole Henry.
What I witnessed that night at Dizzy’s was nothing short of pure Americana. Sure the songs were “old.” But she made them sound fresh and incredibly she made them sound “fresh,” by making them sound 10 years older than they were. And as a result she added an additional layer of class to those songs. They were all done in a timeless fashion. On top of that she actually talks to the audience between songs, just like they are human beings (with perfect diction of course.) Very classy and very elegant.
So that’s the big surprise. The surprise is that we are blessed to have such an artist with us here in 2013, who can take us “back to the future in such a magnificent fashion.
And I quite pleased to have experienced her artistry and I am even happier to be able to write about her impact on me, during Black History Month/2013.